{"id":11667,"date":"2022-12-01T18:06:13","date_gmt":"2022-12-01T11:06:13","guid":{"rendered":"https:\/\/arkipel.org\/?p=11667"},"modified":"2022-12-01T18:06:13","modified_gmt":"2022-12-01T11:06:13","slug":"international-competition-06-what-can-non-human-things-narrate-through-film","status":"publish","type":"post","link":"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/","title":{"rendered":"International Competition 06: What Can Non-Human Things Narrate Through Film?"},"content":{"rendered":"[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=&#8221;Bahasa Indonesia&#8221; tab_id=&#8221;1669891787069-b900877a-8c3c&#8221;][vc_column_text title=&#8221;Kompetisi Internasional 06: Apa yang Bisa Dinarasikan Hal-hal Non-Manusia Melalui Film?&#8221; css=&#8221;.vc_custom_1669892100634{margin-bottom: 0px !important;}&#8221;]<span style=\"font-weight: 400;\">Apa yang bisa dinarasikan hal-hal non-manusia melalui filem? Apabila biasanya ada subjek manusia yang menjadi sumber narasi dalam sebuah filem atau tokoh yang menjalin cerita, dua filem yang diputar dalam kuratorial <\/span><b>Hafiz Rancajale<\/b><span style=\"font-weight: 400;\">, Kompetisi Internasional 06: <\/span><i><span style=\"font-weight: 400;\">Membingkai Penyakit Sosial<\/span><\/i><span style=\"font-weight: 400;\">, menyuguhkan persoalan yang dimediasi oleh hal non-manusia: boneka seks dan bunga Sedap Malam. Filem tersebut berjudul <\/span><i><span style=\"font-weight: 400;\">Broca\u2019s Aphasia <\/span><\/i><span style=\"font-weight: 400;\">(2022) sutradara <\/span><b>Sung Ming-yen<\/b><span style=\"font-weight: 400;\"> dan <\/span><i><span style=\"font-weight: 400;\">Sedap Malam <\/span><\/i><span style=\"font-weight: 400;\">(2022) sutradara <\/span><b>Gembong Nusantara<\/b><span style=\"font-weight: 400;\">, ditayangkan di bioskopforlen pada 28 November 2022. Boneka dan bunga dalam filem-filem ini menjadi korpus dalam menyoal tentang dirinya sendiri serta persoalan yang terikat dengan dirinya; sosial, ekonomi hingga politik.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mengikuti sebuah lapak jasa sewa boneka seks beserta kamar layaknya kamar hotel, filem <\/span><i><span style=\"font-weight: 400;\">Broca\u2019s Aphasia <\/span><\/i><span style=\"font-weight: 400;\">membingkai boneka-boneka yang menjadi barang jasa bagi para konsumen. Proses transaksi, persiapan boneka untuk digunakan, datangnya konsumen, masuk ke kamar, tutorial penggunaan, konsumen pergi, mencuci boneka, dan menyiapkan kembali boneka. Hampir semua proses yang melibatkan boneka seks tersebut direkam oleh kamera kecuali apa yang terjadi di dalam kamar, apa yang dilakukan konsumen dengan boneka.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c. . . jangan mengimpit tangannya, badannya sama seperti kita,\u201d ujar seorang karyawan penyedia jasa memberikan tutorial penggunaan boneka kepada konsumen. Penyedia jasa memosisikan boneka seks itu \u201csetara\u201d dengan kita manusia, meski hanya sebatas kegunaannya, supaya boneka itu tidak rusak dan melalui proses reparasi yang sulit. Anggapan boneka seks sebagai \u201ckita\u201d manusia juga ada dalam persepsi konsumen, dengan posisi yang sama, fungsinya sebagai yang memfasilitasi seksual.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Broca\u2019s Aphasia <\/span><\/i><span style=\"font-weight: 400;\">menampilkan posisi boneka seks sebagai bagian dari \u201ckita\u201d dengan cara memanusiakan perlakuan terhadap boneka tersebut. Tidak hanya sebagai moda ekonomi dan alat penyaluran seksual, ia diandaikan bisa berbicara dengan suara perempuan layaknya seorang manusia. Efek ini dicapai dengan menampilkan visual bukan boneka, melainkan hal-hal di luar tempat jasa boneka seks, seperti langit, pohon, saluran air pembuangan, dll., disertai suara perempuan yang bercerita banyak hal. Suara perempuan ini diandaikan sebagai suara boneka-boneka dalam roda ekonomi dan seksual. Suara yang membawa boneka seks lebih menjadi manusia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sementara itu, <\/span><i><span style=\"font-weight: 400;\">Sedap Malam<\/span><\/i><span style=\"font-weight: 400;\"> mengikuti perjalanan bunga dari kebunnya di daerah hingga ke kota. Bunga yang biasanya ditancapkan pada liang kubur seseorang, Sedap Malam, mekar di malam hari. Bingkai-bingkai bunga Sedap Malam dimontasekan dengan proses penguburan jenazah korban Covid-19 di kota saat malam hari. Filem diakhiri dengan proses penguburan yang telah selesai dan serumpun Sedap Malam hinggap di atas tanah kuburan.