{"id":421,"date":"2013-06-24T12:40:42","date_gmt":"2013-06-24T05:40:42","guid":{"rendered":"http:\/\/arkipel.org\/?page_id=421"},"modified":"2019-07-05T04:47:22","modified_gmt":"2019-07-04T21:47:22","slug":"arkipel-2013-1st-jakarta-international-documentary-and-experimental-film-festival","status":"publish","type":"page","link":"https:\/\/arkipel.org\/festival\/arkipel-2013-1st-jakarta-international-documentary-and-experimental-film-festival\/","title":{"rendered":"ARKIPEL 2013 – 1st Jakarta International Documentary and Experimental Film Festival"},"content":{"rendered":"[mk_page_section][vc_column width=”1\/3″][mk_button dimension=”outline” icon=”mk-moon-stats-2″ icon_anim=”side” url=”#statistics” fullwidth=”true” animation=”flip-x”]\n
STATISTICS<\/p>\n[\/mk_button][mk_button dimension=”outline” icon=”mk-icon-play-circle-o” icon_anim=”side” url=”#premiere” fullwidth=”true” animation=”flip-x”]\n
INTERNATIONAL PREMIERE<\/p>\n[\/mk_button][\/vc_column][vc_column width=”1\/3″][mk_button dimension=”outline” icon=”mk-moon-key-4″ icon_anim=”side” url=”#curatorial” fullwidth=”true” animation=”flip-x”]\n
CURATORIAL PROGRAMS<\/p>\n[\/mk_button][mk_button dimension=”outline” icon=”mk-moon-glasses-2″ icon_anim=”side” url=”#specialprograms” fullwidth=”true” animation=”flip-x”]\n
SPECIAL SCREENINGS & PRESENTATIONS<\/p>\n[\/mk_button][\/vc_column][vc_column width=”1\/3″][mk_button dimension=”outline” icon=”mk-moon-trophy” icon_anim=”side” url=”#competition” fullwidth=”true” animation=”flip-x”]\n
INTERNATIONAL COMPETITION<\/p>\n[\/mk_button][mk_button dimension=”outline” icon=”mk-moon-bubbles” icon_anim=”side” url=”#discussions” fullwidth=”true” animation=”flip-x”]\n
DISCUSSIONS<\/p>\n[\/mk_button][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#149b9e” sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column][mk_moving_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2013\/06\/pohon.png” axis=”pulse” align=”center” title=”ARKIPEL”][\/vc_column][\/mk_page_section][mk_page_section enable_3d=”true” section_id=”statistics” sidebar=”sidebar-1″ first_page=”false” last_page=”false” predefined_bg=”8″][vc_column][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ size=”18″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_top=”60″ margin_bottom=”60″ font_family=”none” align=”center”]\n
ARKIPEL: INTERNATIONAL DOCUMENTARY & EXPERIMENTAL FILM FESTIVAL<\/p>\n[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-li-cinema” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”210″ speed=”6000″ text=”SUBMITTED FILMS” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-li-web” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”29″ speed=”6000″ text=”PARTICIPATING COUNTRIES” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-li-view” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”1100″ speed=”6000″ suffix=”+” text=”AUDIENCES” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-li-users” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”75″ speed=”6000″ text=”FILMS SCREENED” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-icon-newspaper-o” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”35″ speed=”6000″ text=”MEDIA COVERAGES” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][vc_column_inner width=”1\/6″][mk_milestone icon=”mk-li-net” icon_size=”medium” align=”center” icon_color=”#149b9e” stop=”917697″ speed=”6000″ text=”WEB HITS” font_family=”none” font_weight=”bold” desc_size=”16″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#f7f7f7″ enable_3d=”true” section_id=”curatorial” sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_top=”40″ font_family=”none” align=”center”]\n
