Dini Adanurani, Author at ARKIPEL https://arkipel.org/people/diniadanurani/ Jakarta International Documentary and Experimental Film Festival Tue, 03 Sep 2019 13:28:59 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.5 51814669 Watching the Past in Kultursinema #6: Gelora Indonesia Screening Session https://arkipel.org/watching-the-past-in-kultursinema-6-gelora-indonesia-screening-session/ https://arkipel.org/watching-the-past-in-kultursinema-6-gelora-indonesia-screening-session/#respond Sat, 24 Aug 2019 14:00:10 +0000 https://arkipel.org/?p=10187 The first session exhibited the old digitized film from the collection of Film Development Centre of the Ministry of Education and Culture. The second one was a tribute to Abduh Aziz, partnering with Koalisi Seni Indonesia. The films themselves were The Long March (1950) by Usmar Ismail, Inspektur Rachman (1950) by Moh. Said and Nawi Ismail, and Pulang (1952) by Basuki Effendi; while the second session exhibited Kita vs. Korupsi (2012), an anthology film by Lasja Sutanto, Emil Heradi, Ine Febrianti, and Chairun Nisa.

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]]> https://arkipel.org/watching-the-past-in-kultursinema-6-gelora-indonesia-screening-session/feed/ 0 10187 Examining the Figure Behind the Camera and Its Actors https://arkipel.org/examining-the-figure-behind-the-camera-and-its-actors/ https://arkipel.org/examining-the-figure-behind-the-camera-and-its-actors/#respond Fri, 23 Aug 2019 15:00:00 +0000 https://arkipel.org/?p=10167 The common assumption is that people’s actions and words are close to reality. If they are strayed from the truth, life will lose its stable grounds. This is what happens in the films of International Competition 09: The Performativity of Actorship within Spaces of Reality screened at Friday (08/23) at GoetheHaus, Goethe-Institut, Jakarta. At 7 PM, Anggraeni Widhiasih as the program curator explained her curatorial theme in front of an audience of 28, about the aspect of actorship in the two films that were about to screened: both in the public space and through cinema.

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]]> https://arkipel.org/examining-the-figure-behind-the-camera-and-its-actors/feed/ 0 10167 Opening Night ARKIPEL 2019: Do Not Enter, Bromocorah Only! https://arkipel.org/do-not-enter-bromocorah-only/ https://arkipel.org/do-not-enter-bromocorah-only/#respond Tue, 20 Aug 2019 16:00:52 +0000 https://arkipel.org/?p=10052 ARKIPEL – Jakarta International Documentary and Experimental Film Festival is back, with bromocorah as its theme. ARKIPEL’S Opening Night was held in GoetheHaus, Goethe Institut, Jakarta, on Monday, 20th August 2019. A crowd was forming on the foyer area since 7 PM, impatiently queuing to see what goes on behind the auditorium door, with the sign “DO NOT ENTER – ARKIPEL 2019”.

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]]> https://arkipel.org/do-not-enter-bromocorah-only/feed/ 0 10052 Understanding Bromocorah and Its Representation in “Nagabonar” https://arkipel.org/understanding-bromocorah-and-its-representation-in-nagabonar/ https://arkipel.org/understanding-bromocorah-and-its-representation-in-nagabonar/#respond Mon, 19 Aug 2019 04:00:35 +0000 https://arkipel.org/?p=9980 To capture the framing of the films in ARKIPEL – 7th Jakarta International Documentary and Experimental Film Festival with the theme bromocorah, first, the audience needs to be able to grasp the concept of “bromocorah.” Otty Widasari’s keynote speech on Monday (08/19) 9 AM attempted to give an introduction of the theme, before diving deep into it in the Forum Festival symposiums and other programs that will be screened in the next week.

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]]> https://arkipel.org/understanding-bromocorah-and-its-representation-in-nagabonar/feed/ 0 9980 Notes on Panel 2 of Forum Discussion Series on Film Archives: History Writing and Film Archives https://arkipel.org/notes-on-forum-kultursinema-2/ https://arkipel.org/notes-on-forum-kultursinema-2/#respond Fri, 15 Mar 2019 13:00:41 +0000 http://arkipel.org/?p=9245 In this second panel, we discussed history writing and film archive. as we have understood, talking about history is talking about what is recorded, a documented and constructed archive has an interest. And this is related to power.

