{"id":12908,"date":"2024-08-29T10:04:11","date_gmt":"2024-08-29T03:04:11","guid":{"rendered":"https:\/\/arkipel.org\/?p=12908"},"modified":"2024-09-01T12:12:14","modified_gmt":"2024-09-01T05:12:14","slug":"ic7","status":"publish","type":"post","link":"https:\/\/arkipel.org\/ic7\/","title":{"rendered":"International Competition 7: Uncovering Trauma and Conflict Through Cinema"},"content":{"rendered":"[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=”Bahasa Indonesia” tab_id=”1672356843695-e131d52d-9a0e”][vc_column_text title=”Kompetisi Internasional 7: Menyingkap Trauma dan Konflik Melalui Sinema” css=”.vc_custom_1725167511366{margin-bottom: 0px !important;}”]Filmmaker<\/span> : <\/span>I’m from California<\/span><\/i>
\n<\/span>Palestinian <\/span> : <\/span>California, America!
\n<\/span><\/i>Palestinian <\/span> : <\/span>America no like Palestine
\n<\/span><\/i>Filmmaker <\/span> : <\/span>But i love Palestine<\/span><\/i>
\n<\/span>Palestinian <\/span> : <\/span>You like Palestine? Oh thank you, thank you\u00a0<\/span><\/i><\/p>\n

Percakapan tersebut adalah potongan dialog yang, hingga saat ini, masih terngiang jelas dalam pikiran saya. Dialog singkat itu seolah menggambarkan ketakutan yang dialami warga Palestina dan trauma mendalam akibat kekejaman genosida yang dilakukan oleh Amerika terhadap mereka. Ketakutan itu begitu mendalam hingga bahkan menyebutkan nama salah satu wilayah di Amerika saja sudah cukup untuk memicu rasa takut warga Jenin.\u00a0<\/span><\/p>\n

Bertempat di Bioskopforlen, Forum Lenteng, program pemutaran Kompetisi Internasional 7 dilangsungkan. Program bertajuk Tatapan dan Beban yang Ditanggung (<\/em><\/span>Gaze and Burden to Bear<\/span><\/em>)<\/em> ini dimulai pada pukul 16.00 WIB dengan total durasi pemutaran 3 filem yakni 2 jam. Program ini merupakan salah satu rangkaian pemutaran International Competition di ARKIPEL <\/span>Garden of\u00a0 Earthly Delights \u2013 11th Jakarta International Documentary and Experimental Film Festival<\/span><\/i>.\u00a0<\/span><\/p>\n

Program ini menyoroti isu-isu sosiopolitik yang mendesak di era kita, dengan fokus pada kekerasan dan ketidakadilan yang terjadi di berbagai belahan dunia, termasuk genosida yang sedang berlangsung di Palestina. Filem-filem yang diputar adalah\u00a0 <\/span>Togoland Projections<\/span><\/i> (2023) karya <\/span>Jurgen Ellinghaus<\/b>, <\/span>Death in Jenin<\/span><\/i> (2024) karya <\/span>Chris Giamo<\/b> dan terakhir <\/span>Just a Thing<\/span><\/i> (2024) karya <\/span>Marc Einsiedel<\/b>. Melalui pemutaran tiga filem yang mewakili tema tersebut, kurator <\/span>Adi Osman<\/b> membawa penonton ke dalam eksplorasi mendalam tentang bagaimana pandangan kita terhadap penderitaan manusia dibentuk dan dipertanyakan.\u00a0<\/span><\/p>\n

Togoland Projections<\/span><\/i> menjadi filem pembuka di program ini. Filem karya Jurgen Ellinghaus merupakan sebuah film dokumenter yang menyelidiki sejarah dan dampak kolonialisme di wilayah Togoland, yang sekarang menjadi bagian dari Ghana dan Togo. Filem ini menggali masa lalu melalui arsip, wawancara, dan rekonstruksi, menawarkan pandangan kritis terhadap bagaimana kekuatan kolonial membentuk identitas nasional dan sosial di wilayah tersebut.<\/span><\/p>\n

