{"version":"1.0","provider_name":"ARKIPEL","provider_url":"https:\/\/arkipel.org","author_name":"Julita Pratiwi","author_url":"https:\/\/arkipel.org\/people\/juliapratiwi\/","title":"Yang Berkesan dari The Peasants of The Second Fortress &#8212; ARKIPEL","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"OdEekXjWy8\"><a href=\"https:\/\/arkipel.org\/yang-berkesan-dari-the-peasants-of-the-second-fortress\/\">Yang Berkesan dari The Peasants of The Second Fortress<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/arkipel.org\/yang-berkesan-dari-the-peasants-of-the-second-fortress\/embed\/#?secret=OdEekXjWy8\" width=\"600\" height=\"338\" title=\"&#8220;Yang Berkesan dari The Peasants of The Second Fortress&#8221; &#8212; ARKIPEL\" data-secret=\"OdEekXjWy8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Juve-Sandy-Setyawan-Juve_ARKIPEL-\u00a9-2014-Pemutaran-Shinsuke-Ogawa-2_02.jpg?fit=960%2C640&ssl=1","thumbnail_width":960,"thumbnail_height":640,"description":"Terdapat delapan pengunjung di buku pendaftaran pada lima menit sebelum filem ditayangkan. Sebagai lanjutan dari filem Summer in Narita (1968), filem dokumenter ini melanjutkan cerita perjuangan petani Narita dalam mempertahankan tanah pertaniannya dari Pemerintah Jepang yang ingin menjadikan tanah itu bandar udara. Tampak, di dalam filem, baku tembak antara kubu petani Narita dan polisi, yang mulai memanas. Polisi dan kontraktor bandara telah membakar lahan pertanian para petani. Mau tak mau, para petani membangun beberapa benteng untuk mempetahankan wilayah pertaniannya."}