CURATORIAL PROGRAMS<\/p>\n[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2013\/06\/8400807-node-image-upload-petit_8jpg2.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
Kepengarangan dalam Dokumenter<\/strong> curator:<\/span> Pasca-komunis di Eropa Timur dan Kehidupan Kelas Pekerja<\/strong> curator:<\/span> Apa Jang Kau Tjari, Pak Misbach? curator:<\/span> Sinematik Representasi Modernisasi Kota<\/strong> curator:<\/span> Menggugat Konstruksi Sejarah<\/strong> curator:<\/span> Jatuhnya Rezim<\/strong> curator:<\/span> Memakai Arsip, Mereka Ulang Sejarah<\/strong> curator:<\/span> Estetika Kenyataan, Realisme Publik?<\/strong> curator:<\/span> Mobilitas Sosial untuk Pemula<\/strong> curator:<\/span> Dokumenter Kreatif dan Figurasi Ruang<\/strong> curator:<\/span> SPECIAL SCREENINGS & PRESENTATIONS<\/p>\n[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/8691484909_a66b24b24f.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n Special Screenings director:<\/span> Special Screenings director:<\/span> Abraham Ravett <\/b><\/span>\/<\/b> <\/b>curator:<\/span> Dag Yngvesson<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/forgotten-tenor\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/iF-Logo.gif” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n Special Presentations Special Presentations DISCUSSIONS<\/p>\n[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/4″][mk_icon_box icon=”mk-moon-bubbles-3″ read_more_txt=”Details” read_more_url=”http:\/\/arkipel.org\/diskusi-publik-sinema-aktivisme\/” style=”simple_ultimate” icon_size=”medium” icon_location=”top” icon_color=”#149b9e” animation=”bottom-to-top” box_blur=”false”]\n Sinema & Aktivisme<\/strong> \/ Sinema, Sejarah & Arsip \/<\/strong> Cinema, History & Archive<\/strong><\/strong>[\/mk_icon_box][\/vc_column_inner][vc_column_inner width=”1\/4″][mk_icon_box icon=”mk-moon-bubbles-3″ read_more_txt=”Details” read_more_url=”http:\/\/arkipel.org\/diskusi-publik-kritik-dalam-sinema\/” style=”simple_ultimate” icon_size=”medium” icon_location=”top” icon_color=”#149b9e” animation=”bottom-to-top” box_blur=”false”]\n Kritik dalam Sinema<\/strong> \/ Critics on Cinema<\/strong>[\/mk_icon_box][\/vc_column_inner][vc_column_inner width=”1\/4″][mk_icon_box icon=”mk-moon-bubbles-3″ read_more_txt=”Details” read_more_url=”http:\/\/arkipel.org\/diskusi-publik-docnet-southeast-asia-round-table-2013\/” style=”simple_ultimate” icon_size=”medium” icon_location=”top” icon_color=”#149b9e” animation=”bottom-to-top” box_blur=”false”]\n DocNet SouthEast Asia 2013<\/strong><\/p>\n host:<\/small> INTERNATIONAL PREMIERE<\/p>\n[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”2\/3″][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2013\/07\/cap_elesan-01.jpg” image_height=”250″ link=”http:\/\/arkipel.org\/festival\/arkipel-2013\/program-2013\/premiere-2013\/elesan-deq-a-tutuq\/” animation=”bottom-to-top” crop=”true”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]Elesan Deq a Tutuq (Jejak Yang Tidak Berhenti)<\/strong> director:<\/span> co-director:<\/span> INTERNATIONAL COMPETITION FILMS<\/p>\n[\/mk_fancy_title][vc_column_text css=”.vc_custom_1532718655980{margin-bottom: 0px !important;}”]\n “To Raise From the Water<\/strong>“, 16 min “J. Werier”<\/strong>, 4 min “Generator of Duriban”<\/strong>, 38 min “Climax”<\/strong>, 2 min “Pretty Good Look”<\/strong>, 19 min “A Man Since Long Time”<\/strong>, 17 min “\u041f\u0430\u0440\u043a \u0441\u0443\u0447\u0430\u0441\u043d\u043e\u0457 \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u0438”<\/strong> (Park of Contemporary Culture)<\/em>, 8 min “Preludes I”<\/strong>, 2 min “Momentum”<\/strong>, 7 min “Canggung”<\/strong> (The Awkward Moment)<\/em>, 22 min “Kaputt\/Katastrophe”<\/strong>, 16 min “Ancestral