{"id":2900,"date":"2014-09-13T23:59:40","date_gmt":"2014-09-13T16:59:40","guid":{"rendered":"http:\/\/arkipel.org\/?p=2900"},"modified":"2017-08-02T20:25:23","modified_gmt":"2017-08-02T13:25:23","slug":"berkarya-dari-secangkir-kopi-dan-sekilat-cahaya","status":"publish","type":"post","link":"https:\/\/arkipel.org\/berkarya-dari-secangkir-kopi-dan-sekilat-cahaya\/","title":{"rendered":"Berkarya dari Secangkir Kopi dan Sekilat Cahaya"},"content":{"rendered":"

JAKARTA, ARKIPEL, Forum Lenteng<\/strong> \u2014 Berlangsung di gedung laboratorium Produksi Film Negara (PFN) yang bersejarah di Jalan Otto Iskandar Dinata, Jatinegara, Jakarta Timur, lokakarya pemrosesan filem yang menjadi lokakarya kedua dalam rangkaian kegiatan ARKIPEL Electoral Risk<\/em> \u2013 Jakarta International Documentary & Experimental Film Festival 2014. Lokakarya ini diselenggarakan oleh Lab Laba-Laba, yang mana Gedung lab PFN ini merupakan markas mereka. Sejak Februari, 2014, Lab Laba-Laba telah mengadakan beragam kegiatan menyangkut pengenalan, eksplorasi, dan interpretasi terhadap filem analog. Lokakarya tersebut diadakan pada hari Sabtu, 13 September, 2014.<\/p>\n

Bertujuan untuk memperluas pengetahuan tentang teknik pemrosesan filem analog yang sederhana dan dapat dibuat sendiri di rumah, lokakarya ini memperkenalkan Rayogram dan Caffenol-C. Rayogram sendiri merupakan proses menciptakan gambar di ruang gelap menggunakan benda-benda temuan kecil yang diletakkan langsung di atas seluloid dan kemudian disinari hanya dalam sepersekian detik. Caffenol-C merupakan cairan pemroses gambar yang dibuat dengan secangkir kopi, vitamin C, dan washing soda.<\/p>\n

Lokakarya dibagi menjadi dua sesi. Sesi pertama diikuti oleh empat peserta. Dua orang pertama adalah pasangan suami istri yang juga seorang pekerja filem, sedangkan dua peserta lainnya datang dari Galeri Antara. Pemandu di sesi ini adalah Hasumi Shiraki, serta Tumpal, Alin, dan Frans dari Lab Laba-Laba. Untuk sesi kedua, dihadiri oleh tiga peserta, dan dibimbing lengkap oleh Scott Miller Berry, Richard Tuohy dan Diana Barrie.<\/p>\n

Pada awal lokakarya, mereka diajak untuk meracik campuran caffenol-c. Sambil diberikan arahan oleh Hasumi dan Tumpal, mereka memanaskan air, dan kemudian dipisah untuk dicampur dengan kopi instan, vitamin c, dan washing soda. Pesertapun bersenda gurau dengan memperagakan gaya presenter acara memasak sambil menuang bahan-bahan. Kemudian, alih-alih diaduk dengan sendok seperti biasanya membuat kopi, pemandu dari Lab Laba-Laba menyempatkan untuk unjuk kebolehan salah satu koleksi laboratorium mereka, yakni mesin pengaduk magnetis.\u00a0 Cara kerja mesin itu mengundang decak kagum para peserta di sana: hanya perlu menjatuhkan batangan magnet kecil ke dalam tabung, mesin dibawahnya kemudian menggerakkan\u00a0 isi tabung berkat daya magnetis antar mesin dan magnet tersebut. Setelah itu, campuran dipindahkan dan diamkan agar tidak terlalu panas.<\/p>\n

Sembari menunggu dingin caffenol-c yang telah dibuat, peserta diajak ke kamar gelap untuk dijelaskan mengenai prinsip kerja Rayogram. Masing-masing pasangan peserta mendapatkan 10 meter rol filem 16mm, untuk membuat filem sepanjang 15 detik. Dalam keadaan gelap total, terkecuali dibantu dengan lampu merah, pita seluloid digelar di atas meja dan ditimpa dengan berbagai benda-benda kecil. Panitia telah menyediakan berbagai manik-manik untuk digunakan peserta, namun ternyata Panda dan Sofi dari Galeri Antara, telah membawa mainan-mainan Lego sendiri \u00a0untuk digunakan pada pita mereka. Setelah diletakkan di atas pita, para mentor membantu menyinari pita dengan waktu yang pas, yakni tidak sampai sedetik.<\/p>\n

