1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Catch 22 - International Competition 4 — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="XyMlEis9Yx"><a href="https://arkipel.org/catch-22-international-competition-4/">Catch 22 – International Competition 4</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/catch-22-international-competition-4/embed/#?secret=XyMlEis9Yx" width="600" height="338" title="“Catch 22 – International Competition 4” — ARKIPEL" data-secret="XyMlEis9Yx" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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Referring to the previous Catch-22 illustration about the cockpit, this curatorial invites you to question again, what if those two visual modes mess up our perception of cinema and today's conflicts? Disorientation through the dismantling of this visual mode brings a genial possibility in viewing human problems trapped in a localized Operation Theater whom are increasingly aware that the proscenium is always one.https://i0.wp.com/arkipel.org/wp-content/uploads/2020/02/arkipel-logo-1080-x-564.png?fit=1080%2C564&ssl=11080564