1.0ARKIPELhttps://arkipel.orgDhanurendra Pandjihttps://arkipel.org/people/dhanupandji/Bromocorah: The Miscount — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="cXM1JzzbHA"><a href="https://arkipel.org/bromocorah-the-miscount/">Bromocorah: The Miscount</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/bromocorah-the-miscount/embed/#?secret=cXM1JzzbHA" width="600" height="338" title="“Bromocorah: The Miscount” — ARKIPEL" data-secret="cXM1JzzbHA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2019/08/b_titian_5.jpg?fit=1280%2C720&ssl=11280720There are two definitions of bromocorah — or bramacorah — on the latest version of The Great Dictionary of the Indonesian Language. Both definitions refer to the legal term, and both are related to criminal acts. But, for Akbar Yumni, jury and curator for ARKIPEL bromocorah 7th – Jakarta International Documentary and Experimental Film Festival, bromocorah is present in the figure of Ustadz Ibrahim in Titian Serambut Dibelah Tujuh (The Holy Bridge) by Chaerul Umam (1982), presented in curatorial program Image and Dissensus, Sunday, August 25, 2019 at GoetheHaus Jakarta.