1.0ARKIPELhttps://arkipel.orgDini Adanuranihttps://arkipel.org/people/diniadanurani/Notes on Panel 1 of Forum Discussion Series on Film Archives: Cinema Space and Film Archives — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="9rooShqr7V"><a href="https://arkipel.org/notes-on-forum-kultursinema-1/">Notes on Panel 1 of Forum Discussion Series on Film Archives: Cinema Space and Film Archives</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/notes-on-forum-kultursinema-1/embed/#?secret=9rooShqr7V" width="600" height="338" title="“Notes on Panel 1 of Forum Discussion Series on Film Archives: Cinema Space and Film Archives” — ARKIPEL" data-secret="9rooShqr7V" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://i0.wp.com/arkipel.org/wp-content/uploads/2019/03/forum-kultursinema-day-1_23.jpeg?fit=1040%2C588&ssl=11040588When we talk about archives, we might think about past things: objects that mark a particular era, piling up and accumulating dust because no one wants to dwell on it anymore. Archives are increasingly buried by new things that continuously arriving. However, in reality, archives can always be re-read through new perspectives to continue the production of knowledge. In terms of film, this recycles process is done through programming and curatorial practices: how to present the film archive so that the context is relevant to the audience today.