Setelah semua pita telah disinari, pita digulung masuk ke dalam lomo tank, sebuah alat untuk mencuci filem. Lampu kemudian dinyalakan, memperlihatkan meja mereka yang berantakan setelah bekerja di dalam gelap.<\/p>\n

\u201cNanti jangan lupa diberesin ya?\u201d canda mentor sambil berpura-pura meninggalkan mereka di kamar gelap.<\/p>\n

Peserta pun tertawa sambil melihat lantai yang dipenuhi pernak-pernik mereka yang berjatuhan. Bekerja dalam gelap inilah yang menjadi sensasi menyenangkan dan khas dari teknik Rayogram ini. Penulis sendiri sampai beberapa kali menabrak dinding saat mencoba masuk melihat kerja peserta.<\/p>\n

Peserta kemudian diajak untuk kembali ke lab untuk mencuci filem. Lomotank membuat kerja tersebut menjadi lebih praktis, hanya perlu mengisi caffenol-c ke lubang di tengahnya, lalu memutar tombol dengan hitungan tertentu untuk mengaduk cairan di dalamnya, kemudian memanfaatkan prinsip ketinggian air: mengangkat lomo tank dan menurunkan selang yang tersambung dari lomo tank ke arah wastafel untuk membuang cairan. Setelah itu, lomo tank diisi air untuk mencuci sisa caffenol-c. Setelah bersih, lomotank diisi cairan fixer untuk menghentikan proses dari caffenol-c, kemudian dibuang. Setelah dibersihkan lagi dengan, air, filem dikeluarkan dan dijemur.<\/p>\n

Peserta dan mentor pun akhirnya dapat mengagumi hasil karya lokakarya ini. Dua teman yang menggunakan mainan Lego tadi puas dengan karya mereka, dan mendapat sanjungan dari panitia. \u00a0Kurang beruntung bagi pasangan satunya, yang beberapa bagian seluloidnya tidak terlihat akibat penyinaran terlalu lama.<\/p>\n

Panitia dan sang istri pun bergurau, \u201cSudah\u2026sudah\u2026! Rumput tetangga memang lebih hijau! Hahaha!\u201d, saat si suami menatap kagum hasil peserta lain yang berhasil.<\/p>\n

Panda dan Sofi tertarik mengikuti lokakarya ini sebagai kelanjutan dari pendidikan yang telah mereka dapat di Galeri Antara. Sedangkan peserta lain yang juga seniman dan pembuat filem, merasa perlu untuk mendapat workshop ini demi menunjang profesi mereka.<\/p>\n

Scott Miller Berry, Direktur dari IMAGES Festival, melihat lokakarya ini sebagai pembuka kesempatan bagi perupa untuk terlibat dalam proses penciptaan filem secara mandiri.\u00a0 \u201cSeringkali seniman hanya merekam, kemudian mengirim bahannya ke lab untuk diproses oleh para ahli, oleh orang lain. Melalui pendidikan ini, seniman dapat bekerja sendiri dan mengalami sendiri proses penciptaan tersebut hingga akhir,\u201d jelasnya.<\/p>\n

Sebagai salah satu pembimbing di lokakarya ini, Scott memiliki latar belakang fotografi di masa kuliah dan mengajar di residensi tahunan di Toronto Utara, Kanada, bernama Film Farm, di mana para residen mengikuti lokakarya intensif selama seminggu di musim panas, dengan seluloid 16mm hitam-putih, dan pemrosesan manual, di mana para seniman juga dapat bereksperimen dengan mewarnai filem tersebut. \u00a0Selasa yang akan datang, Scott juga akan memberikan workshop mengenai tinting <\/em>dan dyeing <\/em>tersebut.<\/p>\n

\u201cSaya sangat suka berada di kamar gelap,\u201d aku Scott. \u201cSaya sangat menyukai pengalaman berada di kegelapan, melihat gambar menjadi hidup dengan campuran-campuran kimia. Sungguh ruangan yang sangat meditatif menurut saya.\u201d<\/p>\n

