{"id":12503,"date":"2024-08-20T01:01:21","date_gmt":"2024-08-19T18:01:21","guid":{"rendered":"https:\/\/arkipel.org\/?page_id=12503"},"modified":"2024-08-30T18:10:15","modified_gmt":"2024-08-30T11:10:15","slug":"schedules-3","status":"publish","type":"page","link":"https:\/\/arkipel.org\/","title":{"rendered":"ARKIPEL 2024: Garden of Earthly Delights, schedules 2"},"content":{"rendered":"[vc_row][vc_column][rev_slider_vc alias=”goed-international-competition”][\/vc_column][\/vc_row][vc_row fullwidth=”true”][vc_column width=”1\/4″][vc_custom_heading text=”THE EXHIBITION” font_container=”tag:h2|text_align:left|color:%23f59599″ google_fonts=”font_family:Montserrat%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_row_inner][vc_column_inner][vc_column_text css=”.vc_custom_1724087958380{margin-bottom: 0px !important;}”]MUSEUM SENI RUPA dan KERAMIK<\/p>\n
19.00<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row fullwidth=”true”][vc_column width=”1\/4″][vc_custom_heading text=”FORUM FESTIVAL” font_container=”tag:h2|text_align:left|color:%23f59599″ google_fonts=”font_family:Montserrat%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_row_inner][vc_column_inner][vc_column_text css=”.vc_custom_1724087948974{margin-bottom: 0px !important;}”]PUSAT STUDI JEPANG 09:30 – 10:00 | <\/span>Opening<\/span><\/b><\/p>\n 10:00-12:00 | <\/span>Keynote Speech<\/span> 13:00 – 15:00 | <\/span>PANEL 1<\/span> 15:15 – 17:15 | PANEL 2<\/span> <\/p>\n 09:00 – 11:30 | PANEL 3<\/span> 13:30 – 15:30 | PANEL 4<\/span> 15:45 – 17:45 | PANEL 5<\/span> 13:00 | International Competition 5 <\/b>16:00 | International Competition 8 <\/p>\n 19:00 | Curatorial Program <\/p>\n 13:00 | <\/b>International Competition 6 16:00 | International Competition 7 19:00 | International Competition 4 13:00 | International Competition 1 16:00 | International Competition 9 <\/p>\n 19:00 | Curatorial Program<\/span> <\/p>\n 13:00 | International Competition 2<\/span> 16:00 | International Competition 3<\/span> 19:00 | Curatorial Program<\/span> 16:00 | International Competition 10 <\/p>\n 19:00 | Curatorial Program<\/span> <\/p>\n 16:00 | Curatorial Program<\/span> 19:00 | Curatorial Program <\/p>\n
\nUNIVERSITAS INDONESIA<\/p>\n22 August 2024<\/b><\/span><\/h2>\n
\n<\/b>by<\/i><\/span> Nindityo Adipurnomo<\/p>\n
\n<\/b>Merasakan Indra Kita
\n<\/b>Sense Our Senses<\/b><\/span>
\n<\/b><\/span>Speakers
\n<\/i>Stanislaus Sunardi (Indonesia)
\nAryo Danusiri (Indonesia)
\n<\/span>Dhianita Kusuma Pertiwi (Indonesia)<\/p>\n
\n<\/b>Sensasi Kota
\n<\/b>City Sensation<\/b><\/span>
\n<\/b><\/span>Speakers
\n<\/i>Ali Hussein AlAdawy (Egypt)
\nMarco Kusumawijaya (Indonesia)
\nYola Yulfianti (Indonesia)<\/p>\n23 August 2024<\/b><\/span><\/h2>\n
\n<\/b>Gerakan Sensibel
\n<\/b>Sensible Movement<\/b><\/span>
\n<\/b><\/span>Speakers
\n<\/i>Wahyu Budiman Dasta (Sigisora, Jakarta)
\n<\/span>Ignatius Suluh Putra (Proyek Edisi, Yogyakarta)
\nTaufiqurrahman \u201cKifu\u201d (Mutual Study, Palu)<\/p>\n
\n<\/b>Meretas Teknologi Media dengan <\/b>Pendekatan Vernakular
\n<\/b>Hacking Media\u00a0<\/span><\/b>Technology with a Vernacular Approach<\/b><\/span>
\n<\/b><\/span>Speakers
\n<\/i>Otty Widasari (Indonesia)
\nNguyen Trinh Thi (Vietnam)
\nLintang Raditya (Indonesia)<\/p>\n
\n<\/b>Estetika Multisensori
