{"id":2578,"date":"2014-09-09T16:19:04","date_gmt":"2014-09-09T09:19:04","guid":{"rendered":"http:\/\/arkipel.org\/?p=2578"},"modified":"2017-08-02T20:41:08","modified_gmt":"2017-08-02T13:41:08","slug":"joy-of-madness","status":"publish","type":"post","link":"https:\/\/arkipel.org\/joy-of-madness\/","title":{"rendered":"Joy of Madness"},"content":{"rendered":"

CP\u2002SOUTH ASIA 3<\/strong>\u2002\/<\/span>\u2002THU. 18 SEP, 14.00\u2002\/<\/span>\u2002CINEMA XXI – TIM<\/span><\/p>\n

\""Joy<\/a><\/p>\n[divider type=”space” height=”40″ no_border=”1″ \/]\n[column type=”1\/3″ last=”0″ class=””]\n

18+<\/span><\/strong><\/p>\n

Country of production<\/i><\/span>\u00a0Iran<\/a> \/ Afghanistan<\/a>
\n<\/strong>Language<\/i><\/span> Persian<\/strong>
\nSubtitle <\/i><\/span>English<\/strong>
\n73 min, Color<\/i>, 2003<\/strong>
\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\n

Sebuah filem dokumenter yang melakukan kliping atas trauma masyarakat Afghanistan pasca pemerintahan diktator Taliban melalui perangkat kamera. Mengikuti proses pemilihan aktor yang dilakukan Samira Makhmalbaf untuk keperluan filem At Five in The Afternoon<\/i>, kamera Hanna menjadi saksi atas aksi sinema dalam mengkonstruk ingatan massal dalam kepentingan negoisasi terhadap narasi dan imaji produk Taliban atas perempuan.<\/p>\n

\u2014\u00a0Bunga Siagian & Afrian Purnama<\/i><\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n

A documentary film that clips through camera the trauma of Afghan society after the Taliban dictatorship. It followed the process of casting by Samira Makhmalbaf for her film At Five in The Afternoon<\/i>. Hanna\u2019s camera witnessed how cinema construct the collective memory in the interest of negotiation toward narrative and product image of Taliban on women.<\/span><\/p>\n

\u2014\u00a0Bunga Siagian & Afrian Purnama<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":"

CP\u2002SOUTH ASIA 3\u2002\/\u2002THU. 18 SEP, 14.00\u2002\/\u2002CINEMA XXI – TIM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] 18+ Country of production\u00a0Iran \/ Afghanistan Language Persian Subtitle English 73 min, Color, 2003 [\/column] [column type=”1\/3″ last=”0″ class=””] Sebuah filem dokumenter yang melakukan kliping atas trauma masyarakat Afghanistan pasca pemerintahan diktator Taliban melalui perangkat kamera. Mengikuti […]<\/p>\n","protected":false},"author":84,"featured_media":2579,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,1],"tags":[151,150],"class_list":["post-2578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-festival-updates","tag-afghanistan","tag-iran"],"jetpack_publicize_connections":[],"yoast_head":"\nJoy of Madness — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/joy-of-madness\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joy of Madness — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"CP\u2002SOUTH ASIA 3\u2002\/\u2002THU. 18 SEP, 14.00\u2002\/\u2002CINEMA XXI – TIM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] 18+ Country of production\u00a0Iran \/ Afghanistan Language Persian Subtitle English 73 min, Color, 2003 [\/column] [column type=”1\/3″ last=”0″ class=””] Sebuah filem dokumenter yang melakukan kliping atas trauma masyarakat Afghanistan pasca pemerintahan diktator Taliban melalui perangkat kamera. 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