{"id":2598,"date":"2014-09-09T20:47:01","date_gmt":"2014-09-09T13:47:01","guid":{"rendered":"http:\/\/arkipel.org\/?p=2598"},"modified":"2017-08-02T20:38:37","modified_gmt":"2017-08-02T13:38:37","slug":"tantangan-pemberontakan-baru-atas-media-filem","status":"publish","type":"post","link":"https:\/\/arkipel.org\/tantangan-pemberontakan-baru-atas-media-filem\/","title":{"rendered":"Tantangan Pemberontakan Baru Atas Media (Filem)"},"content":{"rendered":"<p><small>curator<\/small>\u00a0<em><strong>Manshur Zikri<\/strong><\/em><\/p>\n[divider type=&#8221;space&#8221; height=&#8221;20&#8243; no_border=&#8221;1&#8243; \/]\n[accordion auto=&#8221;0&#8243;][accordion_item title=&#8221;Foreword&#8221;]\n[column type=&#8221;1\/2&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;]\n<h1>Tantangan Pemberontakan Baru Atas Media (Filem)<\/h1>\n<p>&nbsp;<\/p>\n<p>Kuratorial ini mendiskusikan kemungkinan-kemungkinan atas pembacaan terhadap filem <em>The Uprising<\/em> (Peter Snowdon, 2013) demi mendapatkan suatu pemaparan menyeluruh tentang ide \u201cmelihat filem secara berbeda\u201d. Dengan melihat perkembangan media di konteks global, <em>The Uprising<\/em> dilihat sebagai sebuah karya yang membuktikan kepada kita bahwa telah terjadi suatu revolusi estetika dan revolusi cara pandang terhadap media. Kami melemparkan argumen bahwa <em>The Uprising<\/em> membuka peluang bagi penonton untuk terbebas dari \u2018kebenaran filemis\u2019 dan visi individual pengarang (<em>author<\/em>). Sebagaimana puisi yang telah ber-revolusi menjadi domain publik, dalam hal ini, filem dan video telah menjadi suatu medium yang secara utuh digenggam oleh publik.<\/p>\n<p><em>The Uprising<\/em> merupakan salah satu bukti konkret yang mewacanakan otokritik bagi proses sosial-politik-media di Indonesia, menyuguhkan kemungkinan-kemungkinan pilihan dalam merespon fenomena demokrasi dalam kurun waktu tiga bulan terakhir. \u2018Berpuisi\u2019, bisa jadi, adalah cara yang paling politis (bahkan ideologis), dan pilihlah filem sebagai puisi itu sendiri. Pada pilihan itulah kita dapat menyadari esensi dari <em>electoral risk<\/em>.<\/p>\n[\/column]\n[column type=&#8221;1\/2&#8243; last=&#8221;1&#8243; class=&#8221;&#8221;]\n<h1><span style=\"color: #666699;\">The Risk of the New Uprising against the Media (Film)<\/span><\/h1>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #666699;\">This curatorial discusses the possibilities of reading on <em>The Uprising<\/em> (Peter Snowdon, 2013) in order to get a thorough explanation about the idea of &#8220;seeing the film with other perspectives&#8221;. By starting the discussion about [new] media in the contemporary era in global context, <em>The Uprising<\/em> is seen as a work that proves to us that there has been such an aesthetic revolution and the revolution of perspectives about media. We argued that this film creates a possibility for audience to escape from the \u2018filmic verity\u2019 and individual vision of the author. As the poetry becomes the property of everybody (or public domain), in this case, film and video has become a medium that is fully handled by the public.<\/span><\/p>\n<p><span style=\"color: #666699;\"><em>The Uprising<\/em> is a concrete evidence for the process of self-criticism against the process of social-political-media in Indonesia, it presents the possibilities of choices in responding to the democration phenomena that have started and still been taking place since three months ago. Creating \u2018poetry\u2019, perhaps, is the most political (and even ideological) method, so choose film as poetry in itself. At that choice, we can realize the essence of <em>electoral risk<\/em>.<\/span><\/p>\n[\/column]\n[\/accordion_item]\n[accordion_item title=&#8221;Films&#8221;]\n<div class=\"column col-14 last\">\n<p><a title=\"The Uprising\" href=\"http:\/\/arkipel.org\/the-uprising\/\" target=\"_blank\"><img decoding=\"async\" data-attachment-id=\"2594\" data-permalink=\"https:\/\/arkipel.org\/the-uprising\/the-uprising-a\/\" data-orig-file=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?fit=1364%2C767&amp;ssl=1\" data-orig-size=\"1364,767\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"&#8220;The Uprising&#8221;, Peter Snowdon (United Kingdom\/Belgium)\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?fit=700%2C700&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?fit=1024%2C1024&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone wp-image-2594 size-full\" src=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?resize=1140%2C641\" alt=\"\" width=\"1140\" height=\"641\" srcset=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?w=1364&amp;ssl=1 1364w, https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?resize=720%2C404&amp;ssl=1 720w, https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/The-Uprising-A.jpg?resize=80%2C44&amp;ssl=1 80w\" sizes=\"(max-width: 1140px) 100vw, 1140px\" data-recalc-dims=\"1\" \/><\/a><\/p>\n<p><span style=\"color: #000000;\"><b>The Uprising<br \/>\n<\/b><\/span><span style=\"color: #666699;\">Peter Snowdon (United Kingdom\/Belgium)<\/span><\/p>\n<\/div>\n[\/accordion_item]\n[\/accordion]\n","protected":false},"excerpt":{"rendered":"<p>This curatorial discusses about how the colonial practices always leave traumatic collective memories for ex-colonial societies.The memories are present at every action, be it by the state or the people.<\/p>\n","protected":false},"author":44,"featured_media":2391,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,1],"tags":[279,122],"class_list":["post-2598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-festival-updates","tag-curatorial","tag-program"],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tantangan Pemberontakan Baru Atas Media (Filem) &#8212; 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