1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Cinema Observes Cinema — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="PyrFUXBihc"><a href="https://arkipel.org/cinema-observes-cinema/">Cinema Observes Cinema</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/cinema-observes-cinema/embed/#?secret=PyrFUXBihc" width="600" height="338" title="“Cinema Observes Cinema” — ARKIPEL" data-secret="PyrFUXBihc" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2019/08/distant-tropic2.jpg?fit=1920%2C1080&ssl=119201080Details, generally, are not a complete certitude of a memory. Often, it exists as fragments that can mix up with other fragments from a memory of another time and space. Memory, eventually, are prone to evaporate along with the quality of signification from the events and the time passed by its rememberers. However, the camera technology brings in advantages for human beings in their attempts to grip on the memory.