{"id":2689,"date":"2014-09-12T16:47:59","date_gmt":"2014-09-12T09:47:59","guid":{"rendered":"http:\/\/arkipel.org\/?p=2689"},"modified":"2017-08-02T20:34:06","modified_gmt":"2017-08-02T13:34:06","slug":"mengubah-bentuk-melampaui-ingatan","status":"publish","type":"post","link":"https:\/\/arkipel.org\/mengubah-bentuk-melampaui-ingatan\/","title":{"rendered":"Mengubah Bentuk Melampaui Ingatan"},"content":{"rendered":"
presented by<\/small>\u00a0Scott Miller Berry<\/strong><\/em><\/p>\n[divider type=”space” height=”20″ no_border=”1″ \/]\n[accordion auto=”0″][accordion_item title=”Foreword”]\n[column type=”1\/2″ last=”0″ class=””]\n <\/p>\n Program ini menelusuri bagaimana gambar, identitas dan ruang dihasilkan dan dibongkar.\u00a0 Bergerak di antara ranah digital dan dunia nyata, video-video terpilih ini menguji representasi dan konstruksi akan tubuh dan bangunan, mulai dari kisah skandal lip sync <\/i>Milli Vanilli yang tersohor hingga Bart Simpson yang digambar secara kasar menghadirkan sebuah epilog penutup.<\/p>\n[\/column]\n[column type=”1\/2″ last=”1″ class=””]\n <\/p>\n This program explores the production and deconstruction of image, identity and space. Moving between the digital realm and the real world, this selection of videos examines the representation and construction of bodies and buildings, from the infamous story of Milli Vanilli\u2019s lip sync scandal to a closing epilogue delivered by a crudely drawn Bart Simpson.<\/span><\/p>\n[\/column]\n[\/accordion_item]\n[accordion_item title=”Films”]\n <\/a><\/p>\n Bbrraattss<\/strong> <\/a><\/p>\n Versions<\/strong> <\/a><\/p>\n Case Study House<\/strong> <\/a><\/p>\n Former Models<\/strong> <\/a><\/p>\n Just Like UsMengubah Bentuk Melampaui Ingatan<\/h1>\n
Remodeled Beyond Recognition<\/span><\/h1>\n
\nIan Cheng (USA)<\/span><\/p>\n<\/div>\n
\n<\/span>Oliver Laric\u00a0(Austria)<\/span><\/p>\n<\/div>\n
\nJosh Romphf (USA)<\/span><\/p>\n<\/div>\n
\nBenjamin Pearson (USA)<\/span><\/p>\n<\/div>\n[divider type=”space” height=”20″ no_border=”1″ \/]\n
\n<\/strong>Jesse McLean (USA)<\/span><\/p>\n<\/div>\n