\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Dalam diskusi sesudah pemutaran, Gembong Nusantara mengungkapkan bahwa ide untuk membingkai bunga sedap malam dalam kondisi kecamuk pandemi di Indonesia, merupakan suatu tawaran lain dari media massa yang menampilkan informasi pandemi yang semakin membuat masyarakat depresi. Begitu pula <\/span>Hafiz Rancajale<span style=\"font-weight: 400;\"> yang menganggap filem ini sebagai suatu temuan, suatu sudut pandang lain dalam kekelaman pandemi Covid-19 di Indonesia.<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=&#8221;English&#8221; tab_id=&#8221;1669891787075-26d00536-68a0&#8243;][vc_column_text title=&#8221;International Competition 06: What Can Non-Human Things Narrate Through Film?&#8221; css=&#8221;.vc_custom_1669892081259{margin-bottom: 0px !important;}&#8221;]<span style=\"font-weight: 400;\">What can non-human entities narrate through film? If commonly human subjects become the source of narrative in a film, or a character to weave the story, two films in <\/span><b>Hafiz Rancajale<\/b><span style=\"font-weight: 400;\">&#8216;s curatorial, International Competition 06<\/span><i><span style=\"font-weight: 400;\">: Framing Social Maladies,<\/span><\/i><span style=\"font-weight: 400;\"> present issues mediated by non-humans: sex dolls and tuberose flower. The film, titled <\/span><i><span style=\"font-weight: 400;\">Broca&#8217;s Aphasia<\/span><\/i><span style=\"font-weight: 400;\"> (2022) directed by <\/span><b>Sung Ming-yen<\/b><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Sedap Malam<\/span><\/i><span style=\"font-weight: 400;\"> (2022) directed by <\/span><b>Gembong Nusantara<\/b><span style=\"font-weight: 400;\">, was shown at bioskopforlen on 28 November 2022. Dolls and flowers in these films become a corpus in asking about itself and the issues that are bound up with it; social, economic and political.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Following a sex doll rental service with rooms like hotel rooms, the film <\/span><i><span style=\"font-weight: 400;\">Broca&#8217;s Aphasia<\/span><\/i><span style=\"font-weight: 400;\"> frames dolls as goods and services for consumers. Transaction process, doll preparation, customer arrival, entry into the room, usage tutorial, consumer leaves, washes the doll, and prepares the doll again. Almost all processes involving sex dolls are recorded by the camera except what happens in the room, what consumers do with the dolls.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c. . . don&#8217;t squeeze her hands, her body is the same as ours,&#8221; said an employee giving a tutorial on using a doll to consumers. Service providers position sex dolls as &#8220;equivalent&#8221; to us humans, even if they are only limited to their utility, so that the dolls are not damaged and won\u2019t have to undergo a difficult reparation process. The perception of sex dolls as &#8220;we&#8221; humans also exist in consumer perceptions, with the same position, their function as sexual facilitation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Broca&#8217;s Aphasia presents the position of the sex doll as one of \u201cus\u201d through the humanized treatment towards them. Not only as economic capital and sexual means, but sex dolls are also imagined to be able to speak with a woman&#8217;s voice like a human being. This is achieved displaying visuals other than the sex dolls, but things outside the service area, such as the sky, trees, sewers, etc., with a woman&#8217;s voice that tells many things. This woman&#8217;s voice is assumed to be the voice of a sex doll in the wheel of economics and sexuality. The voice that makes sex dolls more human.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Meanwhile, <\/span><i><span style=\"font-weight: 400;\">Sedap Malam<\/span><\/i><span style=\"font-weight: 400;\"> follows the journey of flowers from their garden in the suburbs to the city. These flowers, tuberose, are commonly planted at graves and blooms at night. The frames containing the tuberose flower are montaged with the burial process of Covid-19 victims in the city at night. The film ends with the burial process being completed and the Tuberose flowers landing on the graves.