Delicatessen”<\/strong>, 15 min “Volkspark”<\/b>, 7 min “Ben”<\/b>, 1 min \u201cTears of Inge\u201d<\/b>, 5 min \u201cA City Through Different Spaces\u201d,<\/b> 9 min \u201cWojoh\u201d<\/b> (Faces)<\/i>, 16 min \u201cLes Fant\u00f4mes de l’escarlate\u201d <\/b>(<\/i>The Ghosts and the Escarlate)<\/i>, 15 min \u201cThe Flaneurs #3\u201d<\/b>, 4 min \u201cChroma<\/b>\u201d, 3 min \u201cLe jour a vaincu la nuit\u201d<\/b> (<\/i>The Day has Conquered the Night)<\/i>, 28 min \u201cHermeneutics\u201d<\/b>, 3 min \u201cHitching the A1\u201d<\/b>, 14 min \u201c\u2026And the Wound Closed Wearily\u201d,<\/b> 12 min \u201cMarshy Place Across\u201d,<\/b> 5 min \u201cJourney of Consciousness (Awareness Journey)\u201d<\/b>, 24 min \u201cIl Contorsionista\u201d<\/b> (The Contortionist)<\/i>, 19 min \u201cPerampok Ulung\u201d<\/b> (Sneaky Robber)<\/i>, 84 min \u201cEcce Ubu\u201d,<\/b> 60 min \u201cJe Vie Dans le R\u00eave de ma M\u00eare\u201d<\/b> (<\/i>I Live in the Dream of My Mother)<\/i>, 143 min \u201cOld Cinema, Bologna Melodrama\u201d,<\/b> 60 min \u82b1\u3092\u6367\u3050<\/b> (Sacrifice a Flower)<\/i>, 65 min \u201cSuitcase of Love and Shame\u201d<\/b>, 70 min \u201cLa Visita\u201d<\/b> (The Visit)<\/i>, 52 min \u201cLejos de Saint Nazaire\u201d<\/b> (<\/i>Far From Saint Nazaire)<\/i>, 52 min \u201cLe Bonheur… Terre Promise\u201d<\/b> (Happiness… Promised Land), 94 min \u201cPolaziste za Cekanje\u201d<\/b> (The Waiting Point)<\/i>, 44 min ARKIPEL 2013 AWARDS GOES TO…<\/p>\n[\/mk_button][mk_blog style=”spotlight” grid_image_height=”300″ pagination_style=”3″ orderby=”rand” image_quality=”1″ count=”-1″ offset=”0″ cat=”28″ disable_lightbox=”true” disable_comments_share=”true” item_id=”1431357513-5550c8497bb52″][\/vc_column][\/mk_page_section]\n","protected":false},"excerpt":{"rendered":" ARKIPEL 2013: ARCHIVES<\/p>\n","protected":false},"author":1,"featured_media":1549,"parent":422,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"yoast_head":"\n
\nAuthorship in Documentary Film<\/em><\/p>\n
\nAkbar Yumni<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/kepengarangan-dalam-dokumenter\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/earth-of-the-blind.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nPost-Communism in Eastern Europe and the Life of Working Class<\/em><\/p>\n
\nAfrian Purnama
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/pasca-komunis-di-eropa-timur-dan-kehidupan-kelas-pekerja\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2013\/07\/8.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\n<\/strong>What Are You Looking For, Pak Misbach?<\/em><\/p>\n
\nDag Yngvesson
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/apa-jang-kau-tjari-pak-misbach\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/1408080904_n135470_oinen_rautatientori.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nCinematic Representation of City\u2019s Modernization<\/em><\/p>\n
\nBunga Siagian
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/sinematik-representasi-modernisasi-kota\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][mk_padding_divider size=”30″][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/7prS51wjs2EPkFmjCHdhfkTNH7t.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nChallenging the Construction of History<\/em><\/p>\n
\nOtty Widasari
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/menggugat-konstruksi-sejarah\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/1413822141_05_mapping_bucharest_harun_farocki_andrei_ujica.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nThe Fall of Regime<\/em><\/p>\n
\nAndrie Sasono
