39 min, Color<\/i>, 2013<\/strong><\/p>\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\nMenghindari penggunaan arsip pendukung sebagai identifikasi masa lampau yang merupakan metode yang konvensional, filem ini bergerak dari masa kini yang konteks untuk menyusun diskursus mengenai sejarah bangsa Novgorod di masa lampau. Menggunakan arsitektur, artefak, entitas alam, yang digunakan dengan konsep naratif, polemik historisitas, peradaban dan politik identitas mengalami penafsiran ulang yang melibatkan impresi individu. Dihadapkan pada artefak-artefak fisik yang tersisa, filem ini membangun kembali masa kejayaan Bangsa Novgorod. Ia menciptakan imaji akan bangsa yang besar melalui naratif visual yang megah. Sinema dengan mediumnya mendapatkan tempatnya sebagai reaksi dan restorasi akan serpihan-serpihan sejarah yang tidak lengkap.<\/p>\n
\u2014\u00a0Bunga Siagian<\/i><\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n
Staying away from the conventional use of archive as a marker of the past, this film begins from the present to compile a history of Novgorod nation in the past. Using architecture, artifacts, natural entities for the narrative conception, polemics around historicity, civilization and identity politics are re-interpreted through individual impressions. Confronted by remaining physical artifacts, this film reconstructs the glorious past of Novgorod nation. It creates an imagination of a big nation through a grand visual narrative. Cinema gains its place as a response and restoration of the incomplete historical pieces.<\/span><\/p>\n\u2014\u00a0Bunga Siagian<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":"IC\u2002\u20027\u00a0\/\u2002MON. 15 SEP, 19.00\u2002T KINEFORUM & TUE. 16 SEP, 13.00 AT CINEMA XXI – TIM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] 16+ Country of production\u00a0Russia Language Russian Subtitle English 39 min, Color, 2013 [\/column] [column type=”1\/3″ last=”0″ class=””] Menghindari penggunaan arsip pendukung sebagai identifikasi masa lampau yang merupakan metode yang konvensional, filem […]<\/p>\n","protected":false},"author":72,"featured_media":2360,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,433],"tags":[42],"class_list":["post-2135","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-film","tag-russia"],"jetpack_publicize_connections":[],"yoast_head":"\n
Ioann & Marfa — ARKIPEL<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\n\n\n\t\n\t\n\t\n