\u201cSeperti berada dalam rahim, dong\u201d <\/em>seru saya.<\/p>\n

\u201cTepat sekali! Perumpamaan yang bagus. Proses mencipta dan menantikan hasil dari proses sangatlah menarik bagi saya,\u201d jawab pria asal Kanada ini.<\/p>\n

Kami juga berbincang tentang Gedung PFN ini sendiri. Banyak pembuat filem lokal yang mengirim bahan mereka untuk diproses di luar negeri, padahal sebenarnya kita memiliki fasilitas itu, di Gedung ini.<\/p>\n

Hasumi, yang menjadi narasumber pada sesi ini, mengaku senang dan memang mencintai pemrosesan filem secara manual. Ia agak kebingungan untuk mendeskripsikan secara tepat kecintaannya ini, apalagi mengingat Bahasa Inggrisnya yang juga terbatas, namun ia mengangguk semangat ketika Tumpal mencoba menebak bahwa keterlibatan tangan secara langsung dan badaniah merupakan sisi yang menarik dari proses ini.<\/p>\n

\"Gesyada<\/a><\/p>\n[mk_divider style=”double_dot” divider_color=”#c2c244″ divider_width=”full_width” margin_top=”20″ margin_bottom=\u201c40″]\n

Working from A Cup of Coffee and A Flash of Light<\/span><\/h3>\n

 <\/p>\n

JAKARTA, ARKIPEL, Forum Lenteng<\/strong> \u2014 Held at the historical State Film Production Laboratory Building (Gedung Produksi Film Negara), Jalan Otto Iskandar Dinata, Jatinegara, East Jakarta, this sfilm processing workshop became the second workshop in a series of events from ARKIPEL Electoral Risk – Jakarta International Documentary & Experimental Film Festival 2014. The workshop was organized by Lab Laba-Laba, which, the PFN lab building is their headquarters. Since February 2014, Lab Laba-Laba has held a wide variety of activities related to the introduction, exploration, and interpretation of analog film. The workshop was held on Saturday, September 13, 2014.<\/span><\/p>\n

Aims to expand the knowledge of analog film processing techniques that are simple and can be made at home, this workshop introduced Rayogram and Caffenol-C. Rayogram itself is a process of creating an image in a dark room using small found objects, then placed directly on top of celluloid and then being radiated only in a fraction of a second. Caffenol-C is a liquid for processing images made with a cup of coffee, vitamin C, and washing soda.<\/span><\/p>\n

The workshop was divided into two sessions. The first session was followed by four participants. The first two are a married couple who are also film a worker, while two other participants coming from Antara Gallery. Guides in this session were Hasumi Shiraki, and Tumpal, Alin, and Frans from Spider Lab. For the second session, attended by three participants, and guided completely by Scott Miller Berry, Richard Tuohy and Diana Barrie.<\/span><\/p>\n

At the beginning of the workshop, they were invited to mix the mixture caffenol-c. With the direction was given by Hasumi and Tumpal, they heat the water, and then mixed it with instant coffee, vitamin c and washing soda. The participants were frolic by demonstrating a cooking presenter style while pouring the ingredients. Then, instead of the usual stirring with a spoon to make coffee, the guide from Lab Laba-Laba took the moment to show off one of their laboratory collection, ie a magnetic stirrer machine. The workings of the machine wowed the participants there: merely need to drop a small magnet sticks to the tube, then the machine underneath movesDthe contents of the tube due to the magnetic power between the engine and the magnet. After that, the mixture was transferred and set aside to prevent overheating.<\/span><\/p>\n

While waiting for the caffenol-c to be cool, participants were invited to a dark room to get explaination about the working principle of Rayogram. Each pair of participants got 10 meters roll of 16mm film, to make a film as long as 15 seconds. In total darkness, unless aided by a red light, celluloid held on the table and overwritten with a variety of small objects. The guides had provided a variety of beads to be used by the participants, but it turned out Panda and Sofi from Galeri Antara, had brought their own Lego toys to be used on their tape. Once placed on the ribbon, the mentor was there to help illuminate the flash at the right time, which is in a millisecond count.<\/span><\/p>\n

After all the bands had been irradiated, the tape rolled into the lomo tanks, a tool for washing the film. Then the lights turned on, showing their desks cluttered after working in the dark.<\/span><\/p>\n

