1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/KULTURSINEMA #7: Harimau Tjampa — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="WLbgJh7Lqq"><a href="https://arkipel.org/kultursinema-harimau-tjampa/">KULTURSINEMA #7: Harimau Tjampa</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/kultursinema-harimau-tjampa/embed/#?secret=WLbgJh7Lqq" width="600" height="338" title="“KULTURSINEMA #7: Harimau Tjampa” — ARKIPEL" data-secret="WLbgJh7Lqq" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2021/11/3-kultursinema-harimau-tjampa-scaled.jpg?fit=2560%2C1442&ssl=125601442Our choice to highlight the film Harimau Tjampa stems from the desire to explore more broadly the narrative of the search for the post-Revolution national identity in the realm of cinema. The inauguration of the film The Long March as the milestone for the first national film specifies people's imaginations about a militaristic national film, and the struggle against colonialism dominated by war and weapons. On the other hand, in 1953, the film Harimau Tjampa provided the potential to explore the idea of nationalism through the historical legacies that have shaped Indonesia to this day: traditional culture and colonialism.