1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/rich600338<blockquote class="wp-embedded-content" data-secret="qZkS5AUh8J"><a href="https://arkipel.org/festival/preface/">Preface</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/festival/preface/embed/#?secret=qZkS5AUh8J" width="600" height="338" title="“Preface” — ARKIPEL" data-secret="qZkS5AUh8J" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/arkipel.org/wp-content/uploads/2020/02/arkipel-logo-1080-x-564.png?fit=1080%2C564&ssl=11080564The twilight zone is the enlargement zone, like the camera work, which allows our senses to frame with sensitivity. In the twilight zone, the relationship between the eye, lens, and screen is always a deceptive relationship. The twilight zone is knowledge that restrains itself because it is forced to live in a dominant system. Even though all this is just a matter of understanding the light, trapping it in a frame and turning it into a new reality, the reality of cinema. The reality that can be seen as bewitching charm, then later reveals the "otherworldly" to "exist".