{"id":3066,"date":"2014-09-15T23:00:08","date_gmt":"2014-09-15T16:00:08","guid":{"rendered":"http:\/\/arkipel.org\/?p=3066"},"modified":"2017-08-02T20:11:47","modified_gmt":"2017-08-02T13:11:47","slug":"filem-tak-mengharuskan-percakapan","status":"publish","type":"post","link":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/","title":{"rendered":"Filem Tak Mengharuskan Percakapan"},"content":{"rendered":"
\"Cuplikan<\/a>

Cuplikan Filem Suite<\/em> Habana<\/em> karya Fernando P\u00e9rez (2013)<\/p><\/div>\n[mk_padding_divider size=”20″]\n

JAKARTA, ARKIPEL, Forum Lenteng<\/strong> \u2014 Siang hari, sekitar pukul 13.00 WIB, 15 September, 2014, pacar saya mengirim SMS: \u201cAku duduk di jajaran ke lima dari belakang.\u201d Ya, hari itu kami berjanji akan menyaksikan filem berjudul Suite Habana<\/em>, karya Fernando P\u00e9rez dari Kuba Filem ini salah satu dari dua filem yang dikurasi oleh Ronny Agustinus, dalam Program Kuratorial di ARKIPEL Electoral Risk \u2013 <\/em>Jakarta International Documentary & Experimental Film Festival 2014, dengan tema kurasi \u201cDi Luar Sinema Ketiga\u201d.<\/p>\n

Saya segera menyusul pacar saya yang sudah berada duluan di studio. Ketika memasuki Studio 1 XXI, Taman Ismail Marzuki (TIM), saya bertemu Ronny Agustinus yang berlari-lari kecil. \u201cMaaf, saya terlambat. Macet!\u201d katanya. Kami berdua pun segera masuk ke dalam studio untuk menyaksikan filem yang sudah berjalan sekitar 20 menit (berdasarkan keterangan yang saya dengar dari penjaga buku tamu).<\/p>\n

Saya dan Ronny duduk di barisan bangku kelima dari belakang. Ronny memilih tempat duduk di ujung, sedangkan saya di sebelah pacar saya itu.<\/p>\n

\"Cuplikan<\/a>

Cuplikan Filem Suite Habana<\/em> karya Fernando P\u00e9rez (2013)<\/p><\/div>\n

Filem Suite Habana<\/em>, berjalan dengan \u2018tenang\u2019. Saya menunggu-nunggu adanya percakapan, tapi tak kunjung ada. Ketika saya memeriksa katalog di tengah-tengah ruang gelap, ternyata memang disebutkan filem ini tanpa dialog. Hanya ada sedikit suara dari mulut ketika seorang badut tampil untuk menghibur anak-anak. Awalnya, saya sulit memahami alur cerita ini, meskipun terkesima dengan bidikan-bidikan kamera di filem itu yang tampil begitu sederhana: sama sekali tak eksotis di mata saya. Namun, semakin menyimak filem tersebut, saya baru menyadari bahwa walau tanpa narasi dan tanpa dialog, filem ini tetap berdialog dengan penonton melalui konstruksi visual image-nya.<\/p>\n

Lagi-lagi, saya menemukan sifat puitik dalam filem, yakni ketika komposisi atau susunan gambar hadir di filem itu dengan penempatan yang terukur, tanpa menuntut atau mengharuskan \u2018kejelasan naratif\u2019 dari aspek susunannya, tetapi dapat mengetuk relung terdalam pemikiran kita tentang hidup manusia, di tengah masyarakat, dalam menjalani hari-harinya untuk bertahan dari krisis di tengah-tengah desakan pengaruh \u2018kekuasaan\u2019 baru pasca runtuhnya rezim terdahulu. Pada rangkaian kegiatan sehari-hari yang berganti-ganti dari tokoh yang satu ke tokoh yang lain inilah, saya mencerna tentang mimpi orang-orang di Havana: menjalani hidup dengan tenang dan tentram.<\/p>\n

\"Cuplikan<\/a>

Cuplikan Filem Suite Habana<\/em> karya Fernando P\u00e9rez (2013)<\/p><\/div>\n

Gaya bahasa filem seperti ini justru menarik, dan dapat menjadi referensi penting bagi masyarakat di Indonesia yang masih terbiasa dengan penyampaian naratif filem yang bergantung pada dialog antartokoh di dalam ceritanya. Filem ini, jelas sekali, mengajarkan kita bahwa filem adalah visual, dan dalam pengemasan ide\/isu-nya, filem tak mengharuskan sebuah percakapan.<\/p>\n

