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Anatomi genealogis kita yang baru yang sepenuhnya memberi kita identitas tertentu hari ini berasal dari bloking sosial kita yang terus-menerus sedang berubah. Pertarungan atas bloking inilah yang tanpa ampun kita desakkan agar survival di tengah bayang-bayang mega narasi komunal. Mitologi ini muncul sebagai serangkaian melankoli tentang segala hal yang diyakini ada atau pernah ada. Polis global yang kita huni sekarang merupakan ruang domestik baru juga bersama keterasingan jenis baru yang tak fisikal lagi. Di situ, kita mencari dan seperti menemukan kembali koloni-koloni bagi memori kolektif kita di tempat-tempat yang jauh dari asal narasi kita sendiri. Setiap adegan, setiap bidikan, setiap frame, dan seterusnya, kian terasa menjadi kode kekuatan ortodoksi yang semakin menegang dalam mengartikulasikan artefak-artefak hari ini ke transformasinya menjadi susunan di balik beragam ritus kita yang tiada henti dalam mengonsumsi pesan-pesan. Lanskap-lanskap yang muncul dari budaya ini mengubah drastis pembayangan kita akan identitas baru kita yang tak lagi tampak vertikal tetapi memuai, melebar, melesap ke dalam tumpang-tindih pengalaman-pengalaman survival. Sinema menjadi peluang tak terelakkan untuk parafrasa memasuki semua itu kendati sekadar beberapa kerjapan, seperti mata yang mengenangkan gambar-gambar yang dibingkai dalam negosiasi yang penuh kekerasan, bisa menarik kembali setiap gesture dari memori-memori yang acap luput oleh kelengahan sosial kita sendiri…

Our newly genealogical anatomy today gives us certain identity fully, stems from our social blocking which constantly changing. The struggle over this blocking pushes us to survive rabidly amid the shadows of mega communal narrative. This mythology appears as a series of melancholy about what is believed to exist or never existed. The global polis in which we live today is also a new domestic space along with new kind of alienation, which is not physical anymore. In it, we are searching and finding colonies for our collective memory in places far away from the origin of our own narrative. Every scene, every shot, every frame, and so on, more and more felt into becoming the power code of orthodoxy increasingly strained in articulating artifacts today to its transformation into arrangement behind our relentless various rites in consuming messages. Landscapes that emerged from this culture are drastically changing our imagery of our new identity that is no longer visible as vertical but expands, extends, vanishes into overlapping survival experiences. Cinema becomes inevitable opportunity to paraphrase, to enter all of these things, despite only some flickers, like eyes recalling the images framed in violent negotiation – can revoke any gesture of memories that sometimes missed by our own social inadvertence …

Kompetisi Internasional / International Competition

An Inaccurate Distance

An Inaccurate Distance (Giovanni Giaretta, Italy, 2015, 16mins)

Saida-Despite-Ashes

Saida Despite Ashes (Soumaya Bouallegui, Tunisia, 2016, 52mins)

The-Ember-the-Ashes

La Braise les Cendres / The Ember The Ashes (Nicolas Azalbert, France, 2015, 63mins)

Champ des Possibles

Champ des Possibles (Cristina Picchi, Canada/Sweden/Italy, 2015, 14mins)

Kodachrome

Kodachrome (Collectif K-14, Belgium, 2013, 63mins)

Sand

Sand (Brice Bowman, USA, 2015, 9mins)

MEN_FROM_MONTREAL_IN_NOVEMBER_ROBITAILLE_WOLKOW_2015_1

Hommes de Montréal en Novembre / Men from Montreal in November (Pascal Robitaille, Canada, 2015, 6mins)

A-Society-of-Services

Una Società di Servizi / A Society of Services (Luca Ferri, Italia, 2015, 30mins)

Break In

Break In (Mikel Aristregi & Jose Bautista, Spain, 2015, 25mins)

Zone-Zero

Zone Zero (Farzad Moloudi, Belgium, 2015, 105mins)

Mare-Mediterraneum

Mare Mediterraneum / Mediterranean Sea (Markus Keim, Austria, 2016, 10mins)

Treve

Treve / A Time to Rest (Myriam el Hajj, Lebanon, 2016, 67mins)

Poem-and-Stone

Poem and Stone (Maryam Tafakory, Iran, 2015, 10mins)

So-Long

So Long (Maria Berns, Mexico, 2016, 67mins)

Something-Horizontal1

Something Horizontal (Blake Williams, Canada, 2015, 10mins)

L'invention-de-lannee-2016

L’invention de l’annee 2016 / The Invention of the Year 2016 (Jean Seban, France, 2015, 93mins)

Letters from War

Correpondencias do Front / Letters from War (Bruna Carvalho Almeida, Brazil, 2015, 13mins)

The-Curious-Life-of-Piter-Eustaquio

The Curious Life of  Piter Eustaquio Rengifo Uculmana (Gianfranco Annichini, Peru, 2014, 72mins)

World-Cup

World Cup (Mohamad & Ahmad Malas, France, 2016, 68mins)

Postcards-to-Godzilla

Postcards to Godzilla (Louis Fried, Germany, 2015, 6mins)

karst

Karst (Vladimir Todorovic, Serbia, 2015, 80mins)

Aracati

Aracati (Aline Portugal & Julia de Simone, Brazil, 2015, 62mins)

MY_TALK_WITH_FLORENCE_Pressefotos

My Talk with Florence (Paul Poet, Austria, 2015, 128mins)

Lullaby-to-a-Sorrowful-Mystery

Hele Sa Hiwagang Hapis / A Lullaby to the Sorrowful Mystery (Lav Diaz, Philippines, 2016, 485mins)

Comments
  • FIXiMix
    Reply

    Selamat! makin bertambahlah ajang pemutaran dan penikmatan film2 eksperimental yang sejak dulu sudah ada tapi masih belum banyak.

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