Tidak lama sebelum Perang Dunia Pertama, sutradara <\/span>Hans Schomburgk<\/b> bersama aktris <\/span>Meg Gehrtson<\/b> melakukan ekspedisi filem ke Afrika Barat untuk membuat filem petualangan di wilayah jajahan Jerman, Togo. Meski hampir tidak dikenal di Togo, filem-filem ini menjadi dokumen yang menarik sekaligus mengganggu, merekam puncak kekuasaan kolonial Jerman di Afrika.<\/span><\/p>\n

Lebih dari seabad kemudian, J\u00fcrgen Ellinghaus mulai menggali kembali warisan kelam tersebut dengan menelusuri jejak perjalanan Schomburgk dan menayangkan filem-filem itu di hadapan penonton Togo untuk pertama kalinya. Setelah pemutaran, para penonton merefleksikan konteks historis dari gambar-gambar tersebut, yang kemudian memicu diskusi tentang tradisi, stereotip, dan dampak dari pandangan kolonial. Meski Schomburgk berusaha menggambarkan kehidupan desa yang ideal dan memperkuat mitos Togo sebagai “koloni teladan” Jerman, gambaran tersebut diselimuti oleh kenyataan kerja paksa, penghinaan, dan kesombongan kekaisaran.<\/span><\/p>\n

Menggabungkan percakapan dengan warga Togo dan rekaman arsip yang luas, termasuk cuplikan dari buku harian perjalanan Gehrtson pada 1913, <\/span>Togoland Projections<\/span><\/i> menggali sejarah yang menyakitkan ini dari perspektif masa kini yang telah merdeka.<\/span><\/p>\n

Filem selanjutnya ada <\/span>Death in Jenin<\/span><\/i>, disutradarai oleh Chris Giamo, sebuah filem dokumenter yang mengeksplorasi konflik dan ketegangan yang terus berlanjut di wilayah Jenin, Palestina. Filem ini berfokus pada kehidupan sehari-hari warga Jenin, menyoroti ketegangan yang mereka hadapi akibat kekerasan yang berkepanjangan serta dampak emosional dan psikologis dari konflik tersebut.<\/span><\/p>\n

Melalui wawancara mendalam dan rekaman langsung di lapangan, <\/span>Death in Jenin<\/span><\/i> menggambarkan cerita-cerita pribadi yang sering kali tersembunyi di balik berita utama. Giamo menyajikan potret yang manusiawi tentang penderitaan, ketahanan, dan perjuangan untuk bertahan hidup di tengah kondisi yang sangat sulit. Filem ini bukan hanya sebuah catatan tentang tragedi, tetapi juga sebuah refleksi tentang kemanusiaan yang terus diuji oleh konflik.<\/span><\/p>\n

Sesi pemutaran ini ditutup dengan filem <\/span>Just a Thing<\/span><\/i> karya Marc Einsiedel. Filem ini<\/span> mengeksplorasi tema alienasi, obsesi, dan hubungan antara manusia dan materialisme dalam kehidupan modern. Dengan pendekatan artistik yang unik, Einsiedel mengajak penonton untuk mempertanyakan sejauh mana kita membiarkan objek-objek menguasai dan menentukan siapa kita.<\/span><\/p>\n