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/jatuhnya-rezim\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/0_original.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nFound Footage Archive: Reconstruction of History<\/em><\/p>\n
\nYuki Aditya
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/memakai-arsip-mereka-ulang-sejarah\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/Petition-still-2.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nRealism Aesthetics vs Public Realism?<\/em><\/p>\n
\nMahardika Yudha
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/estetika-kenyataan-realisme-publik\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][mk_padding_divider size=”30″][vc_row_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/thumb.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nSocial Mobility for Beginner<\/em><\/p>\n
\nAdrian Jonathan
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/mobilitas-sosial-untuk-pemula\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2013\/07\/Dongeng-Rangkas_forumlenteng.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nCreative Documentary and Space Figuration<\/em><\/p>\n
\nMakbul Mubarak
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/dokumenter-kreatif-dan-figurasi-ruang\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″]\n[\/vc_column_inner][vc_column_inner width=”1\/4″]\n[\/vc_column_inner][\/vc_row_inner][mk_padding_divider size=”30″][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#f2f2f2″ enable_3d=”true” section_id=”specialprograms” sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column css=”.vc_custom_1431339183183{margin-top: 0px !important;}”][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_top=”40″ margin_bottom=”18″ font_family=”none” align=”center”]\n
\n<\/strong>Partes de una Familia<\/strong> \/ Parts of a Family<\/em><\/strong><\/em><\/p>\n
\nDiego Guti\u00e9rrez<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/partes-de-una-familia\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/forgotten-tenor_Abraham-Ravett_screenchot.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\nForgotten Tenor
\n<\/strong><\/em><\/p>\n
\n<\/strong><\/em>Images Festival – <\/strong>Toronto, Canada
\n<\/strong><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/festival\/arkipel-2013\/program-2013\/presentasi-khusus-2013\/images-festival\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text][mk_image src=”http:\/\/arkipel.org\/wp-content\/uploads\/2015\/05\/BEFF-at-William-Warren-library-535.jpg” image_height=”250″ crop=”true” svg=”false” lightbox=”false” frame_style=”simple” target=”_self” caption_location=”inside-image” align=”left” margin_bottom=”10″]\n
\n<\/strong><\/em>Bangkok Experimental Film Festival<\/strong><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/festival\/arkipel-2013\/program-2013\/presentasi-khusus-2013\/bangkok-experimental-film-festival\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][mk_padding_divider size=”30″][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#ededed” enable_3d=”true” section_id=”discussions” sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column css=”.vc_custom_1431339183183{margin-top: 0px !important;}”][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_top=”40″ margin_bottom=”18″ font_family=”none” align=”center”]\nDiskusi 1 \/
\nDiscussion 1<\/h3>\n
\nCinema & Activism<\/strong>[\/mk_icon_box][\/vc_column_inner][vc_column_inner width=”1\/4″][mk_icon_box icon=”mk-moon-bubbles-3″ read_more_txt=”Details” read_more_url=”http:\/\/arkipel.org\/diskusi-publik-sinema-sejarah-arsip\/” style=”simple_ultimate” icon_size=”medium” icon_location=”top” icon_color=”#149b9e” animation=”bottom-to-top” box_blur=”false”]\nDiskusi 2 \/
\nDiscussion 2<\/h3>\nDiskusi 3 \/
