1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Noli Me Tangere - International Competition 9 — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="geKTzlN88e"><a href="https://arkipel.org/nmt-ic9/">Noli Me Tangere – International Competition 9</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/nmt-ic9/embed/#?secret=geKTzlN88e" width="600" height="338" title="“Noli Me Tangere – International Competition 9” — ARKIPEL" data-secret="geKTzlN88e" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://arkipel.org/wp-content/uploads/2023/07/mgst_still_3-tulapop-saenjaroen-scaled.jpeg25601922The collection of films in this curatorial program is like an anthology of millennium poetry that shows the current phenomenon of ordinary people talking about themselves, distancing themselves from political frictions. This is a map of the location of millennials, whose continuum is in social simulation, and can be seen as a form of disregard for the dominant cinema culture.