{"id":2602,"date":"2014-09-10T00:18:41","date_gmt":"2014-09-09T17:18:41","guid":{"rendered":"http:\/\/arkipel.org\/?p=2602"},"modified":"2017-08-02T20:38:27","modified_gmt":"2017-08-02T13:38:27","slug":"news-from-ideological-antiquity-marx-eisenstein-das-kapital","status":"publish","type":"post","link":"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/","title":{"rendered":"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital"},"content":{"rendered":"<p style=\"text-align: center;\"><span class=\"marker type-green\"><strong>CP\u2002KLUGE 1 &amp; 2<\/strong> FRI. 12 SEP, 13.00\u2002\/\u2002<strong>CP\u2002KLUGE 3 &amp; 4<\/strong> SAT. 13 SEP, 13.00\u2002\/\u2002GOETHEINSTITUT<\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Screen-Shot-2014-08-28-at-12.24.01-PM.png\"><img decoding=\"async\" class=\"alignnone wp-image-2603\" src=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Screen-Shot-2014-08-28-at-12.24.01-PM.png?resize=960%2C540\" alt=\"\" width=\"960\" height=\"540\" data-recalc-dims=\"1\" \/><\/a><\/p>\n[divider type=&#8221;space&#8221; height=&#8221;40&#8243; no_border=&#8221;1&#8243; \/]\n[column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;]\n<p><strong><span class=\"marker type-red\">21+<\/span><\/strong><\/p>\n<p><span style=\"color: #808183;\"><i>Country of production<\/i><\/span><strong>\u00a0<a href=\"http:\/\/arkipel.org\/tag\/germany\/\" target=\"_blank\">Germany<\/a><br \/>\n<\/strong><span style=\"color: #808183;\"><i>Language<\/i><\/span> <strong>German<\/strong><br \/>\n<span style=\"color: #808183;\"><i>Subtitle <\/i><\/span><strong>Bahasa Indonesia<\/strong><br \/>\n<strong>570 min, <em>Color<\/em>, 2008<\/strong><\/p>\n[\/column]\n[column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;]\n<p>Filem <i>News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Das Kapital<\/i> (2008), karya sutradara Jerman ternama, Alexander Kluge, diilhami oleh proyek yang tidak kelar dari sutradara Rusia ternama, Sergei Eisenstein. Pada tahun 1929, Eisenstein berencana membuat kisah satu hari seorang kelas pekerja, seperti halnya gaya sastra karya James Joyce, Ulysses, berdasarkan buku <i>Das Kapital<\/i> Karl Marx. Kluge meneruskan proyek Eisenstein tersebut secara \u2018arkeologis\u2019 berdasarkan gaya sinemanya sendiri. Melalui pendekatan dokumenter televisi, Kluge mewawancari sejumlah pakar dan beberapa kalangan seniman. Sebagai kelanjutan ilham dari proyek Eisenstein, ia membuat \u2018intertitle\u2019 yang dikemas secara kontemporer. Kluge menafsirkan Marx secara kekiniaan dan tidak membacanya dalam kerangka \u2018totalias\u2019.\u00a0 Melalu semangat Brechtian pada karya ini, terlihat bagaimana\u00a0 bagaimana Kluge mengemas diskursus Marx yang transformatif secara kekiniaan dan menghibur.<\/p>\n<p style=\"text-align: right;\">\u2014<i>\u00a0Akbar Yumni<\/i><\/p>\n[\/column]\n[column type=&#8221;1\/3&#8243; last=&#8221;1&#8243; class=&#8221;&#8221;]\n<p><span style=\"color: #666699;\"><i>News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Capital<\/i> (2008), is a work of a well-known German director, Alexander Kluge, inspired by the unfinished project of a celebrated Russian director, Sergei Eisenstein. In 1929, Eisenstein was planning to make a story about a worker class, as in the literature style of James Joyce\u2019s Ulysses, based on Karl Marx\u2019s book, <i>Capital<\/i>. Kluge continued Eisenstein\u2019s project \u2018archaeologically\u2019 based on his own style. Through television documentary approach, Kluge interviewed a number of experts and some artists. As a prolongation of inspiration of Eisenstein\u2019s project, he made an \u2018intertitle\u2019 which was wrapped contemporarily. Kluge interpreted Marx in a contemporary way and avoid to read him in the framework of \u2018totality.\u2019 Through Brechtian\u2019s spirit in this work, we can see how Kluge rendered Marx\u2019s transformative discourse in a contemporary and entertaining way.