Ketika filem usai dan lampu studio dinyalakan, saya mendengar suara-suara penonton berseru, \u201cHarusnya ada diskusi, nih!\u201d. Tapi memang tak ada diskusi hari itu. Ketika saya sibuk memeriksa begitu banyak pesan di ponsel saya, saya tak menyadari para penonton yang lain telah meninggalkan studio.<\/p>\n

\u201cLho, kok sepi?\u201d seru saya.<\/p>\n

\u201cUdah pada keluar,\u201d kata pacar saya. \u201cYuk, kita harus segera pergi!\u201d<\/p>\n[mk_divider style=”double_dot” divider_color=”#dddddd” divider_width=”full_width” margin_top=”20″ margin_bottom=”20″]\n

Film Does Not Always Require Conversation<\/span><\/h3>\n[mk_padding_divider size=”40″]\n

JAKARTA, ARKIPEL, Forum Lenteng<\/strong> \u2014 During the day, around 13:00 pm, 15 September, 2014, my girlfriend sent a text: “I sat in the fifth seat from behind.” Yes, the day that we promised to watch the film titled Suite Habana<\/em> by Fernando P\u00e9rez from Cuba. This film was one of two films curated by Ronny Agustinus, for the Curatorial Program named “Beyond the Third Cinema” in the ARKIPEL Electoral Risk<\/em> – Jakarta International Documentary & Experimental Film Festival 2014.<\/span><\/p>\n

I immediately followed my girlfriend who had been first in the studio. When entering the Studio 1 of XXI, Taman Ismail Marzuki (Ismail Marzuki Park or TIM\u2014red), I met Ronny Augustinus who jogged. “Sorry I’m late. Traffic jam!” he said. We both immediately went into the studio to watch the film which had been running for about 20 minutes (based on the infromation I had heard from the guest greeter).<\/span><\/p>\n

Ronny and I sat in the fifth row from the back. Ronny chose a seat at far left, while I was at my girlfriend’s side.<\/span><\/p>\n

The film of Suite Habana<\/em> was running \u2018quietly\u2019. I was waiting for any conversation, but still not there. When I checked the catalog in the middle of the dark room, it was indeed mentioned that this film didn\u2019t have any dialogue. There was little noise from the mouth when a clown appeared to entertain the children. Initially I found it difficult to understand this storyline, though I was impressed with the shots in this film that appeared so simple: not exotic at all in my eyes. However, the longer I listened to the film; I realized that even without narration and with no dialogue, the film remains a \u2018dialogue\u2019 with the audience through its construction of visual image.<\/span><\/p>\n

Again, I found the poetic nature of the film, when the composition of the image was present in the film with a measured placement, without demanding or requiring any ‘clear narrative’ of the aspects of its structure, but it still able to knock the deepest recesses of our thoughts about human life, in society, in their daily lives to survive the crisis in the middle of the insistence from the influence of \u2018new powers’ after the post-collapse of the previous regime. In a series of daily activities that kept changing from one figure to another figure here, I digested about the dreams of those in Havana: to live in peace and at ease.<\/span><\/p>\n

Such stylistic film is actually interesting, and could be an important reference for audiences in Indonesia who are still unfamiliar with the delivery of the narrative film that relies on dialogue between the characters in the story. This film, obviously, teaches us that film is visual; packaging its ideas\/issues doesn’t always require a conversation.<\/span><\/p>\n

When the film ended and the studio lights turned on, I heard the voices of the audience called out, “There should be a discussion, right?!”<\/span><\/p>\n

But there was no discussion that day. When I was busy checking out so many messages on my cell phone, I did not realize the rest of the audience had left the studio.<\/span><\/p>\n

