1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Limit of The Infinite — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="F6OqiJgYCS"><a href="https://arkipel.org/limit-of-the-infinite/">Limit of The Infinite</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/limit-of-the-infinite/embed/#?secret=F6OqiJgYCS" width="600" height="338" title="“Limit of The Infinite” — ARKIPEL" data-secret="F6OqiJgYCS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2019/08/memento-stella.jpg?fit=2048%2C1152&ssl=120481152Camara Oscura engages the audience in the processes of image reproduction; going back and forth between the digital, analog, and non-mechanical processes. In the images that it captures, we can see the characteristics of each image production method, and also see what can and cannot be displayed by those methods. While in Memento Stella, the camera seems to surpass its nature as a recording device. Memento Stella shows us the play of light texture produced by the method of layering images. These multilayered images suggest an unlimited space, configurations of abstract light, and they do not seem to represent the physical objects captured by the camera, yet the audience can subjectively interpret them.