{"id":1179,"date":"2013-08-06T02:44:31","date_gmt":"2013-08-05T19:44:31","guid":{"rendered":"http:\/\/arkipel.org\/?p=1179"},"modified":"2017-08-08T04:06:54","modified_gmt":"2017-08-07T21:06:54","slug":"j-werier","status":"publish","type":"post","link":"https:\/\/arkipel.org\/j-werier\/","title":{"rendered":"J. Werier"},"content":{"rendered":"
\n

Country of Production:\u00a0<\/i> Canada
\n<\/b>Language:<\/i> English
\n<\/b>Subtitles: <\/i>No Subtitle
\n<\/b>4 min<\/b>, Color<\/i><\/b>, 2012<\/b><\/p>\n

–<\/p>\n

Agenda:
\nInternational Competition 6
\n26\/08\/2013
\n<\/b>GoetheHaus
\n<\/b><\/b>17.00\u00a0<\/b><\/p>\n

30\/08\/2013
\n<\/b>kineforum
\n<\/b><\/b>13.00<\/b><\/p>\n[vc_row][vc_column width=”1\/2″]\n

Kamera bergerak dan berganti ke ruang-ruang sebuah gudang dengan artefak-artefaknya di Winnipeg. Ruang-ruang tersebut dimanipulasi dengan proyeksi proyektor bekas oleh sang seniman. Secara mengejutkan gambar-gambar yang dihasilkan adalah sebuah montase tentang ruang tua, sebagaimana keadaan gudang Winnipeg saat ini.<\/p>\n

-Hafiz<\/i><\/p>\n[\/vc_column][vc_column width=”1\/2″]\n

The camera keep moving and the frame changes\u00a0 from one room to another inside a warehouse with its artifacts in Winnipeg. Those rooms had been manipulated by somewhat damaged projector by the artist. Surprisingly, the result of that projection is a montage about an old house, as the current state of the warehouse Winnipeg.<\/span><\/p>\n

-Hafiz<\/i><\/span><\/p>\n[\/vc_column][\/vc_row]\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Country of Production:\u00a0 Canada Language: English Subtitles: No Subtitle 4 min, Color, 2012 – Agenda: International Competition 6 26\/08\/2013 GoetheHaus 17.00\u00a0 30\/08\/2013 kineforum 13.00 [vc_row][vc_column width=”1\/2″] Kamera bergerak dan berganti ke ruang-ruang sebuah gudang dengan artefak-artefaknya di Winnipeg. Ruang-ruang tersebut dimanipulasi dengan proyeksi proyektor bekas oleh sang seniman. Secara mengejutkan gambar-gambar yang dihasilkan adalah sebuah […]<\/p>\n","protected":false},"author":9,"featured_media":1184,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[361,344,433],"tags":[30],"jetpack_publicize_connections":[],"yoast_head":"\nJ. Werier — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/j-werier\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"J. 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