{"id":12403,"date":"2024-07-20T18:26:30","date_gmt":"2024-07-20T11:26:30","guid":{"rendered":"https:\/\/arkipel.org\/?page_id=12403"},"modified":"2024-07-20T18:26:30","modified_gmt":"2024-07-20T11:26:30","slug":"2024candrawala","status":"publish","type":"page","link":"https:\/\/arkipel.org\/2024candrawala\/","title":{"rendered":"ARKIPEL 2024: Garden of Earthly Delights Candrawala"},"content":{"rendered":"[vc_row][vc_column][rev_slider_vc alias=”goed-international-competition”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_custom_heading text=”ARKIPEL
\nJakarta
\nDocumentary
\n&
\nExperimental
\nFilm Festival
\n2024″ font_container=”tag:p|font_size:20|text_align:left|line_height:1″ google_fonts=”font_family:Hind%3A300%2Cregular%2C500%2C600%2C700|font_style:600%20bold%20regular%3A600%3Anormal”][vc_empty_space][vc_custom_heading text=”Garden
\nof
\nEarthly
\nDelights” font_container=”tag:p|font_size:60|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_empty_space height=”64px”][vc_custom_heading text=”CANDRAWALA” font_container=”tag:p|font_size:60|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][\/vc_column][vc_column width=”3\/4″][vc_custom_heading text=”INTRODUCTION” font_container=”tag:p|font_size:30|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_tta_tabs active_section=”2″][vc_tta_section title=”English” tab_id=”1708682488024-0083395f-fe25″][vc_column_text css=”.vc_custom_1721474314224{margin-bottom: 0px !important;}”]The direction of camera movement in a film is controlled by the director as the visual fulcrum that determines how the narrative is conveyed. As the director, he or she delivers his or her perspective and technical decisions to the cameraman-such as camera movements, juxtaposition, and point-of-view changes-to reflect his or her desire for reality and the film’s narrative through recording. This desire is at the core of the cinematic principle. The collection of films in this Candrawala program illustrates the dialectic between time and duration. ARKIPEL-Jakarta Documentary & Experimental Film Festival ‘Garden of Earthly Delights’ 2024 will read this desire to record as a form of sensory exploration and worldly reflection.[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Bahasa Indonesia” tab_id=”1708682488012-ebe49d09-0171″][vc_column_text css=”.vc_custom_1721474296790{margin-bottom: 0px !important;}”]Pengarahan perpindahan kamera dalam film dikendalikan oleh sutradara sebagai titik tumpu visual yang menentukan bagaimana narasi disampaikan. Sebagai pengarah, sutradara mengantarkan perspektif dan keputusan teknisnya kepada kamerawan\u2014seperti pergerakan kamera, pengaturan jarak gambar, dan perubahan sudut pandang\u2014untuk mencerminkan hasratnya terhadap realitas dan narasi film, lewat perekaman. Hasrat ini menjadi inti dari prinsip sinematik. Kumpulan film dalam program Candrawala kali ini menggambarkan dialektika antara waktu dan durasi. ARKIPEL-Jakarta Documentary & Experimental Film Festival \u2018Garden of Earthly Delights\u2019 2024 akan membaca hasrat merekam tersebut sebagai bentuk penjelajahan indrawi dan refleksi duniawi[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1720867836604{margin-bottom: 0px !important;}”]\n

Difraksi<\/h1>\n

INDONESIA
\nSigat Rambito (2024)<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”12353″ img_size=”large”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1721474470156{margin-bottom: 0px !important;}”]\n

Lamun<\/h1>\n

INDONESIA
\nShelvira Alyya (2022)<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”12406″ img_size=”large”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1721474567689{margin-bottom: 0px !important;}”]\n

Outside the Frame<\/h1>\n

INDONESIA
\nMicko Boanerges (2023)<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”12407″ img_size=”large”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1721474667993{margin-bottom: 0px !important;}”]\n

Batu Tinjang<\/h1>\n

INDONESIA
\nAlya Maolani (2023)<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”12408″ img_size=”large”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1721474696484{margin-bottom: 0px !important;}”]\n

Rest In God’s Light<\/h1>\n

INDONESIA
\nMade Virgie Avianthy (2023)<\/h3>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”12409″ img_size=”large”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][rev_slider_vc alias=”goed-international-competition”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_custom_heading text=”ARKIPEL Jakarta Documentary & Experimental Film Festival 2024″ font_container=”tag:p|font_size:20|text_align:left|line_height:1″ google_fonts=”font_family:Hind%3A300%2Cregular%2C500%2C600%2C700|font_style:600%20bold%20regular%3A600%3Anormal”][vc_empty_space][vc_custom_heading text=”Garden of Earthly Delights” font_container=”tag:p|font_size:60|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_empty_space height=”64px”][vc_custom_heading text=”CANDRAWALA” font_container=”tag:p|font_size:60|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][\/vc_column][vc_column width=”3\/4″][vc_custom_heading text=”INTRODUCTION” font_container=”tag:p|font_size:30|text_align:left|color:%23000000|line_height:1″ google_fonts=”font_family:Noto%20Sans%3Aregular%2Citalic%2C700%2C700italic|font_style:700%20bold%20regular%3A700%3Anormal”][vc_tta_tabs active_section=”2″][vc_tta_section title=”English” tab_id=”1708682488024-0083395f-fe25″][vc_column_text css=”.vc_custom_1721474314224{margin-bottom: 0px !important;}”]The direction of camera movement in a film is controlled by the director as the visual fulcrum that determines how the narrative is […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"\nARKIPEL 2024: Garden of Earthly Delights Candrawala — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/2024candrawala\/\" \/>\n<meta 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