{"id":2808,"date":"2014-09-13T13:41:48","date_gmt":"2014-09-13T06:41:48","guid":{"rendered":"http:\/\/arkipel.org\/?p=2808"},"modified":"2017-08-02T20:28:52","modified_gmt":"2017-08-02T13:28:52","slug":"jajahan-gambar-bergerak-lumiere-1896-1900","status":"publish","type":"post","link":"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/","title":{"rendered":"Jajahan Gambar Bergerak: Lumi\u00e8re (1896-1900)"},"content":{"rendered":"

curator<\/small> Mahardika Yudha<\/strong><\/p>\n[mk_padding_divider size=”20″]\n[mk_title_box color=”#c2c244″ highlight_color=”#000000″ highlight_opacity=”1″ size=”14″ line_height=”34″ font_weight=”inherit” margin_top=”0″ margin_bottom=”40″ font_family=”none” align=”left”]E<\/strong>\u2002\/\u2002OPENING<\/span> SUN. 14 SEP, 19.00-22.00 \/ EXHIBITION<\/span> 15 SEP-21 SEP, 15.00-20.30\u2002\/ GEDUNG PFN<\/strong><\/span>[\/mk_title_box]\n

Peradaban Sinema Dalam Pameran #1<\/strong><\/em><\/p>\n

Jajahan Gambar Bergerak: Lumi\u00e8re (1896-1900)<\/h3>\n
Persebaran Sinematografi ke Asia, Afrika, dan Amerika Latin<\/h5>\n

 <\/p>\n

Pada perhelatan kedua, ARKIPEL Electoral Risk <\/em>\u2013 Jakarta International Documentary & Experimental Film Festival 2014, akan diselenggarakan seri pertama dari Peradaban Sinema Dalam Pameran <\/em>yang akan menghadirkan persebaran sinematografi ke Asia, Afrika, dan Amerika Latin, dengan tajuk Jajahan Gambar Bergerak: Lumiere (1896-1900)<\/em>. Pameran ini akan diselenggarakan di gedung laboratorium filem Produksi Film Negara (PFN) yang memiliki hubungan kesejarahan terhadap sinema Indonesia di masa kolonial.<\/p>\n

Setiap tahunnya, ARKIPEL \u2013 Jakarta International Documentary & Experimental Film Festival akan menyelenggarakan seri Peradaban Sinema Dalam Pameran <\/em>yang mencoba membaca kembali kepingan-kepingan arsip sinema Indonesia dan relevansinya dengan peradaban sinema dunia. Pameran arsip ini lebih mengkhususkan pada pembacaan bagaimana visual representasi kenyataan yang dihasilkan oleh teknologi sinema itu, termasuk juga bagaimana teknologi itu sendiri dalam mengintervensi bahasa visual representasinya. Setiap serinya, pameran arsip ini akan menghadirkan tema-tema spesifik yang muncul dalam linimasa peradaban sinema dunia, khususnya filem dokumenter dan eksperimental.<\/p>\n

Dalam beberapa tahun mendatang, Peradaban Sinema Dalam Pameran<\/em> akan khusus menghadirkan tema tentang Jajahan Gambar Bergerak<\/em>. Jajahan dalam pameran ini lebih menitikberatkan kepada bagaimana moda kerja gambar bergerak itu sendiri dalam menyebarluaskan dan mentransfer piranti lunak (ide) dan juga logika kerja piranti keras (materi teknologi) yang dapat mewujudkan gagasan gambar bergerak ke seluruh dunia. Kembali kepada pernyataan Andre Bazin bahwa, \u201cSinema adalah fenomena idealistik. Konsep yang sudah dimiliki manusia hadir begitu saja dengan kuat dalam pemikiran mereka, seolah dalam suatu surga platonis. Dan yang mengejutkan kita adalah adanya tantangan keras dari materi terhadap gagasan, bukan anjuran teknis dari imajinasi peneliti.\u201d Teknologi sinema yang \u2018beruntung\u2019 diciptakan, setelah menunggu lebih dari 300 tahun untuk diciptakan sejak penemuan mesin uap, hanyalah sebagai \u2018perantara\u2019 atau bahkan bagian kecil saja dari gagasan besar sinema di dalam kepala manusia yang sebenarnya sudah ada sejak manusia merenungi burung.<\/p>\n[mk_divider style=”double_dot” divider_color=”#c2c244″ divider_width=”full_width” margin_top=”20″ margin_bottom=\u201c40″]\n

