1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Noli Me Tangere - International Competition 5 — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="x8KOG9RhbQ"><a href="https://arkipel.org/nmt-ic5/">Noli Me Tangere – International Competition 5</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/nmt-ic5/embed/#?secret=x8KOG9RhbQ" width="600" height="338" title="“Noli Me Tangere – International Competition 5” — ARKIPEL" data-secret="x8KOG9RhbQ" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://arkipel.org/wp-content/uploads/2023/07/screenshot-2023-07-06-225448.jpg25601440We can see these three films as the archaeological work of the filmmakers. Archaeological work that has the goal of reconstruction is achieved by filmmakers by excavating sites of violence, finding artifacts, archives and testimonies, no matter how forgetful or braggart the subject is. From these fragmentary findings, the filmmakers utilize their filibustering side, fully aware of the structures of subordination they have inherited and deal with a history that, even though it is beyond reality, has the urgency to be rethought.