{"id":10187,"date":"2019-08-24T21:00:10","date_gmt":"2019-08-24T14:00:10","guid":{"rendered":"https:\/\/arkipel.org\/?p=10187"},"modified":"2019-08-26T14:02:07","modified_gmt":"2019-08-26T07:02:07","slug":"watching-the-past-in-kultursinema-6-gelora-indonesia-screening-session","status":"publish","type":"post","link":"https:\/\/arkipel.org\/watching-the-past-in-kultursinema-6-gelora-indonesia-screening-session\/","title":{"rendered":"Watching the Past in Kultursinema #6: Gelora Indonesia Screening Session"},"content":{"rendered":"[vc_row][vc_column][vc_tabs][vc_tab title=”Bahasa Indonesia” tab_id=”1503218961-1-46″][vc_column_text title=”Menonton Masa Lalu dalam Pemutaran Filem Kultursinema #6: Gelora Indonesia” css=”.vc_custom_1566802155995{margin-bottom: 0px !important;}”]\n
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Pada hari Sabtu (25\/08), diadakan dua sesi pemutaran filem sebagai rangkaian dari pameran Kultursinema #6<\/span>: Gelora Indonesia<\/span><\/i> yang bekerja sama dengan Kemdikbud, ANRI, PFN, dan Museum Nasional. Sesi pemutaran pertama menampilkan hasil digitalisasi dari Pusbangfilm Kemendikbud; yang kedua merupakan tribut untuk Abduh Aziz yang bekerja sama dengan Koalisi Seni Indonesia. Filem-filem yang diputar antara lain adalah <\/span>Darah dan Doa<\/span><\/i> (1950) karya Usmar Ismail, <\/span>Inspektur Rachman<\/span><\/i> (1950) karya Moh. Said dan Nawi Ismail, dan <\/span>Pulang<\/span><\/i> (1952) karya Basuki Effendi; sementara di sesi kedua ada <\/span>Kita vs Korupsi<\/span><\/i> (2012) karya Lasja Susanto, Emil Heradi, Ine Febrianti, dan Chairun Nisa. Total penonton yang hadir dalam semua sesi adalah 47 orang.\u00a0<\/span><\/p>\n

Sejak pukul 10.00 pagi, terpantau Auditorium Hall B Museum Nasional sudah dipadati oleh siswa-siswa berseragam putih abu-abu. Mereka adalah rombongan dari SMAN 74, Jakarta Selatan, bersiap untuk menonton filem <\/span>Darah dan Doa<\/span><\/i>. Filem tersebut bercerita tentang perjalanan panjang prajurit divisi Siliwangi di masa Agresi Militer Belanda, dengan fokus pada tokoh Kapten Sudarso, dan dilema-dilema pribadi yang ia hadapi selama perjalanan tersebut.\u00a0<\/span><\/p>\n

Jarak pemutaran antar filem hanya sekitar 10-15 menit, sehingga menonton filem terasa seperti perjalanan maraton yang panjang, namun mengasyikkan. Filem selanjutnya, <\/span>Inspektur Rachman<\/span><\/i>, bercerita tentang seorang inspektur yang harus berhadapan dengan gerombolan perampok yang diketuai oleh ayahnya sendiri. Sementara, filem <\/span>Pulang <\/span><\/i>bercerita tentang konflik yang dialami seorang eks tentara di zaman revolusi, saat harus menghadapi modernitas namun terkekang oleh masa lalunya. Penayangan filem <\/span>Pulang<\/span><\/i> juga diramaikan oleh rombongan dari SMA Triguna.<\/span><\/p>\n

Salah satu penonton, Umi Lestari yang merupakan akademisi dan kritikus filem, mengaku bersyukur dapat menonton filem ini untuk pertama kalinya, karena akses yang selama ini terbatas. Ia juga berkomentar sedikit mengenai filem <\/span>Inspektur Rachman<\/span><\/i>. \u201cFilem Inspektur Rachman tampak terinspirasi oleh karya-karya Dr. Huyung, melalui <\/span>shot <\/span><\/i>dan caranya meletakkan kursi, serta adegan dialog dari balik kursi. Cukup detail juga dari segi pencahayaannya.\u201d<\/span><\/p>\n