Cinema Culture in Exhibition #1<\/em><\/strong><\/span><\/p>\n

Moving Image Colony: Lumi\u00e8re (1896-1900)<\/span><\/h3>\n
The Mobilization of Cinematography to Asia, Africa and Latin America<\/span><\/h5>\n

 <\/p>\n

On the second event, ARKIPEL Electoral Risk <\/em>\u2013 Jakarta International Documentary & Experimental Film Festival, 2014, we are organizing the first series of Cinema Culture in Exhibition that will present the distribution of cinematography to Asia, Africa, Latin America, with the title Moving Image Colony: Lumiere (1896-1900). The exhibition will be held at film laboratory building of Perusahaan Film Negara (PFN) that has the historical connectivity with colonial cinema.<\/span><\/p>\n

Every year, ARKIPEL \u2013 Jakarta International Documentary & Experimental Film Festival will be organizing series of Cinema Culture in Exhibition<\/em> which tries to reread pieces of archives on Indonesian cinema and its relevance to the world\u2019s cinema culture. This archives exhibition is specializing on the reading of visual representation on reality that resulted by that cinema technology, including the role of that technology in intervening its visual representation language. In every series, this archives exhibition will present specific themes which emerge in the timeline of the world\u2019s cinema culture, especially documentary and experimental films.<\/span><\/p>\n

In the years to come, Cinema Culture in Exhibition<\/em> will present the theme about Moving Image Colony<\/em> in particular. The colony in this exhibition will be emphasizing on how the moving images\u2019 mode of production can disseminate and transfer the software (idea) and the work logic of the hardware (technological material) in order to realize the notion of moving images all over the world. We can refer to Andre Bazin\u2019s statement that, \u201cThe cinema is an idealistic phenomenon. The concept men had of it existed so to speak fully armed in their minds, as if in some platonic heaven, and what strikes us most of all is the obstinate resistance of matter to ideas rather than of any help offered by techniques to the imagination of the researchers.\u201d Cinema technology which created by \u2018luck\u2019, after waiting for more than 300 years to be created since the invention of steam engine, was just \u2018intermediator\u2019 or small parts from cinema grand idea in the head of human being who actually has existed since human contemplating about birds. <\/span><\/p>\n[mk_divider style=”double_dot” divider_color=”#c2c244″ divider_width=”full_width” margin_top=”20″ margin_bottom=\u201c40″]\n[mk_fancy_title tag_name=”h5″ style=”true” color=”#393836″ size=”14″ font_weight=”inhert” margin_top=”0″ margin_bottom=”18″ font_family=”none” align=”left”]Filem-Filem Lumiere yang Dipamerkan \/ The Exhibition of Lumiere Films[\/mk_fancy_title]\n[vc_accordions style=”fancy-style” action_style=”accordion-action” open_toggle=”-1″ container_bg_color=”#fff”][vc_accordion_tab title=”Films”]\n[mk_custom_list style=”e2af” icon_color=”#2f5976″ margin_bottom=”30″ align=”none”]\n

