{"id":7461,"date":"2017-08-26T09:00:58","date_gmt":"2017-08-26T02:00:58","guid":{"rendered":"http:\/\/arkipel.org\/?p=7461"},"modified":"2017-08-28T15:56:03","modified_gmt":"2017-08-28T08:56:03","slug":"augmenting-realness-the-modified-reality","status":"publish","type":"post","link":"https:\/\/arkipel.org\/augmenting-realness-the-modified-reality\/","title":{"rendered":"Augmenting Realness, The Modified Reality"},"content":{"rendered":"[vc_row][vc_column][vc_tabs][vc_tab title=&#8221;Bahasa Indonesia&#8221; tab_id=&#8221;1503908698-1-84&#8243;][vc_column_text title=&#8221;Menambah Realitas, Kenyataan yang dimodifikasi&#8221;]\u201cSelamat datang di ARKIPEL 2017 \u2018<em>Penal Colony\u2019,<\/em> akan diputar program seleksi berjudul <em>The Windmill,<\/em> diambil dari salah satu adegan dari novel Don Quixote,\u201d ujar seseorang dari arah kanan yang membuyarkan lamunan saya sekaligus membuat saya sadar kalau baru terdapat empat orang saja yang duduk tersebar di GoetheHaus, \u201cAda empat filem yang akan diputar di program ini.\u201d<\/p>\n<p>Jumat, 25 Agustus 2017, saya berkesempatan menonton Program Kompetisi Internasional 2: \u201cKincir Angin\u201d. Dua dari empat filem yang akan saya tonton dibuat oleh sutradara yang berasal dari negara yang saat ini kebudayaan, linguistik serta sastranya masih saya pelajari di kampus, yaitu Jerman. Selebihnya berasal dari Tiongkok dan Spanyol.<\/p>\n<p>\u201cProgram dari kuratorial ini mempertanyakan posisi sinema dalam berbagai temuan evolusi <em>moving image,<\/em> salah satu contohnya yang terbaru ialah <em>augmented reality<\/em> yang paling banyak terlihat di Pok\u00e9mon GO,\u201d ujar kurator hari ini, yaitu Afrian Purnama yang merupakan kritikus dan kurator filem, anggota Forum Lenteng sekaligus penulis utama di <em>Jurnal Footage.<\/em> Masih teringat jelas di pikiran kita, sebuah permainan<em> augmented reality<\/em> Pok\u00e9mon GO yang terkenal di kalangan pemegang ponsel pintar dengan sistem operasi android maupun iOS. Berbagai kalangan, tua maupun muda, laki-laki maupun perempuan, semuanya memainkan <em>game<\/em> ini. Saya pun termasuk salah satunya.<\/p>\n<p>Sesekali Afrian memberhentikan pembukaannya untuk mempersilakan penonton yang baru saja memasuki GoetheHaus. Menyadari beberapa penonton merupakan penutur bahasa asing, Afrian kemudian melanjutkan sapaannya dalam Bahasa Inggris. \u201dMenurut saya sinema masih relevan sebagai alat untuk ekspresi, sebagai alat untuk menemukan posisi dalam sosial politik\u2014sebagai ekspresi politik,\u201d tambahnya lagi dengan jelas kepada 14 penonton di program kuratorialnya, \u201c<em>Have a good time, thank you!<\/em>\u201d<\/p>\n<p>Filem pertama berjudul <em>Passage <\/em>(2016) yang sederhana namun sebenarnya menyimpan kekuatan yang besar. Karya Di Hu berdurasi 11 menit ini menunjukkan pemandangan jalanan kota di Tiongkok dengan mural dan juga gaya arsitektur Eropa yang rasanya tidak pada tempatnya yang tepat. Indah, namun tetap terasa janggal ketika melihatnya.<\/p>\n<p>Puas dengan keindahan mural-mural di <em>Passage <\/em>itu, <em>Hashti Teran<\/em> (2016) menjadi filem kedua yang diputar. Berdurasi hampir satu jam, karya Daniel K\u00f6tter ini terdiri dari 4 bagian kota di Tehran\u2014utara, barat, timur dan selatan. Tiap-tiap lokasi mempunyai perbedaan suasana maupun latarnya masing-masing, seperti utara dengan pegunungan saljunya, barat dengan pembangunan proyek perumahan masal serba modern, timur dengan pembangunan proyek perumahan yang sama namun tidak semodern dan sebaik di barat dan selatan yang sedang dalam proses direlokasikan dengan dalih pemekaran kota.<\/p>\n<p><em>El Becerro Pintado <\/em>(atau <em>The Painted Calf<\/em>, 2016) karya Davin Pantale\u00f3n menjadi salah satu filem yang menarik bagi saya. Sesuai judulnya, seekor sapi menjadi bintang utama filem berdurasi 10 menit ini. Terdapat dua adegan yang saling berkaitan, yang pertama beberapa orang laki-laki yang menyanyikan kisah yang tertulis di kitab suci mengenai kisah Harun, saudara dari Musa, yang membuat sebuah lembu emas sebagai Tuhan dengan iringan gitar dan yang kedua seorang laki-laki dengan seekor sapi yang ia cat berwarna emas. Perubahan sapi berwarna hitam menjadi warna emas itu sontak membuat seluruh penonton tertawa.<\/p>\n<p><em>Das Gestell <\/em>(2017) karya Philip Widmann menjadi penutup program kuratorial siang itu. Kata \u201cGestell\u201c sendiri sering dipakai oleh filsuf Jerman, Martin Heidegger, untuk mendeskripsikan apa yang ada di balik teknologi modern. Filem berdurasi 30 menit ini mengenai seorang filsuf Jepang yang menulis kepada seorang Jerman yang terkenal untuk mendapatkan saran: bagaimana orang Jepang dapat menangani teknologi yang integral dengan kehidupan modern. Seting tahun 1962-1965, keindahan Jepang, suara-suara dari <em>brass band<\/em> di pinggir jalan, juga dua bahasa yang saling berusaha dicari padanannya menjadi daya tarik tersendiri. ***[\/vc_column_text][\/vc_tab][vc_tab title=&#8221;English&#8221; tab_id=&#8221;1503908698-2-76&#8243;][vc_column_text title=&#8221;Augmenting Realness, The Modified Reality&#8221;]\u201cWelcome to the ARKIPEL 2017 \u2018<em>Penal Colony\u2019,<\/em> we will screen the program called <em>The Windmill<\/em>, taken from one of the scenes in Don Quixote novel,\u201d said someone from the right interrupting my daydream but also made me realize that there were only 4 audiences sat scattered across the seats in GoetheHaus, \u201d There are 4 films screened in this program.