Sementara, ia membandingkan filem <\/span>Pulang<\/span><\/i> dengan <\/span>Lewat Djam Malam<\/span><\/i>, mengenai seorang bekas tentara yang mempertanyakan posisinya di dunia yang merdeka ini. \u201cTapi, di <\/span>Lewat Djam Malam<\/span><\/i>, si tokoh utama yang tidak bisa <\/span>keep up<\/span><\/i> dengan kemerdekaan dimatikan. Sementara, filem <\/span>Pulang<\/span><\/i> menampilkan bentuk nasionalisme yang berbeda, di mana si tokoh utama yang tadinya terjebak masa lalu tergugah saat bertemu dengan seorang dokter. Ia pun ingin menjadi dokter, menjadi mantri. Hanya obat-obatan-lah yang dapat menyelamatkan kita, (ada pesan bahwa) masa depan kita terletak di modernitas yang seperti itu.\u201d<\/span><\/p>\n

Filem selanjutnya adalah <\/span>Kita vs Korupsi<\/span><\/i>, sebuah antologi filem yang sarat dengan pesan-pesan anti-korupsi. Oming Putri dari Koalisi Seni yang menghadiri pemutaran tersebut mengatakan bahwa filem-filem yang tergabung dalam antologi tersebut terasa masih relevan hingga saat ini. \u201cKorupsi dapat menyebabkan terjadinya hal-hal besar pada kehidupan kita sekarang, salah satunya adalah kebakaran hutan.\u201d<\/span><\/p>\n

Salah satu bagian yang paling berkesan bagi Oming adalah bagian <\/span>Selamat Siang, Risa!<\/span><\/i> yang disutradarai oleh Ine Febriyanti. \u201cBagian itu menggambarkan situasi yang sulit dari orang yang jujur.\u201d Filem tersebut berfokus pada dilema tokoh yang diperankan Tora Sudiro saat menghadapi tawaran suap, padahal keluarganya sedang dalam situasi sulit.\u00a0<\/span><\/p>\n

Filem <\/span>Kita vs Korupsi <\/span><\/i>diproduseri oleh Abduh Aziz. Sebagai mantan ketua PFN, beliau adalah salah satu penggagas awal pameran Kultursinema #6: <\/span>Gelora Indonesia<\/span><\/i>, sehingga tim Kultursinema merasa perlu mengadakan sesi pemutaran ini. Oming mengaku mendatangi sesi ini secara khusus karena ingin dekat lagi dengan karya-karya Abduh. \u201cMeskipun <\/span>udah<\/span><\/i> ada CD-nya, saat tahu ARKIPEL<\/span> mau memutar filem<\/span> Kita vs Korupsi<\/span><\/i>. Saya ingin menontonnya di layar besar.\u201d<\/span><\/p>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_tab][vc_tab title=”English” tab_id=”1503218961-2-58″][vc_column_text title=”Watching the Past in Kultursinema #6: Gelora Indonesia Screening Session” css=”.vc_custom_1566802127608{margin-bottom: 0px !important;}”]\n

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On Saturday (08\/25), two sessions of film screenings took place as a part of Kultursinema #6: <\/span>Gelora Indonesia, <\/span><\/i>a joint exhibition with Ministry of Culture and Education, National Archive, State Film Company, and the National Museum. The first session exhibited the old digitized film from the collection of Film Development Centre of the Ministry of Education and Culture. The second one was a tribute to Abduh Aziz, partnering with <\/span>Koalisi Seni Indonesia<\/span><\/i>. The films themselves were <\/span>The Long March<\/span><\/i> (1950) by Usmar Ismail, <\/span>Inspektur Rachman<\/span><\/i> (1950) by Moh. Said and Nawi Ismail, and <\/span>Pulang<\/span><\/i> (1952) by Basuki Effendi; while the second session exhibited <\/span>Kita vs. Korupsi<\/span><\/i> (2012), an anthology film by Lasja Sutanto, Emil Heradi, Ine Febrianti, and Chairun Nisa. The total of the audience was 47 people.\u00a0<\/span><\/p>\n

