1.0ARKIPELhttps://arkipel.orgDhanurendra Pandjihttps://arkipel.org/people/dhanupandji/Film: A Democratic Medium of Arts — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="QFy6SYJgYW"><a href="https://arkipel.org/film-a-democratic-medium-of-arts/">Film: A Democratic Medium of Arts</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/film-a-democratic-medium-of-arts/embed/#?secret=QFy6SYJgYW" width="600" height="338" title="“Film: A Democratic Medium of Arts” — ARKIPEL" data-secret="QFy6SYJgYW" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2019/08/img_7735_b_ic7_1.jpg?fit=3984%2C2240&ssl=139842240Material products from modernism come without the experience of the idea that shapes it before. The gap of understanding regarding the material products of modernism coming from the West – in this case, is a camera – is not necessarily a limitation we should mourn. Instead, that gap is a chance for other interpretations when intersecting with a certain kind of culture. Afrian Purnama, the host and curator of program International Competition 07 of ARKIPEL bromocorah – 7th Jakarta International Documentary and Experimental Film Festival, uses this chance as an entrance to express his idea regarding ARKIPEL’s theme this year; bromocorah.