108 min, B\/W<\/i>, 1968<\/strong><\/p>\n[\/column]\n[column type=”1\/3″ last=”0″ class=””]\n Ini merupakan dokumenter pertama Ogawa Shinsuke dengan Ogawa Pro-nya, dalam kesaksian dan keterlibatan langsung pada gerakan sosial kaum tani dari desa-desa di Kabupaten Sanrizuka, terutama desa Heta yang paling radikal yang menjadi lokasi aktual filem ini. Radikalisasi tidak terelakkan ketika warga desa bersama mahasiswa dan para provokator mulai merancang gerakan kolektif untuk melakukan pembangkangan dan perlawanan terhadap upaya perampasan tanah-tanah kehidupan masyarakat desa demi pembangunan Bandara Internasional Tokyo. Dalam filem ini, kita akan menelusuri beberapa tahap penggambaran peristiwa, mulai persiapan demonstrasi, barisan protes massa sampai ke tingkat yang ekstrem \u2014terutama dari kaum perempuannya\u2014 hingga diskusi teoretis tentang perlawanan rakyat tani. Sebuah pendekatan dari sinema keberpihakan yang dapat mengaktifkan pemikiran politis kepada kita sebagai penonton, maupun memantik argumen mengenai pendekatan dokumenter ini.<\/p>\n[\/column]\n[column type=”1\/3″ last=”1″ class=””]\n
This film is the first documentary of Ogawa Shinsuke and his Ogawa Pro\u2019s in witnessing and participating directly in the peasants\u2019 social movement in the villages in Sanrizuka District, especially the Heta village, the most radical one that became the actual location of this film. The radicalization is inevitable when the villagers, together with the students and provocateurs, started to plan a collective movement to resist and fight against the seizure attempts of the villagers\u2019 living lands for the sake of Tokyo International Airport\u2019s development. In this film, we are asked to explore several stages of the event\u2019s descriptions, beginning with the rally preparation, the mass protest\u2019s lineup to an extreme level\u2014especially by the women\u2014to the theoretical discussion about the peasants\u2019 resistance. It\u2019s an approach of cinematic partisanship that can activate our political thinking as audience or trigger arguments about this documentary approach.<\/span><\/p>\n[\/column]\n","protected":false},"excerpt":{"rendered":"SP\u2002OGAWA 1\u2002\/\u2002FRI. 12 SEP, 15.00\u2002\/\u2002CINEMA XXI – TIM [divider type=”space” height=”40″ no_border=”1″ \/] [column type=”1\/3″ last=”0″ class=””] 18+ Country of production\u00a0Japan Language Japanese Subtitle English 108 min, B\/W, 1968 [\/column] [column type=”1\/3″ last=”0″ class=””] Ini merupakan dokumenter pertama Ogawa Shinsuke dengan Ogawa Pro-nya, dalam kesaksian dan keterlibatan langsung pada gerakan sosial kaum tani dari desa-desa […]<\/p>\n","protected":false},"author":81,"featured_media":2820,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,1],"tags":[18],"jetpack_publicize_connections":[],"yoast_head":"\n
The Battle Front for the Liberation of Japan \u2013 Summer in Narita — ARKIPEL<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n \n \n\t \n\t \n\t \n