Since 10 AM, the Hall B Auditorium of Museum Nasional was already crowded by students in their white-and-grey uniform. They came from SMAN 74, South Jakarta, all set to watch <\/span>The Long March<\/span><\/i>. The film told a story about the long march of the Siliwangi Division soldiers during the Dutch\u2019s Military Aggression, focusing on the figure of Captain Sudarso, and the personal dilemmas he faced throughout the march.<\/span><\/p>\n

The gap between films was only 10-15 minutes, so, watching these films felt like a fun long marathon run. The next film, <\/span>Inspektur Rachman<\/span><\/i>, told a story about an inspector who had to catch a gang of thieves, headed by his father. While <\/span>Pulang<\/span><\/i> was about the conflict on the ex-soldier in the revolution period, and the point between having to face modernism while he cannot let go of his past. The screening of <\/span>Pulang<\/span><\/i> was also attended by students from SMA Triguna.<\/span><\/p>\n

One of the audiences, Umi Lestari, an academic and film critic, admitted that she felt grateful to able watching the film for the first time due to the limited access. She also expressed a brief comment on <\/span>Inspektur Rachman. <\/span><\/i>“<\/span>Inspektur Rachman<\/span><\/i> seems to be inspired by Dr. Huyung’s works, through the shots and the placement of the chair, and the scene of the dialogue from behind the chair. The lighting is also quite detailed.”<\/span><\/p>\n

Meanwhile, she compared <\/span>Pulang <\/span><\/i>with <\/span>Lewat Djam Malam <\/span><\/i>(After the Curfew)<\/span>, <\/span><\/i>regarding an ex-soldier questioning his position in this independent world. “But, in <\/span>Lewat Djam Malam, <\/span><\/i>the main character who is unable to keep up with independence is killed off. While <\/span>Pulang <\/span><\/i>shows a different kind of nationalism in which the main character previously stuck in the past is moved when he met a doctor. Then he wants to be a doctor, a paramedic. The only thing capable of saving us is medicines, (there is a message that) the future lies in that kind of modernism.”<\/span><\/p>\n

The next film is <\/span>Kita vs. Korupsi, <\/span><\/i>an anthology filled with anti-corruption messages. Oming Putri from <\/span>Koalisi Seni Indonesia<\/span><\/i> attended the screening, and she stated that this film is still relevant up to this day. “Corruption causes major incidents to happen to our lives in the present times, such as forest fires.”<\/span><\/p>\n

One of the impressive parts for Oming is <\/span>Selamat Siang, Risa! <\/span><\/i>by Ine Febriyanti. “The part depicts a difficult situation of an honest person.” The film focuses on the dilemma of the character played by Tora Sudiro when facing a bribe offer when his family is going through hard times.<\/span><\/p>\n

Abduh Aziz produces Kita vs. Korupsi<\/span><\/i>. As ex-head of State Film Company, he is one of the initiators of Kultursinema #6: <\/span>Gelora Indonesia <\/span><\/i>exhibition, so that the Kultursinema team considers the screening session as necessary. Oming admitted that she attended the session especially because she wanted to draw closer to Abduh’s works. “Even if the CD has been released, when I found out that ARKIPEL was going to screen <\/span>Kita vs. Korupsi, <\/span><\/i>I wanted to watch it on a cinema screen.\u201d<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery interval=”3″ images=”10192,10191,10190,10189,10188″ img_size=”large”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

The first session exhibited the old digitized film from the collection of Film Development Centre of the Ministry of Education and Culture. The second one was a tribute to Abduh Aziz, partnering with Koalisi Seni Indonesia. The films themselves were The Long March (1950) by Usmar Ismail, Inspektur Rachman (1950) by Moh. Said and Nawi Ismail, and Pulang (1952) by Basuki Effendi; while the second session exhibited Kita vs. Korupsi (2012), an anthology film by Lasja Sutanto, Emil Heradi, Ine Febrianti, and Chairun Nisa.<\/p>\n","protected":false},"author":142,"featured_media":10189,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Watching the Past in Kultursinema #6: Gelora Indonesia Screening Session","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[532,1,348],"tags":[526,528,310],"jetpack_publicize_connections":[],"yoast_head":"\nWatching the Past in Kultursinema #6: Gelora Indonesia Screening Session — ARKIPEL<\/title>\n<meta name=\"description\" content=\"The first session exhibited the old digitized film from the collection of Film Development Centre of the Ministry of Education and Culture. 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