1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/rich600338<blockquote class="wp-embedded-content" data-secret="RD6S6ansp0"><a href="https://arkipel.org/curatorial-program-02/">Curatorial Program – 02</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/curatorial-program-02/embed/#?secret=RD6S6ansp0" width="600" height="338" title="“Curatorial Program – 02” — ARKIPEL" data-secret="RD6S6ansp0" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/arkipel.org/wp-content/uploads/2018/08/curatorial-02-feature.gif?fit=1100%2C457&ssl=11100457“Your kind salutes my cunt.” This [statement] from the mouth of a transvestite in the mythical town of Pushkar is an ubiquitous statement that seems to resound through the universe we encounter in the films of Swaroop and Hura. There is no place here for the individual or the anthropocentric worldview that forms the basis of the dominant discourses today and this position is taken without an apology. There is an absence of the colonized both in the traditional sense and in the techno-science sense that Virilio talks about.