\u201d<\/p>\n<p>Friday, August 25 2017, I had the chance to watch the International Competition 2 program: The Windmill. Two out of four films screened were made by a director who comes from a country whose culture, lingustics and literature were studied by me in the university, which is Germany. The rest were from China and Spain.<\/p>\n<p>\u201cThis curatorial questions the position of cinema in various findings on the evolution of moving image, one of the example is <em>augmented reality<\/em> which mostly seen in games Pok\u00e9mon GO,\u201d said the curator today, Afrian Purnama who is a film critic and curator as well as member of Forum Lenteng and main writer in <em>Jurnal Footage.<\/em> Still remembered clearly in our minds, an augmented reality game, Pok\u00e9mon GO, was famous among smartphone holders both with android operating system and IOS. Various people, young and old, men and women, all played this game. I was one of them.<\/p>\n<p>Occasionally Afrian suspended his opening to let the new audiences entered the GoetheHaus. Realizing that some audiences were foreign-language speakers, Afrian continued his introduction in English. &#8220;I think cinema is still relevant as a means of expression, as a means for finding the positions in social and politics \u2014 as a political expression,&#8221; he added clearly to 14 audiences on his curatorial program, &#8220;Have a good time, thank you!&#8221;<\/p>\n<p>The first film was <em>Passage<\/em> (2016) which was simple but actually has great power. This 11-minutes work of Di Hu showed the city street views in China with mural and also European architectural styles that do not feel right. Beautiful, but it still felt awkward when you see it.<\/p>\n<p>Satisfied by the beauty of murals in the <em>Passage<\/em>, <em>Hashti<\/em> <em>Teran<\/em> (2016) became the second film screened. Within almost an hour, this work of Daniel K\u00f6tter consists of 4 parts of the city in Tehran\u2014 north, west, east and south. Each location has its own distinct atmosphere and setting, such as the north one with its snow-mountains, the west with its bulk construction of all modern housings, the east with the same housings project but not as modern and as well constructed as in the west and\u00a0 the south that were in the process of being relocated under the pretext of city expansion.<\/p>\n<p><em>El Becerro Pintado (<\/em>or<em> The Painted Calf, <\/em>2016<em>) <\/em>by Davin Pantale\u00f3n was one of the appealing films for me. As the title suggested, a cow was the main star of this 10 minutes film. There were two interconnected scenes, the first was a few men singing the scriptures of Aaron, the brother of Moses who made a golden cow as his Lord, along with melody of a guitar and the second was a man with a cow which he painted gold. The change of the cow\u2019s color from black into gold instantly made the whole audiences laughed.<\/p>\n<p><em>Das Gestell <\/em>(2017) by Philip Widmann was the closure of this curatorial program. The word &#8220;Gestell&#8221; itself was often used by Germany philosopher, Martin Heidegger, to describe what lies behind modern technology. This 30 minutes film was about a Japanese philosopher who wrote to a famous Germany for advice: how the Japanese can handle technology that is integral to modern life. Set in 1962-1965, the beauty of Japan, voices of the brass band on the streetside, as well as two languages that mutually sought for its match, became its own attraction.***[\/vc_column_text][\/vc_tab][\/vc_tabs][vc_gallery type=&#8221;flexslider_slide&#8221; interval=&#8221;3&#8243; images=&#8221;7474,7473,7472,7471,7470,7468,7467,7466,7465&#8243; img_size=&#8221;full&#8221; title=&#8221;Gallery&#8221;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>Friday, August 25 2017, I had the chance to watch the International Competition 2 program: The Windmill. Two out of four films screened were made by a director who comes from a country whose culture, lingustics and literature were studied by me in the university, which is Germany. The rest were from China and Spain.<\/p>\n","protected":false},"author":129,"featured_media":7471,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[370,1,385,344],"tags":[338,192,340],"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Augmenting Realness, The Modified Reality &#8212; ARKIPEL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/arkipel.org\/augmenting-realness-the-modified-reality\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Augmenting Realness, The Modified Reality &#8212; ARKIPEL\" \/>\n<meta property=\"og:description\" content=\"Friday, August 25 2017, I had the chance to watch the International Competition 2 program: The Windmill. 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Two out of four films screened were made by a director who comes from a country whose culture, lingustics and literature were studied by me in the university, which is Germany. 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Senang menulis dan bermain musik. Saat ini selain aktif bermusik di unit kegiatan mahasiswa OSUI Mahawaditra, ia juga menjadi relawan reporter untuk ARKIPEL social\/kapital tahun 2016 dan ARKIPEL Penal Colony tahun 2017. - Yosephine Gunawan (Jakarta, October 19, 1996) is a student of German Literature at the Faculty of Humanities, University of Indonesia. She likes writing and playing music. 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