\u00a0<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #666699;\">\u2014<i>\u00a0Akbar Yumni<\/i><\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":"<p>CP\u2002KLUGE 1 &amp; 2 FRI. 12 SEP, 13.00\u2002\/\u2002CP\u2002KLUGE 3 &amp; 4 SAT. 13 SEP, 13.00\u2002\/\u2002GOETHEINSTITUT [divider type=&#8221;space&#8221; height=&#8221;40&#8243; no_border=&#8221;1&#8243; \/] [column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;] 21+ Country of production\u00a0Germany Language German Subtitle Bahasa Indonesia 570 min, Color, 2008 [\/column] [column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;] Filem News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Das Kapital (2008), karya [&hellip;]<\/p>\n","protected":false},"author":87,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,1],"tags":[34],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital &#8212; ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital &#8212; ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"CP\u2002KLUGE 1 &amp; 2 FRI. 12 SEP, 13.00\u2002\/\u2002CP\u2002KLUGE 3 &amp; 4 SAT. 13 SEP, 13.00\u2002\/\u2002GOETHEINSTITUT [divider type=&#8221;space&#8221; height=&#8221;40&#8243; no_border=&#8221;1&#8243; \/] [column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;] 21+ Country of production\u00a0Germany Language German Subtitle Bahasa Indonesia 570 min, Color, 2008 [\/column] [column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;] Filem News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Das Kapital (2008), karya [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arkipel.festival\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-09T17:18:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-08-02T13:38:27+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/arkipel.org\/wp-content\/uploads\/2014\/09\/Screen-Shot-2014-08-28-at-12.24.01-PM.png\" \/>\n<meta name=\"author\" content=\"Alexander Kluge\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@arkipel\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Alexander Kluge\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\"},\"author\":{\"name\":\"Alexander Kluge\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/a1d4b0bd7a40a298d574c80d608233e4\"},\"headline\":\"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital\",\"datePublished\":\"2014-09-09T17:18:41+00:00\",\"dateModified\":\"2017-08-02T13:38:27+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\"},\"wordCount\":312,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/#primaryimage\"},\"thumbnailUrl\":\"http:\/\/arkipel.org\/wp-content\/uploads\/2014\/09\/Screen-Shot-2014-08-28-at-12.24.01-PM.png\",\"keywords\":[\"Germany\"],\"articleSection\":[\"ARKIPEL 2014 - Electoral Risk\",\"Festival Updates\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\",\"url\":\"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/\",\"name\":\"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital &#8212; 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Ia menerima gelar doktor hukum dari Universitas Goethe, Frankfurt, 1956.\u00a0 Awalnya, Kluge adalah seorang penulis, dan melalui Theodor Adorno ia berkenalan dengan sutradara besar Jerman, Fritz Lang. Pada tahun 1960, ia telah membuat filem pendek hitam-putih pertamanya, berjudul Brutality in Stone. Karya awal Kluge termasuk dalam generasi awal para sutradara muda Jerman lainnya, seperti Fassbinder, Herzog, dan Schl\u00f6ndorff. Ia, yang melawan kultur filem komersil Jerman kala itu, dikenal dalam Manifesto Oberhausen pada tahun 1962. Karya filem terpentingnya adalah Yesterday Girls (1965), Part-Time Work of Domestic Slave (1973), Germany in Autumn (1978), dan News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Das Kapital (2008). Beberapa penghargaan di bidang filem yang ia peroleh, diantaranya \u201cGolden Lion\u201d, Festival Filem Venezia untuk Artisen in der Zirkus-kuppel; Ratlos (1967), \u201cInternational Critics Award\u201d, Festival Filem Cannes untuk Ferdinand the Strongman (1976), Hanns Joachim Friedrich Prize untuk Jurnalisme TV (2001), Grimme Award untuk \u201cSpecial Mention\u201d atas penghormatan terhadap karir sepanjang hidupnya (2001), dan lain sebagainya. Sebagai seorang teorisi ilmu sosial, ia juga menulis beberapa buku, diantaranya Public Sphere and Experience: Toward an Analysis of Bourgeois and Proletarian Public Sphere (1972) bersama sosiolog Oskar Negt. Kluge merupakan sutradara filem yang mengembangkan filemnya berdasarkan renungan-renungan teori sosial politik. Satu di antara gagasan sinemanya adalah pengembangan atas ide ruang publik dari filsuf J\u00fcrgen Habermas tentang ruang publik transformatif. Gagasan ruang publik Kluge adalah adalah tanggapan kritis ruang publik borjuis yang banyak menjamur pada situasi kebudayaan kapitalisme. Banyak karya Kluge yang merupakan satir dan kritik sosial politik melalui penggambaran kehidupan keseharian masyarakat kelas pekerja. Ketekunannya menghasilkan penghargaan yang ia terima