5 min, Color<\/i>, 2013<\/strong><\/p>\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\nFilem ini adalah eksplorasi tentang kekerasan yang terdapat pada arsip \u201cLive Leak\u201d (2013), Hakan Tosun, berdasarkan pixel sebagai unsur terkecil dari sebuah gambar. Daya gugat dalam eksplorasi filem ini adalah bagaimana memandang fakta-fakta peristiwa yang diubah (ditransfomasikan) ke dalam komposisi bentuk baru citraan yang murni bentuk dan warna, yang seketika itu juga turut mengubah cara pandang kita terhadap representasi, khususnya kejadian-kejadian kekerasan dalam peperangan atau kontak senjata dengan hanya menyisakan satu-satunya elemen faktual, yakni suara. Dekontruski atas representasi semacam itu seakan menelisik makna kekerasan dalam benak kita yang menjadi terganggu.<\/p>\n
\u2014\u00a0Akbar Yumni<\/i><\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n
This film is an exploration of violence, which appears in the \u201cLive Leak\u201d archive (2013), Hakan Tosun, based on pixelate as the smallest element of an image. The power of this film manifests in its way of seeing events that can be transformed into a composition of new images in the form of \u2018geometric shapes\u2019 and colors. That transformation can change the way we see a representation particularly of violent events in the war or a cross fire by leaving the only factual element available namely sound. A deconstruction of representation of this kind asks us to examine the meaning of violence in our mind.<\/span><\/p>\n\u2014\u00a0Akbar Yumni<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":"IC\u00a0 5\u2002\/\u2002FRI. 12 SEP, 20.45 & WED. 17 SEP, 15.00\u2002\/\u2002KINEFORUM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] 16+ Country of production\u00a0Spain Language No Dialogue Subtitle No Subtitle 5 min, Color, 2013 [\/column] [column type=”1\/3″ last=”0″ class=””] Filem ini adalah eksplorasi tentang kekerasan yang terdapat pada arsip \u201cLive Leak\u201d (2013), Hakan Tosun, berdasarkan pixel […]<\/p>\n","protected":false},"author":67,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,433],"tags":[37],"jetpack_publicize_connections":[],"yoast_head":"\n
Codes of\u2026 Senses — ARKIPEL<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n