{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Dini Adanurani","author_url":"https:\/\/arkipel.org\/people\/diniadanurani\/","title":"Kidlat Tahimik: Reclaiming our Narrative in Cinema &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Uc6ZJkQXSj\"><a href=\"https:\/\/arkipel.org\/homoludens-reclaiming-our-narrative-in-cinema\/\">Kidlat Tahimik: Reclaiming our Narrative in Cinema<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/homoludens-reclaiming-our-narrative-in-cinema\/embed\/#?secret=Uc6ZJkQXSj\" width=\"600\" height=\"338\" title=\"&#8220;Kidlat Tahimik: Reclaiming our Narrative in Cinema&#8221; &#8212; ARKIPEL\" data-secret=\"Uc6ZJkQXSj\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2018\/08\/kidlat-4-8.jpg?fit=1280%2C853&ssl=1","thumbnail_width":1280,"thumbnail_height":853,"description":"It is a fact that the daily life of Asian and African society today refers to the Western culture, as a prolonged impact of the colonization in the previous centuries. The colonization stayed until this day, in a more contemporary form: the establishment of English language as an international language, until Hollywood products that dominate the pop culture consumption around the world. Kidlat Tahimik, one of the most influential filmmakers in the Philippines, even in the Southeast Asia, realized this phenomenon, and responded to it in a new, refreshing way through his works."}