1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/Spatial Memory in the Mechanical Bodies — ARKIPELrich600338<blockquote class="wp-embedded-content" data-secret="01HDEfG1w6"><a href="https://arkipel.org/spatial-memory-in-the-mechanical-bodies/">Spatial Memory in the Mechanical Bodies</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/spatial-memory-in-the-mechanical-bodies/embed/#?secret=01HDEfG1w6" width="600" height="338" title="“Spatial Memory in the Mechanical Bodies” — ARKIPEL" data-secret="01HDEfG1w6" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]> */
</script>
https://arkipel.org/wp-content/uploads/2019/07/come-to-me-paradise-1024x572.jpg1024572One of the most bitter examples of irony is how history will repeat itself. In documentary development, the presence of the body and space, as reflections of the retention of past events and ideas, is a mode of artistic endeavour in offering and redefining the primordial history of its background subjects. Its presence often constitutes an actual representation in narrating a story; its structure allows the emergence of new interpretations and dialogue opportunities compatible to our reading today. The effort to get a mechanical capture in every shot, which is then arranged on the construction of reality, makes them special for the process of dissecting the reality itself. The play and the cross between the subjective-objective representation and the recorder merge like a biological bond of the reality that is affirmed in the mechanical frame, in order to show its cinematic truth.