\n<\/b>Multisensory Aesthetic<\/b><\/span>
\n<\/b><\/span>Speakers
\n<\/i>Veronika Kusumaryati (Indonesia\/AS)
\nSuk-Jun Kim (South Korea)
\nAfrizal Malna (Indonesia)<\/p>\n[\/vc_column_text][vc_separator][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″][vc_custom_heading text=”FILM SCREENING” font_container=”tag:h2|text_align:left|color:%23f59599″ google_fonts=”font_family:Montserrat%3Aregular%2C700|font_style:700%20bold%20regular%3A700%3Anormal”][vc_column_text css=”.vc_custom_1724089630121{margin-bottom: 0px !important;}”]BIOSKOPFORLEN[\/vc_column_text][vc_column_text css=”.vc_custom_1725009016097{margin-bottom: 0px !important;}”]\n25 August 2024<\/b><\/span><\/h2>\n
\n<\/b><\/span>Joy
\nSweet Plastik
\nHarvesting The Net. A Tale of Digital Gardening<\/p>\n
\n<\/b><\/span>373, Pasteur Street
\nOf Times and Memories
\nVague Du Midi
\nDifraksi
\nThe Kitten\u2019s Tea Party
\nMarch 8th 2020, A Memoir<\/a><\/p>\n
\n<\/b><\/span>Refleksi Sinema Taiwan 1960-an
\n<\/b>Reflection on Taiwan Cinema in the 1960s<\/b>
\n<\/b>Liu Pi-Chia (Digital Restoration)
\nThe Mountain (Digital Restoration)
\nA Morning in Taipei
\nLife Continued<\/p>\n26 August 2024<\/b><\/span><\/h2>\n
\n<\/b><\/span>Good Morning Young Body<\/a>
\nMoi Aussi, Je Regarde<\/a>
\nThere\u2019s Not Much We Can Do<\/a>
\nA Town of One\u2019s Own<\/a>
\nThe Skin of Mars<\/a>
\nBleared Eyes of Blue Glass<\/a><\/p>\n
\n<\/b><\/span>Togoland Projections<\/a>
\nDeath in Jenin<\/a>
\nJust A Thing<\/a><\/p>\n
\n<\/b><\/span><\/a>Staying Put<\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1725013359745{margin-bottom: 0px !important;}”]\n27 August 2024<\/b><\/span><\/h2>\n
\n<\/b><\/span>The Diagonal Force<\/a><\/p>\n
\n<\/b><\/span>In Flanders Field
\nChasing The Sun: El Shatt<\/a><\/p>\n
\n(maybe) somewhere to – 1
\n<\/b>Days of Swimming in the Garden
\n<\/span>Glacier
\n<\/span>The Crossing
\n<\/span>Marshal Tie Jia- Turtle Island
\n<\/span>Sparkling Fountain
\n<\/span>The Fading Piece
\n<\/span>Kingswin Oath
\n<\/span>Black Moves<\/p>\n28 August 2024<\/b><\/span><\/h2>\n
\n<\/b>Aixo Tambe Passara<\/a>
\nDust is a Whale, is Sunlight<\/a>
\nThe Seagull<\/a>
\nOcean Mud Pickle<\/a>
\nWhen The Crows Walk Home<\/a><\/p>\n
\n<\/b>La Panadella
\nTragame Nube
\nLight of Light
\nDe Occulta Imagine
\nLuminous Shores<\/p>\n
\n<\/b>Lompatan Bahasa
\n<\/b>Surpassing Signals
\n<\/b><\/span>Xala<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/4″][vc_column_text css=”.vc_custom_1725016207583{margin-bottom: 0px !important;}”]\n29 August 2024<\/b><\/span><\/h2>\n
\n<\/b><\/span>The Hook You Will Not Bite
\nElegy for a Village
\nMotorrodillo<\/a><\/p>\n
\n\u201cWe are NOT the invisible labors of your palaces or museums\u201d, they said. – 1
\n<\/b>A Feeling Greater Than Love<\/p>\n30 August 2024<\/b><\/span><\/h2>\n
\n\u201cWe are NOT the invisible labors of your palaces or museums\u201d, they said. – 2
\n<\/b>Labor Theory of Artistic Value
\nA Stone\u2019s Throw<\/p>\n
\n<\/b><\/span>(maybe) somewhere to – 2
\n<\/b><\/span>Train, Point Nemo, Astronaut and Starling
\n<\/span>Farewell Poem
\n<\/span>Molting Cities – O Sole Nio
\n<\/span>Mui
\n<\/span>Plus-Minus-Zero
\n<\/span>Monuments Flipper, Ada and Honey Chapter 1: Ada
\n<\/span>Kingswin Oath
\n<\/span>Black Moves<\/p>\n31 August 2024<\/b><\/span><\/h2>\n