“Why? So quiet?” I exclaimed.<\/span><\/p>\n

“Everybody has left,” said my girlfriend. “Come on, we gotta go!”<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Filem ini, jelas sekali, mengajarkan kita bahwa filem adalah visual, dan dalam pengemasan ide\/isu-nya, filem tak mengharuskan sebuah percakapan.<\/p>\n","protected":false},"author":44,"featured_media":3068,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[362,345,385],"tags":[173],"class_list":["post-3066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-festival-theme-arkipel-2014-electoral-risk","category-main-curatorial-program","category-film-screening-reviews","tag-electoral-risk"],"jetpack_publicize_connections":[],"yoast_head":"\nFilem Tak Mengharuskan Percakapan — ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filem Tak Mengharuskan Percakapan — ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"Filem ini, jelas sekali, mengajarkan kita bahwa filem adalah visual, dan dalam pengemasan ide\/isu-nya, filem tak mengharuskan sebuah percakapan.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\" \/>\n<meta property=\"og:site_name\" content=\"ARKIPEL\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/arkipel.festival\/\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/manshurzikri?fref=ts\" \/>\n<meta property=\"article:published_time\" content=\"2014-09-15T16:00:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-08-02T13:11:47+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"960\" \/>\n\t<meta property=\"og:image:height\" content=\"728\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Manshur Zikri\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@http:\/\/twitter.com\/tooftolenk\" \/>\n<meta name=\"twitter:site\" content=\"@arkipel\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Manshur Zikri\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\"},\"author\":{\"name\":\"Manshur Zikri\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/07601649e2a7cb52f92d038c78f713e1\"},\"headline\":\"Filem Tak Mengharuskan Percakapan\",\"datePublished\":\"2014-09-15T16:00:08+00:00\",\"dateModified\":\"2017-08-02T13:11:47+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\"},\"wordCount\":1051,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1\",\"keywords\":[\"Electoral Risk\"],\"articleSection\":[\"ARKIPEL 2014 - Electoral Risk\",\"Curatorial Program\",\"Film Screening Reviews\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\",\"url\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\",\"name\":\"Filem Tak Mengharuskan Percakapan — ARKIPEL\",\"isPartOf\":{\"@id\":\"https:\/\/arkipel.org\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1\",\"datePublished\":\"2014-09-15T16:00:08+00:00\",\"dateModified\":\"2017-08-02T13:11:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage\",\"url\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1\",\"width\":960,\"height\":728},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/arkipel.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Filem Tak Mengharuskan Percakapan\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/arkipel.org\/#website\",\"url\":\"https:\/\/arkipel.org\/\",\"name\":\"ARKIPEL\",\"description\":\"Jakarta International Documentary and Experimental Film Festival\",\"publisher\":{\"@id\":\"https:\/\/arkipel.org\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/arkipel.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/arkipel.org\/#organization\",\"name\":\"Arkipel\",\"url\":\"https:\/\/arkipel.org\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"contentUrl\":\"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1\",\"width\":901,\"height\":351,\"caption\":\"Arkipel\"},\"image\":{\"@id\":\"https:\/\/arkipel.org\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/arkipel.festival\/\",\"https:\/\/x.com\/arkipel\",\"https:\/\/www.instagram.com\/arkipel\/\",\"https:\/\/www.youtube.com\/channel\/UCr6MA0fZypBs9tHpfNa3vVQ\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/07601649e2a7cb52f92d038c78f713e1\",\"name\":\"Manshur Zikri\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/arkipel.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/21209d8955eb6ff2980cc2453d9ace6a?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/21209d8955eb6ff2980cc2453d9ace6a?s=96&d=mm&r=g\",\"caption\":\"Manshur Zikri\"},\"description\":\"Manshur Zikri (Pekanbaru, 1991) adalah seorang peneliti, pegiat media warga, anggota Forum Lenteng, dan pengurus harian AKUMASSA (www.akumassa.org).\u00a0Lulusan Departemen Kriminologi, Universitas Indonesia, tahun 2014. Tulisan-tulisannya memiliki perhatian pada tema-tema budaya, media, kajian filem, dan kritik seni. Manshur Zikri (Pekanbaru, 1991) is a researcher, citizen media activist, a member of Forum Lenteng, one of who are in charge of AKUMASSA (www.akumassa.org). He graduated of Department of Criminology, University of Indonesia, in 2014. His writings are concerned with the themes of media, culture, film studies and arts criticism.