Contact<\/i><\/span> \ninfo@oskaralegria.com<\/p>\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\n Di Afghanistan, teater dan sinema adalah musuh agama dan negara. Perempuan yang bermain sebagai aktris akan mendapatkan ancaman dari rezim Taliban yang mengklaim bahwa mereka berhak membunuh perempuan yang tidak \u201cmenjalankan syari\u2019at\u201d sesuai kriteria Taliban. Dengan menghadirkan sosok bernama Tahera sebagai mitos heroik, Playing with Fire<\/i> memulai perjalanannya menyelami suka duka perempuan yang mencintai seni pertunjukan di negara seketat Afghanistan. Di sela-sela filem, kadang-kadang kita disadarkan, \u201cBukankah menjadi perempuan juga berarti bermain dalam sebuah pertunjukan?\u201d<\/p>\n
\u2014\u00a0Makbul Mubarak<\/i><\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n
In Afghanistan, theatre and cinema is the enemy of religion and the state. A woman who becomes an actress would be threatened by the Taliban regime that claims to have the rights to kill women who do not observe the \u201csharia\u201d according to the Taliban criteria. By presenting a character named Tahera as a heroic myth, Playing With Fire <\/i>begins its journey to delve into the ups and downs of a woman who loves performing arts in a conservative country like Afghanistan. During the interlude, sometimes we are reminded, \u201cDoesn\u2019t it being a woman also mean playing in a performance?\u201d<\/span><\/p>\n \u2014 Ugeng T. Moetidjo<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":" IC\u2002\u20028\u00a0\/\u2002SAT. 13 SEP, 14.00 AT\u00a0 KINEFORUM & WED. 17 SEP, 13.00 AT CINEMA XXI – TIM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] [divider type=”space” height=”20″ no_border=”0″ \/] 18+ Country of production\u00a0Spain Language Basque Subtitle English 83 min, Color, 2012 – Contact info@oskaralegria.com [\/column] [column type=”1\/3″ last=”0″ class=””] Di Afghanistan, teater dan sinema […]<\/p>\n","protected":false},"author":71,"featured_media":2368,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,433],"tags":[37],"class_list":["post-2133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-film","tag-spain"],"jetpack_publicize_connections":[],"yoast_head":"\n
Emak Bakia Baita (The Search For Emak Bakia) — ARKIPEL<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n \n \n\t \n\t \n\t \n