1.0ARKIPELhttps://arkipel.orgArkipelhttps://arkipel.org/people/arkipel/rich600338<blockquote class="wp-embedded-content" data-secret="MBTZGnCrNh"><a href="https://arkipel.org/watching-shadows/">Watching Shadows</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://arkipel.org/watching-shadows/embed/#?secret=MBTZGnCrNh" width="600" height="338" title="“Watching Shadows” — ARKIPEL" data-secret="MBTZGnCrNh" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://i0.wp.com/arkipel.org/wp-content/uploads/2021/11/ojo-guarena_9-1.png?fit=1920%2C1080&ssl=119201080Like the framing mechanism in cinema, an image is inseparable from power in the form of gaze regime, authorship regime, discourse regime, ideological regime, even political regime. The reductionist tendency in camera when it frames the reality—the realm of image—let simultaneously excludes the reality outside its frame, to put it another way, the interpretations of certain facts in the existing reality, may actually explain something that is not explained in reality outside the frame. Through this curatorial, I invite you to explore in which we can enter or even jump outside the frame to understand how the shadow works in a cinema room.