\nDiscussion 3<\/h3>\nRound Table Discussion<\/h3>\n
\nInDocs & Goethe-Institut[\/mk_icon_box][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/mk_page_section][mk_page_section bg_color=”#dbdbdb” enable_3d=”true” section_id=”premiere” sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column css=”.vc_custom_1431339183183{margin-top: 0px !important;}”][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_top=”40″ margin_bottom=”18″ font_family=”none” align=”center”]\n
\nThe Unfinished Stream<\/em><\/p>\n
\nSyaiful “Paul” Anwar
\n<\/b><\/span><\/p>\n
\nGelar Agryano Soemantri, Muhammad Sibawaihi
\n<\/b><\/span><\/p>\n[mk_button dimension=”outline” corner_style=”pointed” size=”small” outline_skin=”dark” outline_active_color=”#ffffff” outline_hover_color=”#333333″ bg_color=”#2f5976″ btn_hover_bg=”#252525″ text_color=”light” icon_anim=”vertical” url=”http:\/\/arkipel.org\/elesan-deq-a-tutuq\/” target=”_self” align=”center” fullwidth=”true” button_custom_width=”0″ margin_top=”0″ margin_bottom=”0″ icon=”mk-moon-link-4″]Details[\/mk_button][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][mk_padding_divider size=”30″][\/vc_column][\/mk_page_section][mk_page_section enable_3d=”true” full_width=”true” padding_top=”40″ padding_bottom=”40″ section_id=”competition” animation=”scale-up” predefined_bg=”8″ sidebar=”sidebar-1″ first_page=”false” last_page=”false”][vc_column][mk_fancy_title tag_name=”h3″ style=”true” color=”#393836″ font_weight=”bold” font_style=”inhert” txt_transform=”uppercase” margin_bottom=”40″ font_family=”none” align=”center”]\n
\nAndrew Littlejohn<\/span>, Japan (2012)<\/p>\n
\nRhayne Vermette<\/span>, Canada (2012)\u00a0<\/span><\/p>\n
\nWonwoo Lee<\/span>, South Korea (2012)<\/p>\n
\nShinkan Tamaki<\/span>, Japan (2008)<\/p>\n
\nYoungnam KIM<\/span>, Jungwha JUNG<\/span>, Minho JO<\/span>, Sohyun MOON<\/span>, Goeun BAE<\/span>, Seungbum HONG<\/span>, South Korea (2012)
\n<\/span><\/p>\n
\nMahmoud Yossry<\/span>, Egypt (2012)
\n<\/span><\/p>\n
\nDmytro Bondarchuk<\/span>, Ukraine (2011)<\/p>\n
\nRahee Punyashloka<\/span>, India (2013)<\/p>\n
\nBoris Seewald<\/span>, Germany (2013)<\/p>\n
\nTunggul Banjaransari<\/span>, Indonesia (2013)
\n<\/span><\/p>\n
\nLuca Ferri<\/span>, Italy (2013)<\/p>\n
\nGabriel Folgado<\/span>, Spain (2012)<\/p>\n
\nKuesti Fraun<\/span>, Germany (2011)<\/p>\n<\/div>\n
\nKuesti Fraun<\/span>, Germany (2012)<\/p>\n
\nAlisi Telengut<\/span>, Canada (2013)<\/p>\n
\nLinda Bannink<\/span>, The Netherlands (2013)<\/p>\n
\nSaid Najmi<\/span>, Jordan (2012)<\/p>\n
\nJulie Nguyen Van Qui<\/span>, France (2012)<\/p>\n
\nAryo Danusiri<\/span>, Indonesia (2013)<\/p>\n
\nJeremy Moss<\/span>, USA (2012)<\/p>\n
\nJean-Gabriel P\u00e9riot<\/span>, France (2013)<\/p>\n
\nAlexei Dmitriev<\/span>, Russia (2012)<\/p>\n
\nGary McQuiggin<\/span>, UK (2013)<\/p>\n
\nIan Dele\u00f3n<\/span>, China (2012)<\/p>\n
\nLorenzo Gattorna<\/span>, USA (2012)<\/p>\n
\nYi-Yu Liao<\/span>, Taiwan (2013)<\/p>\n<\/div>\n
\nMauro Maugeri<\/span>, Italy (2013)<\/p>\n
\nMarjito Iskandar Tri Gunawan<\/span>, Indonesia (2009)<\/p>\n
\nLuca Ferri<\/span>, Italy (2012)<\/p>\n
\nJan Willem van Dam<\/span>, The Netherlands (2011)<\/p>\n
\nDavide Rizzo<\/span>, Italy (2011)<\/p>\n
\nHasumi Shiraki<\/span>, Japan (2013)<\/p>\n
\nJane Gillooly<\/span>, USA (2013)<\/p>\n
\nFany de la Chica<\/span>, Spain (2013)<\/p>\n
\nLluc G\u00fcell<\/span>, Spain (2011)<\/p>\n
\nLaurent Hasse<\/span>, France (2011)<\/p>\n
\nMasa Drndic<\/span>, Croatia (2013)<\/p>\n<\/div>\n[\/vc_column_text][mk_button dimension=”outline” size=”large” icon=”mk-moon-quotes-left” icon_anim=”side” url=”http:\/\/arkipel.org\/arkipel-2013-awards-goes-to\/” target=”_blank” align=”center” fullwidth=”true”]\n