1.0ARKIPELhttps://arkipel.orgNadia Adilinahttps://arkipel.org/people/nadiaadilina/Notes on Curatorial of “Looking at Costa Cinematic Realism” — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="CDfR5dCtD4"><a href="https://arkipel.org/notes-curatorial-looking-costa-cinematic-realism/">Notes on Curatorial of “Looking at Costa Cinematic Realism”</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/notes-curatorial-looking-costa-cinematic-realism/embed/#?secret=CDfR5dCtD4" width="600" height="338" title="“Notes on Curatorial of “Looking at Costa Cinematic Realism”” — ARKIPEL" data-secret="CDfR5dCtD4" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2016/09/dscf9552.jpg?fit=1024%2C683&ssl=11024683Zikri said that three films in this curatorial program are connected because of the production method chosen by Costa. He tried to stay in Fontainhas, recording all three with DV cameras without involving a lot of the crew. The intimacy formed between subjects with him, which then able to cut the existing gap. Interpretation of the scene and visual also left entirely to his players, describing a real quality of life of citizens in Fontainhas.