    \n
  • Jongleur javanais <\/i>[Inggris Raya. 1896. Alexandre Promio]<\/li>\n
  • Toilette d\u2019un n\u00e9grillon II<\/i> [Prancis. 1897]<\/li>\n
  • N\u00e8gres Achantis: danse d\u2019hommes<\/i> [Prancis. 1897]<\/li>\n
  • Sortie de la briqueterie Meffre et Bourgoin \u00e0 Hanoi <\/i>[Vietnam. 1899-1900. Gabriel Veyre]<\/li>\n
  • La sortie de l\u2019arsenal <\/i>[Vietnam. 1899-1900. Gabriel Veyre]<\/li>\n
  • Fort-de-France: femmes portant des corbeilles<\/i> [Antilles Prancis. 1902-1903. Alexander Promio]<\/li>\n
  • Panorama des rives du Bosphore<\/i> [Turki. 1897. Alexandre Promio]<\/li>\n
  • Le village de Namo: panorama pris d\u2019une chaise \u00e0 porteurs <\/i>[Vietnam. 1900. Gabriel Veyre]D\u00e9part de J\u00e9rusalem en chemin de fer (panorama) <\/i>[Palestina-Israel. 1897. Alexandre Promio]<\/li>\n
  • Rue Bab-Azoun<\/i> [Aljazair. 1896. Alexandre Promio<\/li>\n
  • Coolies \u00e0 Saigon <\/i>[Vietnam. 1896. Constant Girel]<\/li>\n
  • Transport de la cloche de l\u2019Ind\u00e9pendance <\/i>[Meksiko. 1896. Gabriel Veyre]<\/li>\n
  • Un enterrement<\/i> [Mesir. 1897. Alexandre Promio]<\/li>\n
  • Le bey de Tunis et les personnages de sa suite descendant l\u2019escalier du Bardo<\/i> [Tunisia. 1903. Alexandre Promio]<\/li>\n
  • Place du Gouvernement<\/i> [Aljazair. 1896. Alexandre Promio]<\/li>\n
  • Le roi du Cambodge se rendant au palais <\/i>[Kamboja. 1899. Gabriel Veyre]<\/li>\n
  • Combat de coqs <\/i>[Meksiko. 1896. Gabriel Veyre]<\/li>\n
  • Duel au pistolet (longeur-12 m\u00e8tres) <\/i>[Meksiko. 1896. Gabriel Veyre]<\/li>\n
  • Lassage des boeufs pour le labour <\/i>[Meksiko. 1896. Gabriel Veyre]<\/li>\n
  • Puits de p\u00e9trole \u00e0 Bakou. Vue de pr\u00e8s<\/i> [Azerbaijan. 1897-1899. A.H. Mishon]<\/li>\n
  • Fumerie d\u2019opium<\/i> [Vietnam. 1899-1900. Gabriel Veyre]<\/li>\n
  • Repas en famille<\/i> [Jepang. 1897. Constant Girel]<\/li>\n
  • Japonaise faisant sa toilette<\/i> [Jepang. 1898-1899. Gabriel Veyre]<\/li>\n
  • Moulin \u00e0 homme pour l\u2019arrosage des rizi\u00e8res <\/i>[Jepang. 1898-1899. Gabriel Veyre]<\/li>\n<\/ul>\n[\/mk_custom_list]\n[\/vc_accordion_tab][vc_accordion_tab title=”Biographies”]\n

    Lumi\u00e8re Brothers
    \n<\/i><\/b>Auguste Marie Louis Nicolas Lumi\u00e8re and Louis Jean Lumi\u00e8re (1864-1948) born from a photography plate factory owner family. Since young, both of them are very fond of technology and finished school at La Martini\u00e8re, Lyon, the biggest vocational high school in Lyon. After their father resign from the firm in 1892, the two brothers continue the firm and started to conduct a research and development on moving image technology Cin\u00e9matographique <\/i>which eventually shown to public on 28 December, 1895.<\/p>\n

    Fran\u00e7ois-Constant Girel (1873-1952)
    \n<\/i><\/b>He was just 23 years old when joining, following his brother-in-law\u2019s footsteps, and work at the Lumi\u00e8re Brothers\u2019 firm. On September, 1896, he was chosen to be an operator of Cin\u00e9matographique<\/i> to filming Tsar Nikolas II in Germany. After he went to Switzerland and Italy, he travelled to Japan, and then Vietnam and back to France a year later. He approached Path\u00e9 Fr\u00e8res to find further work in film but failed. He quitted his career as film operator and returned to work as pharmacist. Throughout his career, he has made 37 films (Luke McKernan: http:\/\/victorian-cinema.net\/girel<\/i>).<\/p>\n

