7 min, Color<\/i>, 2014<\/strong><\/p>\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\n Eksplorasi medium visual dengan sentuhan langsung dalam tingkat kepekaan artistik terhadap bentuk (form<\/i>). Medium filem menjadi bidang warna yang digores langsung, mengeksplorasi kemungkinan baru saat dikolasekan pada proses merepresentasikan bidikan gambar. Melalui kodrat gerak sinema, filem ini didasarkan pada satuan visual sebagai abstraksi bentuk ekspresif dari serangga-serangga penuh warna dalam suatu metamorfis pola gerak sinematik. Suara di karya ini memiliki daya konsentrasi bagi sintesis gambar dan suara. Pendekatan estetik terhadap kerja non-digital, memungkinkan suara dan visual tampil secara otentik.<\/p>\n
\u2014\u00a0Akbar Yumni<\/i><\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n
It explores the visual medium in the level of artistic sensitivity to tracking of the form. Its medium becomes a directly etched color field to expore the new possibilities by the time it has been composing on the representation process of images. Through the nature of cinema\u2019s way, it\u2019s based on the visual unit as an abstraction of expressive form of colorful insects in a metamorphic of cinematic patterns. Its sound have a concentration of power for synthesis between images and sound. Aesthetical approach in non-digital matter, allowing for visual and sound appear as authentic elements.<\/span><\/p>\n\u2014\u00a0Akbar Yumni<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":" IC\u00a0 5\u2002\/\u2002FRI. 12 SEP, 20.45 & WED. 17 SEP, 15.00\u2002\/\u2002KINEFORUM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] [divider type=”space” height=”20″ no_border=”0″ \/] 18+ Country of production Japan Language\u00a0No Dialogue Subtitle No Subtitle 7 min, Color, 2014 [\/column] [column type=”1\/3″ last=”0″ class=””] Eksplorasi medium visual dengan sentuhan langsung dalam tingkat kepekaan artistik terhadap bentuk […]<\/p>\n","protected":false},"author":64,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,433],"tags":[18],"class_list":["post-2111","post","type-post","status-publish","format-standard","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-film","tag-japan"],"jetpack_publicize_connections":[],"yoast_head":"\n
Renai No Daikyouen (Banquet of Love) — ARKIPEL<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n