Setiap filem dalam program ini menawarkan perspektif yang berbeda tentang beban yang ditanggung oleh mereka yang berada di garis depan konflik, memaksa kita untuk merenungkan kompleksitas moral dari peran penonton dan tanggung jawab sosial kita. Kompetisi Internasional 7: \u201cTatapan dan Beban yang Ditanggung\u201d bukan hanya sebuah ajang sinematik, tetapi juga sebuah ruang untuk refleksi kritis tentang kondisi dunia saat ini.<\/span>[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”English” tab_id=”1672356843702-2655322e-0974″][vc_column_text title=”International Competition 7: Uncovering Trauma and Conflict Through Cinema” css=”.vc_custom_1725167531519{margin-bottom: 0px !important;}”]Filmmaker<\/span> : <\/span>I’m from California<\/span><\/i>
\n<\/span>Palestinian <\/span> : <\/span>California, America!
\n<\/span><\/i>Palestinian <\/span> : <\/span>America no like Palestine
\n<\/span><\/i>Filmmaker <\/span> : <\/span>But i love Palestine<\/span><\/i>
\n<\/span>Palestinian <\/span> : <\/span>You like Palestine? Oh thank you, thank you\u00a0<\/span><\/i><\/p>\n

The conversation was a snippet of dialogue that, to this day, still echoes vividly in my mind. The brief dialogue seemed to illustrate the fear experienced by the Palestinians and the deep trauma caused by the genocidal atrocities committed by America to them. The fear is so deep that even mentioning the name of an American state is enough to trigger the fear of Jenin residents.\u00a0<\/span><\/p>\n

Located at Bioskopforlen, Forum Lenteng, the International Competition 7 screening program was held. The program entitled Gaze and Burden to Bear<\/em> started at 4pm with a total screening time for three films was 2 hours. This program is part of the International Competition screening series at ARKIPEL <\/span>Garden of Earthly Delights – 11th Jakarta International Documentary and Experimental Film Festival<\/span><\/i>.\u00a0<\/span><\/p>\n

This program highlights prominent sociopolitical issues of our era, focusing on the violence and injustice taking place in different parts of the world, including the ongoing genocide in Palestine. The films screened were <\/span>Jurgen Ellinghaus<\/b>‘ <\/span>Togoland Projections<\/span><\/i> (2023), <\/span>Chris Giamo<\/b>‘s <\/span>Death in Jenin<\/span><\/i> (2024) and <\/span>Marc Einsiedel<\/b>‘s <\/span>Just a Thing<\/span><\/i> (2024). Through the screening of three films that represent the theme, curator <\/span>Adi Osman<\/b> brought the audiences into an in-depth exploration of how our views on human suffering are shaped and questioned.\u00a0<\/span><\/p>\n

Togoland Projections<\/span><\/i> was the opening film in this program. Jurgen Ellinghaus’ film is a documentary that investigates the history and impact of colonialism in the region of Togoland, now part of Ghana and Togo. It delves into the past through archives, interviews, and reconstructions, offering a critical look at how colonial forces shaped national and social identities in the region.<\/span><\/p>\n

Shortly before the First World War, director <\/span>Hans Schomburgk<\/b> and actress <\/span>Meg Gehrtson<\/b> went on a film expedition to West Africa to shoot adventure films in the German colony of Togo. Despite being barely known in Togo, these films became fascinating and disturbing documents, recording the peak of German colonial power in Africa.<\/span><\/p>\n

More than a century later, J\u00fcrgen Ellinghaus set out to rediscover this dark legacy by retracing Schomburgk’s footsteps and showing the films to Togolese audiences for the first time. After the screening, the audiences reflected on the historical context of the images, which sparked discussions about tradition, stereotypes, and the impact of colonial gaze. While Schomburgk sought to portray an idealized village life and reinforce the myth of Togo as Germany’s \u201cmodel colony,\u201d the images were shrouded in realities of forced labor, humiliation, and imperial arrogance.<\/span><\/p>\n

Combining conversations with Togolese citizens and extensive archival footage, including footage from the travel diary of Gehrtson in 1913, <\/span>Togoland Projections<\/span><\/i> explores this painful history from the perspective of an independent present.<\/span><\/p>\n