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During the Q&amp;A session, Gembong Nusantara revealed that the idea was to frame the Sedap Malam flowers amid the raging pandemic in Indonesia, is an offer rather than the mass media that displays information about the pandemic which is increasingly depressing the public. Likewise, <\/span>Hafiz Rancajale<span style=\"font-weight: 400;\"> considers this film as a discovery, another perspective in the darkness of the Covid-19 pandemic in Indonesia.<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery interval=&#8221;3&#8243; images=&#8221;11668,11669,11670,11671&#8243; img_size=&#8221;full&#8221;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=&#8221;Bahasa Indonesia&#8221; tab_id=&#8221;1669891787069-b900877a-8c3c&#8221;][vc_column_text title=&#8221;Kompetisi Internasional 06: Apa yang Bisa Dinarasikan Hal-hal Non-Manusia Melalui Film?&#8221; css=&#8221;.vc_custom_1669892100634{margin-bottom: 0px !important;}&#8221;]Apa yang bisa dinarasikan hal-hal non-manusia melalui filem? Apabila biasanya ada subjek manusia yang menjadi sumber narasi dalam sebuah filem atau tokoh yang menjalin cerita, dua filem yang diputar dalam kuratorial Hafiz Rancajale, Kompetisi Internasional 06: Membingkai Penyakit [&hellip;]<\/p>\n","protected":false},"author":156,"featured_media":11668,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[618,1,344],"tags":[625,644,643,619,192],"class_list":["post-11667","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arkipel-2022-catch-22","category-festival-updates","category-international-competition-program","tag-catch-22","tag-gembong-nusantara","tag-sung-ming-yen","tag-619","tag-international-competition"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>International Competition 06: What Can Non-Human Things Narrate Through Film? &#8212; ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Competition 06: What Can Non-Human Things Narrate Through Film? &#8212; ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=&#8221;Bahasa Indonesia&#8221; tab_id=&#8221;1669891787069-b900877a-8c3c&#8221;][vc_column_text title=&#8221;Kompetisi Internasional 06: Apa yang Bisa Dinarasikan Hal-hal Non-Manusia Melalui Film?&#8221; css=&#8221;.vc_custom_1669892100634{margin-bottom: 0px !important;}&#8221;]Apa yang bisa dinarasikan hal-hal non-manusia melalui filem? Apabila biasanya ada subjek manusia yang menjadi sumber narasi dalam sebuah filem atau tokoh yang menjalin cerita, dua filem yang diputar dalam kuratorial Hafiz Rancajale, Kompetisi Internasional 06: Membingkai Penyakit [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arkipel.festival\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-12-01T11:06:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arkipel.org\/wp-content\/uploads\/2022\/12\/img_7008-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Adi Osman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@arkipel\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Adi Osman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\"},\"author\":{\"name\":\"Adi Osman\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/0b69facd2901b11f208543f7c82af79b\"},\"headline\":\"International Competition 06: What Can Non-Human Things Narrate Through Film?\",\"datePublished\":\"2022-12-01T11:06:13+00:00\",\"dateModified\":\"2022-12-01T11:06:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\"},\"wordCount\":1025,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2022\/12\/img_7008-scaled.jpg?fit=2560%2C1707&ssl=1\",\"keywords\":[\"#catch-22\",\"#Gembong Nusantara\",\"#Sung Ming-yen\",\"2022\",\"International Competition\"],\"articleSection\":[\"ARKIPEL 2022 - catch-22\",\"Festival Updates\",\"International Competition\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\",\"url\":\"https:\/\/arkipel.org\/international-competition-06-what-can-non-human-things-narrate-through-film\/\",\"name\":\"International Competition 06: What Can Non-Human Things Narrate Through Film? 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