1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Noli Me Tangere - International Competition 8 — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="cdJREX86DK"><a href="https://arkipel.org/nmt-ic8/">Noli Me Tangere – International Competition 8</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/nmt-ic8/embed/#?secret=cdJREX86DK" width="600" height="338" title="“Noli Me Tangere – International Competition 8” — ARKIPEL" data-secret="cdJREX86DK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://arkipel.org/wp-content/uploads/2023/07/screenshot-2023-07-07-000445.jpg25601440The camera, as a tool with a peephole on one side and a lens on the other, establishes clearly which is the subject and which is the object, who sees and who is being seen. As the golden child of modernism, it solidifies man's position as the image-maker and framer of the world.