1.0ARKIPELhttps://arkipel.orgDhuha Ramadhanihttps://arkipel.org/people/dhuharamadhani/rich600338<blockquote class="wp-embedded-content" data-secret="a6vz6VZObU"><a href="https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/">ARKIPEL Twilight Zone – Candrawala: 4 films</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/arkipel-twilight-zone-candrawala-4-films/embed/#?secret=a6vz6VZObU" width="600" height="338" title="“ARKIPEL Twilight Zone – Candrawala: 4 films” — ARKIPEL" data-secret="a6vz6VZObU" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/arkipel.org/wp-content/uploads/2020/07/candrawala-2020_web-banner.jpeg?fit=1200%2C677&ssl=11200677To this day, there has never been an aesthetic that can be called as the “peculiar” Indonesian film aesthetic. Changes in the economic, social, cultural, and political system throughout Indonesian history have never given birth to film aesthetics. In the course of all the political fluctuations mentioned beforehand, the landscape is obviously the most comprehensive kind of "recording device" that stores and takes notes on the golden age or the downfall in history that occur as a result of various changes in a specific location. If we are aware of that potential, the act of filming the landscape as itself opens up possibilities for the recorded reality of location to unfold. If we are still eager to find the “peculiar” Indonesian film aesthetic, then recording the landscape is a legitimate choice.