\",\"sameAs\":[\"http:\/\/manshurzikri.wordpress.com\",\"https:\/\/www.facebook.com\/manshurzikri?fref=ts\",\"https:\/\/x.com\/http:\/\/twitter.com\/tooftolenk\"],\"url\":\"https:\/\/arkipel.org\/people\/manshurzikri\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Filem Tak Mengharuskan Percakapan — ARKIPEL","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/","og_locale":"en_US","og_type":"article","og_title":"Filem Tak Mengharuskan Percakapan — ARKIPEL","og_description":"Filem ini, jelas sekali, mengajarkan kita bahwa filem adalah visual, dan dalam pengemasan ide\/isu-nya, filem tak mengharuskan sebuah percakapan.","og_url":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/","og_site_name":"ARKIPEL","article_publisher":"https:\/\/www.facebook.com\/arkipel.festival\/","article_author":"https:\/\/www.facebook.com\/manshurzikri?fref=ts","article_published_time":"2014-09-15T16:00:08+00:00","article_modified_time":"2017-08-02T13:11:47+00:00","og_image":[{"width":960,"height":728,"url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","type":"image\/jpeg"}],"author":"Manshur Zikri","twitter_card":"summary_large_image","twitter_creator":"@http:\/\/twitter.com\/tooftolenk","twitter_site":"@arkipel","twitter_misc":{"Written by":"Manshur Zikri","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#article","isPartOf":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/"},"author":{"name":"Manshur Zikri","@id":"https:\/\/arkipel.org\/#\/schema\/person\/07601649e2a7cb52f92d038c78f713e1"},"headline":"Filem Tak Mengharuskan Percakapan","datePublished":"2014-09-15T16:00:08+00:00","dateModified":"2017-08-02T13:11:47+00:00","mainEntityOfPage":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/"},"wordCount":1051,"commentCount":0,"publisher":{"@id":"https:\/\/arkipel.org\/#organization"},"image":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","keywords":["Electoral Risk"],"articleSection":["ARKIPEL 2014 - Electoral Risk","Curatorial Program","Film Screening Reviews"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/","url":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/","name":"Filem Tak Mengharuskan Percakapan — ARKIPEL","isPartOf":{"@id":"https:\/\/arkipel.org\/#website"},"primaryImageOfPage":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage"},"image":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage"},"thumbnailUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","datePublished":"2014-09-15T16:00:08+00:00","dateModified":"2017-08-02T13:11:47+00:00","breadcrumb":{"@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#primaryimage","url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","contentUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","width":960,"height":728},{"@type":"BreadcrumbList","@id":"https:\/\/arkipel.org\/filem-tak-mengharuskan-percakapan\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/arkipel.org\/"},{"@type":"ListItem","position":2,"name":"Filem Tak Mengharuskan Percakapan"}]},{"@type":"WebSite","@id":"https:\/\/arkipel.org\/#website","url":"https:\/\/arkipel.org\/","name":"ARKIPEL","description":"Jakarta International Documentary and Experimental Film Festival","publisher":{"@id":"https:\/\/arkipel.org\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/arkipel.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/arkipel.org\/#organization","name":"Arkipel","url":"https:\/\/arkipel.org\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/arkipel.org\/#\/schema\/logo\/image\/","url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1","contentUrl":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2020\/02\/logo_arkipel-full-black.jpg?fit=901%2C351&ssl=1","width":901,"height":351,"caption":"Arkipel"},"image":{"@id":"https:\/\/arkipel.org\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/arkipel.festival\/","https:\/\/x.com\/arkipel","https:\/\/www.instagram.com\/arkipel\/","https:\/\/www.youtube.com\/channel\/UCr6MA0fZypBs9tHpfNa3vVQ"]},{"@type":"Person","@id":"https:\/\/arkipel.org\/#\/schema\/person\/07601649e2a7cb52f92d038c78f713e1","name":"Manshur Zikri","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/arkipel.org\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/21209d8955eb6ff2980cc2453d9ace6a?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/21209d8955eb6ff2980cc2453d9ace6a?s=96&d=mm&r=g","caption":"Manshur Zikri"},"description":"Manshur Zikri (Pekanbaru, 1991) adalah seorang peneliti, pegiat media warga, anggota Forum Lenteng, dan pengurus harian AKUMASSA (www.akumassa.org).\u00a0Lulusan Departemen Kriminologi, Universitas Indonesia, tahun 2014. Tulisan-tulisannya memiliki perhatian pada tema-tema budaya, media, kajian filem, dan kritik seni. Manshur Zikri (Pekanbaru, 1991) is a researcher, citizen media activist, a member of Forum Lenteng, one of who are in charge of AKUMASSA (www.akumassa.org). He graduated of Department of Criminology, University of Indonesia, in 2014. His writings are concerned with the themes of media, culture, film studies and arts criticism.","sameAs":["http:\/\/manshurzikri.wordpress.com","https:\/\/www.facebook.com\/manshurzikri?fref=ts","https:\/\/x.com\/http:\/\/twitter.com\/tooftolenk"],"url":"https:\/\/arkipel.org\/people\/manshurzikri\/"}]}},"jetpack_featured_media_url":"https:\/\/i0.wp.com\/arkipel.org\/wp-content\/uploads\/2014\/09\/Cuplikan-Filem-Suite-Habana-karya-Fernando-P\u00e9rez_02.jpg?fit=960%2C728&ssl=1","jetpack_shortlink":"https:\/\/wp.me\/p3vpmt-Ns","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts\/3066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/comments?post=3066"}],"version-history":[{"count":0,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/posts\/3066\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/media\/3068"}],"wp:attachment":[{"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/media?parent=3066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/categories?post=3066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/arkipel.org\/wp-json\/wp\/v2\/tags?post=3066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}