{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Niskala H. Utami","author_url":"https:\/\/arkipel.org\/people\/contact-niskalahapsari\/","title":"International Competition 07: Continuously Walking Westward, Eventually Turning Eastward &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jEV1FN3feM\"><a href=\"https:\/\/arkipel.org\/continuously-walking-westward\/\">International Competition 07: Continuously Walking Westward, Eventually Turning Eastward<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/continuously-walking-westward\/embed\/#?secret=jEV1FN3feM\" width=\"600\" height=\"338\" title=\"&#8220;International Competition 07: Continuously Walking Westward, Eventually Turning Eastward&#8221; &#8212; ARKIPEL\" data-secret=\"jEV1FN3feM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/arkipel.org\/wp-content\/uploads\/2021\/12\/3_mary-mary-so-contrary.png","thumbnail_width":1911,"thumbnail_height":816,"description":"Nelson Yeo's work, Mary, Mary, So Contrary (2019) questions the white lifestyle that has been praised by the media consists of. This Singaporean film borrows footage from the Western film, The Lady Vanishes (1938), and the Eastern film, Spring in a Small Town (1948) to be combined into a moving collage."}