1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/rich600338<blockquote class="wp-embedded-content" data-secret="i7Neh84o3M"><a href="https://arkipel.org/catch-22-spesial-presentation-4/">Catch 22 – Special Presentation 4</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/catch-22-spesial-presentation-4/embed/#?secret=i7Neh84o3M" width="600" height="338" title="“Catch 22 – Special Presentation 4” — ARKIPEL" data-secret="i7Neh84o3M" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> Referring to the previous Catch-22 illustration about the cockpit, this curatorial invites you to question again, what if those two visual modes mess up our perception of cinema and today's conflicts? Disorientation through the dismantling of this visual mode brings a genial possibility in viewing human problems trapped in a localized Operation Theater whom are increasingly aware that the proscenium is always one.https://i0.wp.com/arkipel.org/wp-content/uploads/2020/02/arkipel-logo-1080-x-564.png?fit=1080%2C564&ssl=11080564