The next film is <\/span>Death in Jenin<\/span><\/i>, directed by Chris Giamo, a documentary that explores the ongoing conflict and tension in the Jenin region of Palestine. The film focuses on the daily lives of Jenin residents, highlighting the tensions they face due to the prolonged violence as well as the emotional and psychological impact of the conflict.<\/span><\/p>\n

Through in-depth interviews and actual on-the-ground footage, <\/span>Death in Jenin<\/span><\/i> depicts the personal stories that are often hidden behind the headlines. Giamo presents a humane portrait of suffering, resilience, and the struggle to survive amidst extremely difficult conditions. The film is not only a record of tragedy, but also a reflection on humanity that continues to be tested by conflict.<\/span><\/p>\n

The screening session was closed with Marc Einsiedel’s <\/span>Just a Thing<\/span><\/i>. The film explores themes of alienation, obsession, and the relationship between humans and materialism in modern life. With a unique artistic approach, Einsiedel invites the audience to question to what extent we allow objects to dominate and define who we are.<\/span><\/p>\n

Each film in the program offered a different perspective on the burdens borne by those on the frontlines of conflict, forcing us to reflect on the moral complexities of the role of the audiences and our social responsibilities. International Competition 7: \u201cGaze and Burden to Bear\u201d is not only a cinematic event, but also a space for critical reflection on the current state of the world.<\/span>[\/vc_column_text][\/vc_tta_section][\/vc_tta_tabs][\/vc_column][\/vc_row][vc_row][vc_column][vc_gallery interval=”3″ images=”12909,12910,12911,12912,12913″ img_size=”full”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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Oh thank you, thank you\u00a0 Percakapan tersebut adalah potongan dialog yang, hingga saat ini, […]<\/p>\n","protected":false},"author":179,"featured_media":12909,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[687,672,345,384,1,385,344,359],"tags":[741,674,739,675,738,740],"jetpack_publicize_connections":[],"yoast_head":"\nInternational Competition 7: Uncovering Trauma and Conflict Through Cinema — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/ic7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"International Competition 7: Uncovering Trauma and Conflict Through Cinema — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=”Bahasa Indonesia” tab_id=”1672356843695-e131d52d-9a0e”][vc_column_text title=”Kompetisi Internasional 7: Menyingkap Trauma dan Konflik Melalui Sinema” css=”.vc_custom_1725167511366{margin-bottom: 0px !important;}”]Filmmaker : I’m from California Palestinian : California, America! Palestinian : America no like Palestine Filmmaker : But i love Palestine Palestinian : You like Palestine? Oh thank you, thank you\u00a0 Percakapan tersebut adalah potongan dialog yang, hingga saat ini, […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/ic7\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arkipel.festival\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-08-29T03:04:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-09-01T05:12:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/arkipel.org\/wp-content\/uploads\/2024\/08\/p1660394-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1922\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nurrul Nelwan\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@arkipel\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nurrul Nelwan\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/arkipel.org\/ic7\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/ic7\/\"},\"author\":{\"name\":\"Nurrul Nelwan\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/04ab321a1c63f7a29ab12b62daa8a9ba\"},\"headline\":\"International Competition 7: Uncovering Trauma and Conflict Through Cinema\",\"datePublished\":\"2024-08-29T03:04:11+00:00\",\"dateModified\":\"2024-09-01T05:12:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/ic7\/\"},\"wordCount\":1458,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/ic7\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2024\/08\/p1660394-scaled.jpg?fit=2560%2C1922&ssl=1\",\"keywords\":[\"Adi