{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Agatha Danastri Dian Pertiwi","author_url":"https:\/\/arkipel.org\/people\/agathadanastri\/","title":"Candrawala: Fluidity of the Indonesian Cinema Experimentation Arena &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yDIMSCu0u5\"><a href=\"https:\/\/arkipel.org\/homoludens-fluidity-of-the-indonesian-cinema-experimentation-arena\/\">Candrawala: Fluidity of the Indonesian Cinema Experimentation Arena<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/homoludens-fluidity-of-the-indonesian-cinema-experimentation-arena\/embed\/#?secret=yDIMSCu0u5\" width=\"600\" height=\"338\" title=\"&#8220;Candrawala: Fluidity of the Indonesian Cinema Experimentation Arena&#8221; &#8212; ARKIPEL\" data-secret=\"yDIMSCu0u5\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2018\/08\/candrawala-3.jpg?fit=1280%2C854&ssl=1","thumbnail_width":1280,"thumbnail_height":854,"description":"Upon the presence of advanced technology, such as smartphones and social media, we have arrived at an expanding audiovisual arena; beyond the activities of recording and being watched, but also self-exhibition. In this digital generation, the audiovisual content creator also has a purpose beyond capturing the reality through the camera, but they have the urge to share and make a statement. For example, the emergence of Instagram Story and Snapchat becomes a space for us to share our daily lives. This also spreads to the concept of Indonesian filmmaking, bringing forth this gesture and technological discourse of here and now, making the act of recording, watching, and self-exhibiting has less limit and gets connected all together."}