Dhuha Ramadhani, Author at ARKIPEL Jakarta International Documentary and Experimental Film Festival Mon, 06 Jul 2020 18:05:15 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 51814669 ARKIPEL Twilight Zone – Candrawala: 4 films https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/ https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/#respond Tue, 07 Jul 2020 01:00:28 +0000 https://arkipel.org/?p=10539 To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout Indonesian history have never given birth to film aesthetics. In the course of all the political fluctuations mentioned beforehand, the landscape is obviously the most comprehensive kind of "recording device" that stores and takes notes on the golden age or the downfall in history that occur as a result of various changes in a specific location. If we are aware of that potential, the act of filming the landscape as itself opens up possibilities for the recorded reality of location to unfold. If we are still eager to find the “peculiar” Indonesian film aesthetic, then recording the landscape is a legitimate choice.

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