1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/rich600338<blockquote class="wp-embedded-content" data-secret="eXzjINxu4s"><a href="https://arkipel.org/nmt-ic3/">Noli Me Tangere – International Competition 3</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/nmt-ic3/embed/#?secret=eXzjINxu4s" width="600" height="338" title="“Noli Me Tangere – International Competition 3” — ARKIPEL" data-secret="eXzjINxu4s" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://arkipel.org/wp-content/uploads/2023/07/screenshot-2023-07-06-002548.jpg25601440From these two bodies of water that contain the heartbeat of civilization since prehistoric times, the filmmakers become archaeologists who excavate daily life in (physical and digital) locations and find pieces that unravel the continuity of history, be it in the form of humming or statues buried deep underground, Mini DV, celluloid and a computer’s recycle bin. Arranging these minuscule pieces into a chronicle which stimulates the perception of a long period. A speculation on the human relationship between humans, objects, gestures, speech, landscapes, history, and the earth as a mode of being that encompasses the whole, or in the words of one filmmaker—cosmopolitics.