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]]> https://arkipel.org/notes-on-forum-kultursinema-2/feed/ 0 9245 Notes on Panel 1 of Forum Discussion Series on Film Archives: Cinema Space and Film Archives https://arkipel.org/notes-on-forum-kultursinema-1/ https://arkipel.org/notes-on-forum-kultursinema-1/#respond Thu, 14 Mar 2019 06:18:00 +0000 http://arkipel.org/?p=9216 When we talk about archives, we might think about past things: objects that mark a particular era, piling up and accumulating dust because no one wants to dwell on it anymore. Archives are increasingly buried by new things that continuously arriving. However, in reality, archives can always be re-read through new perspectives to continue the production of knowledge. In terms of film, this recycles process is done through programming and curatorial practices: how to present the film archive so that the context is relevant to the audience today.

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]]> https://arkipel.org/notes-on-forum-kultursinema-1/feed/ 0 9216 Forum Festival: The Survivors https://arkipel.org/homoludens-forum-festival-the-survivors/ https://arkipel.org/homoludens-forum-festival-the-survivors/#respond Fri, 17 Aug 2018 10:18:55 +0000 http://arkipel.org/?p=9056 Forum Festival as a part of ARKIPEL homoludens – Jakarta International Documentary and Experimental Film Festival took place from 8th to 9th August 2018 at GoetheHaus, Goethe Institut Indonesien, Jakarta. Forum Festival invited participants consisting of filmmakers, activists, and critics all over Indonesia to attend five of the panels that were held. After the opening night, most of the Forum Festival participants went back to their hometowns, or the cities where they came from, with various reasons. Fausto Keiluhu, one of the participants representing Liga Film Mahasiswa, ITB, admitted that he and his friends had to go back after the opening night, because ITB students had to fill in their courses for the semester.

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]]> https://arkipel.org/homoludens-forum-festival-the-survivors/feed/ 0 9056 Kidlat Tahimik: Reclaiming our Narrative in Cinema https://arkipel.org/homoludens-reclaiming-our-narrative-in-cinema/ https://arkipel.org/homoludens-reclaiming-our-narrative-in-cinema/#respond Fri, 17 Aug 2018 10:07:27 +0000 http://arkipel.org/?p=9010 It is a fact that the daily life of Asian and African society today refers to the Western culture, as a prolonged impact of the colonization in the previous centuries. The colonization stayed until this day, in a more contemporary form: the establishment of English language as an international language, until Hollywood products that dominate the pop culture consumption around the world. Kidlat Tahimik, one of the most influential filmmakers in the Philippines, even in the Southeast Asia, realized this phenomenon, and responded to it in a new, refreshing way through his works.

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]]> https://arkipel.org/homoludens-reclaiming-our-narrative-in-cinema/feed/ 0 9010 Exploring Medium and Pessimism of the Future on the International Competition 8 https://arkipel.org/homoludens-exploring-medium-and-pessimism-of-the-future-on-the-international-competition-8/ https://arkipel.org/homoludens-exploring-medium-and-pessimism-of-the-future-on-the-international-competition-8/#respond Thu, 16 Aug 2018 11:40:30 +0000 http://arkipel.org/?p=8987 Tremor and A Room with A Coconut View demonstrated the flexibility of medium to express the ideas from the filmmakers. The visual exploration reaches its farthest point on those two films. Apart from the medium, I think they hold certain pessimism for the future in its narration, even though it was expressed in different ways.

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]]> https://arkipel.org/homoludens-exploring-medium-and-pessimism-of-the-future-on-the-international-competition-8/feed/ 0 8987 CFMDC Special Presentation: Discussing The Refusal of Status Quo and Elements of Nature https://arkipel.org/homoludens-cfmdc-special-presentation/ https://arkipel.org/homoludens-cfmdc-special-presentation/#respond Mon, 13 Aug 2018 03:32:38 +0000 http://arkipel.org/?p=8840 Canadian Filmmakers Distribution Center (CFMDC) is a non-profit institution founded in 1967 that provides a creative space and distribution channel for independent art filmmakers in Canada. In the ARKIPEL homoludens – 6th Jakarta Documentary and Experimental Film Festival, CFMDC present the works of Canadian artists and filmmakers they work with. This special presentation was divided into two sessions: on Friday (08/10) 07.00 PM, and Saturday (08/11) at 01.00 PM. Both screenings took place in Kineforum, Taman Ismail Marzuki. Lauren Howes, the executive director of CFMDC, were present in both sessions to present the films.

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