“Be sure to clean these up, eh?” joked mentor while pretending to leave them in the dark room.<\/span><\/p>\n

The participant then laughing while looking at the floor filled with trinkets they had dropped. Working in the dark that was the fun and thrilling thing from Rayogram. The author herself hit the wallseveral times when trying to see the work of participants.<\/span><\/p>\n

Participants were then invited to return to the lab to wash the film. Lomotank make the process easier just need to fill caffenol-c into the hole in the middle, then turn the knob to the specific count to stir the liquid in it, then take advantage of the principle of water level: lifting the lomo tank and lowering the hose connected from lomo tanks towards sink to drain fluids. After that, the lomo tanks were filled with water to wash the rest of caffenol-c. Once clean, they filled the lomotank with fixer to stop the process of caffenol-c, then discarded it. Once cleaned again with water, the films were removed and dried in hanger.<\/span><\/p>\n

Participants and mentors were finally able to admire the work of this workshop. The girls who used Lego toys were satisfied with their work, and get praises from the committee. Less fortunate for the couples, whose some parts of their celluloid were not visible due to prolonged exposure.<\/span><\/p>\n

Committee and his wife had joked. “Relax, neighbor\u2019s grass is always greener, hahaha!” they said, when the husband stared in awe at the successful results of other participants.<\/span><\/p>\n

Panda and Sofi interested in attending this workshop as a continuation of the education that they got in the Galeri Antara. While other participants who were also artists and film makers, felt the need to have this workshop in order to support their profession.<\/span><\/p>\n

Scott Miller Berry, Director of the Images Festival, saw the workshop as an opportunity for artists to engage in the process of creating their own film. “Most of the time, the artists only send the raw material to the lab to be processed by the experts, scientist, by others. Through this workshops, an artist can work independently and experience the creation process until the end. ” he explained.<\/span><\/p>\n

As one of the mentors in this workshop, Scott has a background in photography and teaching at the annual residency in North Toronto, Canada, named “Film Farm”, where the artist followed an intensive workshop for a week in the summer, with black 16mm celluloid -white, and manual processing, where the artists can also experiment with coloring the film. Next Tuesday, Scott also will give a workshop on the tinting and dyeing.<\/span><\/p>\n

“I really like being in a dark room,” admitted Scott. “I really like the experience of being in the dark, seeing the image comes alive with chemical mixtures. It’s very meditative room in my opinion.”<\/span><\/p>\n

“Like being in the womb, then?” I said.<\/span><\/p>\n

“Exactly! Good example. The process of creating and await the results of the process is very exciting for me,” this Canadian man replied.<\/span><\/p>\n

We also talked about building PFN itself. Many local filmmakers who send their material to be processed abroad, when in fact Indonesian have this facility which is this building.<\/span><\/p>\n

Hasumi, who became speaker in this session, said she was happy and really love the film processing manually. She was somewhat confused to accurately describe her love for this, especially considering that her English is also limited, but she nodded eagerly when Tumpal try to guess that the direct involvement of the hands and physically engagement in the process were the interesting side of this process.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Bertujuan untuk memperluas pengetahuan tentang teknik pemrosesan filem analog yang sederhana dan dapat dibuat sendiri di rumah, lokakarya ini memperkenalkan Rayogram dan Caffenol-C. Rayogram sendiri merupakan proses menciptakan gambar di ruang gelap menggunakan benda-benda temuan kecil yang diletakkan langsung di atas seluloid dan kemudian disinari hanya dalam sepersekian detik. Caffenol-C merupakan cairan pemroses gambar yang dibuat dengan secangkir kopi, vitamin C, dan washing soda.<\/p>\n","protected":false},"author":78,"featured_media":2987,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,1],"tags":[173],"jetpack_publicize_connections":[],"yoast_head":"\nBerkarya dari Secangkir Kopi dan Sekilat Cahaya — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/berkarya-dari-secangkir-kopi-dan-sekilat-cahaya\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berkarya dari Secangkir Kopi dan Sekilat Cahaya — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"Bertujuan untuk memperluas pengetahuan tentang teknik pemrosesan filem analog yang sederhana dan dapat dibuat sendiri di rumah, lokakarya ini memperkenalkan Rayogram dan Caffenol-C. 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