Osman\",\"ARKIPEL Garden of Earthly Delights\",\"Chris Giamo\",\"Jakarta International Documentary and Experimental Film Festival\",\"Jurgen Ellinghaus\",\"Marc Einsiedel\"],\"articleSection\":[\"ARKIPEL 2024 - 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Ia tertarik dengan isu gender, seksualitas, dan kehidupan urban. Telah menulis beberapa film fiksi dan membuat dokumenter pendek serta video komersial. Selain membuat film, saat ini Nurrul bekerja di Forum Film Dokumenter (FFD) sebagai tim program database dan koleksi film. ----- Nurrul Nelwan completed her bachelor's degree in Film and Television at the Indonesian Institute of Arts Yogyakarta. She is interested in gender, sexuality, and urban life. She has written several fiction films and made short documentaries and commercial videos. Besides making films, Nurrul currently works at Forum Film Dokumenter (FFD) as a program team for database and film collection.\",\"url\":\"https:\/\/arkipel.org\/people\/nurrulnelwan\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"International Competition 7: Uncovering Trauma and Conflict Through Cinema — ARKIPEL","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/arkipel.org\/ic7\/","og_locale":"en_US","og_type":"article","og_title":"International Competition 7: Uncovering Trauma and Conflict Through Cinema — ARKIPEL","og_description":"[vc_row][vc_column][vc_tta_tabs][vc_tta_section title=”Bahasa Indonesia” tab_id=”1672356843695-e131d52d-9a0e”][vc_column_text title=”Kompetisi Internasional 7: Menyingkap Trauma dan Konflik Melalui Sinema” css=”.vc_custom_1725167511366{margin-bottom: 0px !important;}”]Filmmaker : I’m from California Palestinian : California, America! Palestinian : America no like Palestine Filmmaker : But i love Palestine Palestinian : You like Palestine? Oh thank you, thank you\u00a0 Percakapan tersebut adalah potongan dialog yang, hingga saat ini, […]","og_url":"https:\/\/arkipel.org\/ic7\/","og_site_name":"ARKIPEL","article_publisher":"https:\/\/www.facebook.com\/arkipel.festival\/","article_published_time":"2024-08-29T03:04:11+00:00","article_modified_time":"2024-09-01T05:12:14+00:00","og_image":[{"width":2560,"height":1922,"url":"https:\/\/arkipel.org\/wp-content\/uploads\/2024\/08\/p1660394-scaled.jpg","type":"image\/jpeg"}],"author":"Nurrul Nelwan","twitter_card":"summary_large_image","twitter_creator":"@arkipel","twitter_site":"@arkipel","twitter_misc":{"Written by":"Nurrul Nelwan","Est. reading time":"7 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/arkipel.org\/ic7\/#article","isPartOf":{"@id":"https:\/\/arkipel.org\/ic7\/"},"author":{"name":"Nurrul Nelwan","@id":"https:\/\/arkipel.org\/#\/schema\/person\/04ab321a1c63f7a29ab12b62daa8a9ba"},"headline":"International Competition 7: Uncovering Trauma and Conflict Through Cinema","datePublished":"2024-08-29T03:04:11+00:00","dateModified":"2024-09-01T05:12:14+00:00","mainEntityOfPage":{"@id":"https:\/\/arkipel.org\/ic7\/"},"wordCount":1458,"commentCount":0,"publisher":{"@id":"https:\/\/arkipel.org\/#organization"},"image":{"@id":"https:\/\/arkipel.org\/ic7\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2024\/08\/p1660394-scaled.jpg?fit=2560%2C1922&ssl=1","keywords":["Adi Osman","ARKIPEL Garden of Earthly Delights","Chris Giamo","Jakarta International Documentary and Experimental Film Festival","Jurgen Ellinghaus","Marc Einsiedel"],"articleSection":["ARKIPEL 2024 - 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Ia tertarik dengan isu gender, seksualitas, dan kehidupan urban. Telah menulis beberapa film fiksi dan membuat dokumenter pendek serta video komersial. Selain membuat film, saat ini Nurrul bekerja di Forum Film Dokumenter (FFD) sebagai tim program database dan koleksi film. ----- Nurrul Nelwan completed her bachelor's degree in Film and Television at the Indonesian Institute of Arts Yogyakarta. She is interested in gender, sexuality, and urban life. She has written several fiction films and made short documentaries and commercial videos. 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