1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Hari Ini Belum Ada Kabar — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="fQ8uXhd0Oe"><a href="https://arkipel.org/hari-ini-belum-ada-kabar_/">Hari Ini Belum Ada Kabar</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/hari-ini-belum-ada-kabar_/embed/#?secret=fQ8uXhd0Oe" width="600" height="338" title="“Hari Ini Belum Ada Kabar” — ARKIPEL" data-secret="fQ8uXhd0Oe" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2021/11/1-hari-ini-belum-ada-kabar.png?fit=1920%2C1080&ssl=119201080Dance was the one that links Sardono with film. As a dancer, he uses film in his journey to learn various cultures in different locations, especially in Indonesia. Initially, he intended the recording as a kind of diary, not to be showcased to the public. However, when Ari Dina Krestiawan curated the archive exhibition of Sardono W. Kusumo’s film in Singapore in 2016, apparently those films unfolded Sardono’s filmic awareness.