{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Dini Adanurani","author_url":"https:\/\/arkipel.org\/people\/diniadanurani\/","title":"Examining the Figure Behind the Camera and Its Actors &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ymexF41aGK\"><a href=\"https:\/\/arkipel.org\/examining-the-figure-behind-the-camera-and-its-actors\/\">Examining the Figure Behind the Camera and Its Actors<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/examining-the-figure-behind-the-camera-and-its-actors\/embed\/#?secret=ymexF41aGK\" width=\"600\" height=\"338\" title=\"&#8220;Examining the Figure Behind the Camera and Its Actors&#8221; &#8212; ARKIPEL\" data-secret=\"ymexF41aGK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2019\/08\/1710308_b_ic9_4.jpg?fit=1280%2C720&ssl=1","thumbnail_width":1280,"thumbnail_height":720,"description":"The common assumption is that people\u2019s actions and words are close to reality. If they are strayed from the truth, life will lose its stable grounds. This is what happens in the films of International Competition 09: The Performativity of Actorship within Spaces of Reality screened at Friday (08\/23) at GoetheHaus, Goethe-Institut, Jakarta. At 7 PM, Anggraeni Widhiasih as the program curator explained her curatorial theme in front of an audience of 28, about the aspect of actorship in the two films that were about to screened: both in the public space and through cinema."}