    Gabriel Veyre (1871-1936)
    \n<\/i><\/b>From 1896 to 1900\/1901, he travelled to introduce moving image technology Cin\u00e9matographique <\/i>to Central and Latin America, Carribean Islands, Japan, China, and Indochina and producing 72 films. As he come back from his adventures, the result of his filmings were exhibited in Paris Universal Exposition 1900. Sometime in 1900\/1901, having left the Lumi\u00e8re firm, he journeyed as a solo film operator. In Morocco, he demonstrated photography and Cin\u00e9matographique<\/i> for Sultan Abd al-Aziz, who possessed an insatiable desire for Western inventions (Luke McKernan: http:\/\/victorian-cinema.net\/veyre<\/i>). <\/i><\/p>\n

    Jean Alexandre Louis Promio (1868-1926)
    \n<\/i><\/b>He is an Italian descent and more familiar as Alexandre Promio. After witnessed the first presentation of the Cin\u00e9matographique<\/i> on June 1895, he decided to left his job and was taken on by the Lumi\u00e8re Brothers\u2019 firm. He was trained by M. Perrigot to operate the Cin\u00e9matographique<\/i> in less than a year. At the least, he has filming 348 reels<\/i> with the Cin\u00e9matographique<\/i> in several countries. After left Lyon and quit his job at the Lumi\u00e8re Brothers\u2019 firm, he started to work for Path\u00e9 in 1907. When the World War I ended, he work as photographer and operator of the Cin\u00e9matographique<\/i> for the government of Algeria (Luke McKernan: http:\/\/victorian-cinema.net\/promio<\/i>).<\/p>\n

    A.H. Mishon
    \n<\/i><\/b>The France-born photographer with Russian nationality has settled for 25 years and ran a photographic studio in Baku, Azerbaijan, which at that time still under the territory of Russian Empire. He also known as specialist photographer for oil field in Baku. On August 2nd<\/sup> 1898, Mishon gave an exhibition of his filmings on Caucasus and Central Asia using the Cin\u00e9matographique <\/i>technology at the V.I. Vasilyev-Vyatski Circus Theatre, Azerbaijan, which then re-exhibited at the biggest industry and technology exhibition, Paris Universal Exposition in 1900 (Luke McKernan: http:\/\/victorian-cinema.net\/mishon<\/i>).<\/p>\n[\/vc_accordion_tab][\/vc_accordions]\n","protected":false},"excerpt":{"rendered":"

    On the second event, ARKIPEL Electoral Risk \u2013 Jakarta International Documentary & Experimental Film Festival, 2014, we are organizing the first series of Cinema Culture in Exhibition that will present the distribution of cinematography to Asia, Africa, Latin America, with the title Moving Image Colony: Lumiere (1896-1900). <\/p>\n","protected":false},"author":1,"featured_media":2809,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,348],"tags":[197,122],"class_list":["post-2808","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-kultursinema-exhibition-program","tag-exhibition","tag-program"],"jetpack_publicize_connections":[],"yoast_head":"\nJajahan Gambar Bergerak: Lumi\u00e8re (1896-1900) — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jajahan Gambar Bergerak: Lumi\u00e8re (1896-1900) — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"On the second event, ARKIPEL Electoral Risk \u2013 Jakarta International Documentary & Experimental Film Festival, 2014, we are organizing the first series of Cinema Culture in Exhibition that will present the distribution of cinematography to Asia, Africa, Latin America, with the title Moving Image Colony: Lumiere (1896-1900).\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arkipel.festival\/\" \/>\n<meta property=\"article:author\" content=\"http:\/\/facebook.com\/arkipel.festival\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-13T06:41:48+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-08-02T13:28:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/FA-Poster-Acara-Pameran_small.jpg?fit=960%2C1358&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"1358\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Arkipel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@http:\/\/twitter.com\/arkipel\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Arkipel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"8 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/\"},\"author\":{\"name\":\"Arkipel\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/c2984da36a56e09e4b5184bafce4abef\"},\"headline\":\"Jajahan Gambar Bergerak: Lumi\u00e8re (1896-1900)\",\"datePublished\":\"2014-09-13T06:41:48+00:00\",\"dateModified\":\"2017-08-02T13:28:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/\"},\"wordCount\":1528,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/jajahan-gambar-bergerak-lumiere-1896-1900\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/FA-Poster-Acara-Pameran_small.jpg?fit=960%2C1358&ssl=1\",\"keywords\":[\"Exhibition\",\"Program\"],\"articleSection\":[\"ARKIPEL 2014 - 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