{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Valencia Winata","author_url":"https:\/\/arkipel.org\/people\/valenciawinata\/","title":"Keynote Speech: Returning to Animism in Southeast Asia Cinema Exhibition &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"w2PEXoSx6v\"><a href=\"https:\/\/arkipel.org\/forum-festival-2021-keynote-speech\/\">Keynote Speech: Returning to Animism in Southeast Asia Cinema Exhibition<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/forum-festival-2021-keynote-speech\/embed\/#?secret=w2PEXoSx6v\" width=\"600\" height=\"338\" title=\"&#8220;Keynote Speech: Returning to Animism in Southeast Asia Cinema Exhibition&#8221; &#8212; ARKIPEL\" data-secret=\"w2PEXoSx6v\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2021\/11\/whatsapp-image-2021-11-26-at-16.14.42-e1638026142717.jpeg?fit=1280%2C371&ssl=1","thumbnail_width":1280,"thumbnail_height":371,"description":"In ARKIPEL Twilight Zone Forum Festival, May Adadol Ingawanij\u2019s speech \u201cAnimistic Apparatus\u201d examined the genealogies of outdoor cinema practices in Southeast Asia, especially Thailand, and argued that film in this practice functions as an encounter and communication tool between human and non-human."}