di bidang kesusastraan seperti Italian Literature Prize Isola d\u2019Elba (1967), Heinrich von Kleist Prize (1985), Heinrich Boll Prize (1993), Georg Buchner Prize (1985) dan Schiller Memorial Prize (2001). Pada tahun 1973, ia mendapatkan gelar Profesor Kehormatan di Universitas Frankfurt. Born on February 14, 1932, in Halberstadt, Germany. He studied law and history at the University of Marburg. He received his doctorate of law from the Goethe University, Frankfurt, 1956. At first, Kluge was an author, and through Theodor Adorno he became acquainted with the great German director, Fritz Lang. In 1960, he already had made \u200b\u200bhis short film in black and white, entitled Brutality in Stone. Kluge\u2019s early work included in the initial generation of young German directors such as Fassbinder, Herzog, and Schl\u00f6ndorff. He, against the German commercial film culture at the time, was known in the Oberhausen Manifesto in 1962.\u00a0 His most important films are Yesterday Girls (1965), Part-Time Work of Domestic Slave (1973), Germany in Autumn (1978), and News from ideological Antiquity: Marx - Eisenstein - Das Kapital (2008). He has snatched several awards including \u201cGolden Lion\u201d in Venice Film Festival for Artisen in der Zirkus-Kuppel; Ratlos (1967), \u201cInternational Critics Award\u201d at Cannes Film Festival for Ferdinand the Strongman (1976), Hanns Joachim Friedrich Prize for TV Journalism (2001), Grimme Award for \u201cSpecial Mention\u201d to respect for careers throughout his life (2001), and so forth.\u00a0 As a theorist of social sciences, he also wrote several books, some of them are Public Sphere and Experience: Toward an Analysis of Bourgeois and Proletarian Public Sphere (1972) along with the sociologist Oskar Negt. Kluge is a film director who developed his films based on his reflection of socio-political theory. One of his cinematic notion is development on the idea of public space from the philosopher J\u00fcrgen Habermas\u2019 transformative public sphere. The notion of Kluge\u2019s public space is a critical response on the bourgeois\u2019 public space which flourished in cultural situation of capitalism. Many works of Kluge are satire and socio-political criticism through the depiction of working-class people\u2019s daily lives. His determination is resulting in many awards he has received, some of them are in the field of literature such as Italian Literature Prize Isola d\u2019Elba (1967), Heinrich von Kleist Prize (1985), Heinrich Boll Prize (1993), Georg Buchner Prize (1985) and Schiller Memorial Prize (2001). In 1973, he received an Honorary Professor at the University of Frankfurt.\",\"url\":\"https:\/\/arkipel.org\/people\/alexander-kluge\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital &#8212; ARKIPEL","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/arkipel.org\/news-from-ideological-antiquity-marx-eisenstein-das-kapital\/","og_locale":"en_US","og_type":"article","og_title":"News from Ideological Antiquity: Marx\u2013Eisenstein\u2013Das Kapital &#8212; ARKIPEL","og_description":"CP\u2002KLUGE 1 &amp; 2 FRI. 12 SEP, 13.00\u2002\/\u2002CP\u2002KLUGE 3 &amp; 4 SAT. 13 SEP, 13.00\u2002\/\u2002GOETHEINSTITUT [divider type=&#8221;space&#8221; height=&#8221;40&#8243; no_border=&#8221;1&#8243; \/] [column type=&#8221;1\/3&#8243; last=&#8221;0&#8243; class=&#8221;&#8221;] 21+ Country of production\u00a0Germany Language German Subtitle Bahasa Indonesia 570 min, Color, 2008 [\/column] [column type=&#8221;1\/3&#8243; 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Ia menerima gelar doktor hukum dari Universitas Goethe, Frankfurt, 1956.\u00a0 Awalnya, Kluge adalah seorang penulis, dan melalui Theodor Adorno ia berkenalan dengan sutradara besar Jerman, Fritz Lang. Pada tahun 1960, ia telah membuat filem pendek hitam-putih pertamanya, berjudul Brutality in Stone. Karya awal Kluge termasuk dalam generasi awal para sutradara muda Jerman lainnya, seperti Fassbinder, Herzog, dan Schl\u00f6ndorff. Ia, yang melawan kultur filem komersil Jerman kala itu, dikenal dalam Manifesto Oberhausen pada tahun 1962. Karya filem terpentingnya adalah Yesterday Girls (1965), Part-Time Work of Domestic Slave (1973), Germany in Autumn (1978), dan News from Ideological Antiquity: Marx \u2013 Eisenstein \u2013 Das Kapital (2008). Beberapa penghargaan di bidang filem yang ia peroleh, diantaranya \u201cGolden Lion\u201d, Festival Filem Venezia untuk Artisen in der Zirkus-kuppel; Ratlos (1967), \u201cInternational Critics Award\u201d, Festival Filem Cannes untuk Ferdinand the Strongman (1976), Hanns Joachim Friedrich Prize untuk Jurnalisme TV (2001), Grimme Award untuk \u201cSpecial Mention\u201d atas penghormatan terhadap karir sepanjang hidupnya (2001), dan lain sebagainya. Sebagai seorang teorisi ilmu sosial, ia juga menulis beberapa buku, diantaranya Public Sphere and Experience: Toward an Analysis of Bourgeois and Proletarian Public Sphere (1972) bersama sosiolog Oskar Negt. Kluge merupakan sutradara filem yang mengembangkan filemnya berdasarkan renungan-renungan teori sosial politik. Satu di antara gagasan sinemanya adalah pengembangan atas ide ruang publik dari filsuf J\u00fcrgen Habermas tentang ruang publik transformatif. Gagasan ruang publik Kluge adalah adalah tanggapan kritis ruang publik borjuis yang banyak menjamur pada situasi kebudayaan kapitalisme. Banyak karya Kluge yang merupakan satir dan kritik sosial politik melalui penggambaran kehidupan keseharian masyarakat kelas pekerja. Ketekunannya menghasilkan penghargaan yang ia terima di bidang kesusastraan seperti Italian Literature Prize Isola d\u2019Elba (1967), Heinrich von Kleist Prize (1985), Heinrich Boll Prize (1993), Georg Buchner Prize (1985) dan Schiller Memorial Prize (2001). Pada tahun 1973, ia mendapatkan gelar Profesor Kehormatan di Universitas Frankfurt. Born on February 14, 1932, in Halberstadt, Germany. He studied law and history at the University of Marburg. He received his doctorate of law from the Goethe University, Frankfurt, 1956. At first, Kluge was an author, and through Theodor Adorno he became acquainted with the great German director, Fritz Lang. In 1960, he already had made \u200b\u200bhis short film in black and white, entitled Brutality in Stone. Kluge\u2019s early work included in the initial generation of young German directors such as Fassbinder, Herzog, and Schl\u00f6ndorff. He, against the German commercial film culture at the time, was known in the Oberhausen Manifesto in 1962.\u00a0 His most important films are Yesterday Girls (1965), Part-Time Work of Domestic Slave (1973), Germany in Autumn (1978), and News from ideological Antiquity: Marx - Eisenstein - Das Kapital (2008). He has snatched several awards including \u201cGolden Lion\u201d in Venice Film Festival for Artisen in der Zirkus-Kuppel; Ratlos (1967), \u201cInternational Critics Award\u201d at Cannes Film Festival for Ferdinand the Strongman (1976), Hanns Joachim Friedrich Prize for TV Journalism (2001), Grimme Award for \u201cSpecial Mention\u201d to respect for careers throughout his life (2001), and so forth.\u00a0 As a theorist of social sciences, he also wrote several books, some of them are Public Sphere and Experience: Toward an Analysis of Bourgeois and Proletarian Public Sphere (1972) along with the sociologist Oskar Negt. Kluge is a film director who developed his films based on his reflection of socio-political theory. One of his cinematic notion is development on the idea of public space from the philosopher J\u00fcrgen Habermas\u2019 transformative public sphere. The notion of Kluge\u2019s public space is a critical response on the bourgeois\u2019 public space which flourished in cultural situation of capitalism. Many works of Kluge are satire and socio-political criticism through the depiction of working-class people\u2019s daily lives. His determination is resulting in many awards he has received, some of them are in the field of literature such as Italian Literature Prize Isola d\u2019Elba (1967), Heinrich von Kleist Prize (1985), Heinrich Boll Prize (1993), Georg Buchner Prize (1985) and Schiller Memorial Prize (2001). In 1973, he received an Honorary Professor at the University of Frankfurt.","url":"https:\/\/arkipel.org\/people\/alexander-kluge\/"}]}},"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p3vpmt-FY","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts\/2602"}],"collection":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/users\/87"}],"replies":[{"embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/comments?post=2602"}],"version-history":[{"count":0,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts\/2602\/revisions"}],"wp:attachment":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/media?parent=2602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/categories?post=2602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/tags?post=2602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}