{"id":7908,"date":"2018-08-01T21:32:32","date_gmt":"2018-08-01T14:32:32","guid":{"rendered":"http:\/\/arkipel.org\/?p=7908"},"modified":"2019-07-04T23:43:59","modified_gmt":"2019-07-04T16:43:59","slug":"the-father-of-philippine-independent-cinema","status":"publish","type":"post","link":"https:\/\/arkipel.org\/the-father-of-philippine-independent-cinema\/","title":{"rendered":"Curatorial Program – 03"},"content":{"rendered":"[vc_row][vc_column][vc_column_text css=”.vc_custom_1533136643348{margin-bottom: 0px !important;}”]\n

Focus on Kidlat Tahimik<\/strong>
\nFokus tentang Kidlat Tahimik<\/em><\/h2>\n

Curator: Merv Espina
\n–
\n<\/strong>Tuesday, August 14, 2018 | 04:00 – 0900 pm | Kineforum, Taman Ismail Marzuki
\nWednesday, August 15, 2018 | 07:00 – 0900 pm | Kineforum, Taman Ismail Marzuki<\/p>\n[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Preface by AFRIAN PURNAMA”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1532698060053{margin-bottom: 0px !important;}”]Kidlat Tahimik<\/strong> (lahir 3 Oktober 1942) adalah seorang seniman kelahiran Filipina. Capaian dari filem-filem yang diproduksi oleh Kidlat Tahimik membuatnya dianggap sebagai salah satu tokoh sinema terbaik Asia Tenggara yang mampu membahasakan dualitas kelokalan dan globalisasi ke dalam bahasa sinema. Kenaifan di filem-filem Kidlat Tahimik tidak lahir dari ketidakpedulian, namun kenaifan di sini bekerja sebagai upaya untuk menempatkan jarak antara yang jauh dan terasing dengan yang lokal dan sehari-hari, melahirkan sebuah anatomi geografis yang terdisorientasi.<\/span><\/p>\n

ARKIPEL\u00a0homoludens<\/em>\u00a0– 6th Jakarta International Documentary and Experimental Film Festival, 2018, menghadirkan sebuah program yang berfokus pada Kidlat Tahimik untuk membicarakan karya-karyanya dengan menayangkan tiga filem Kidlat Tahimik yang dirasa penting untuk didiskusikan dan memiliki semangat yang sama dengan tema \u201cHomoludens\u201d tahun ini, yaitu The Perfumed Nightmare<\/em> (atau Mababangong bangungot<\/em>), Who invented the Yo-yo? Who invented the Moon Buggy?<\/em> (atau Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy?<\/em>) dan Balikbayan #1 Memories of Overdevelopment Redux VI<\/em>. Program ini dikurasi dan disajikan oleh Merv Espina, kurator dan pegiat seni gambar bergerak asal Filipina.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1532698097743{margin-bottom: 0px !important;}”]Kidlat Tahimik <\/strong>(born October 3, 1942) is a Filipino-born artist. His films’ achievements have made him considered as one of the most crucial figures of Southeast Asian cinema who is able to express the duality of locality and globalization into the cinema language. Naivety here works as an attempt to put a distance between the far and outcasted ones with the local and daily ones, giving birth to disoriented geographical anatomy.<\/span><\/p>\n

ARKIPEL homoludens<\/em>\u00a0– the 6th Jakarta International Documentary and Experimental Film Festival, 2018, will present a program of Kidlat Tahimik to discuss his works by screening three of his films, which are considered essential and have the same spirit with homoludens<\/em> as our theme this year. The films are The Perfumed Nightmare<\/em> (or Mababangong bangungot),<\/em> Who invented the Yo-yo? Who invented the Moon Buggy?<\/em> (or Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy?),<\/em> and Balikbayan #1 Memories of Overdevelopment Redux VI<\/em>. This program will be presented by Merv Espina, curator and film activist from the Philippines.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”Screening Events”][\/vc_column][\/vc_row][vc_row][vc_column][vc_tta_tabs][vc_tta_section title=”Program I” tab_id=”1532692234379-5ba84a5a-ef56″][vc_single_image image=”7916″ img_size=”large”][vc_column_text css=”.vc_custom_1532694040968{margin-bottom: 0px !important;}”]THE PERFUMED NIGHTMARE<\/strong>
\n1977, 93 min, colour[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696085317{margin-bottom: 0px !important;}”]Original Title\u00a0Mababangong Bangungot
\n<\/strong>Country of Production Philippines<\/strong>
\nLanguage\u00a0Filipino & English\u00a0<\/strong>
\nSubtitle –<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1533136942804{margin-bottom: 0px !important;}”]Name of Program On Kidlat Tahimik<\/strong>
\nCurator Merv Espina<\/strong>
\nSchedule Tuesday, 14 August 2018, 04:00 pm<\/strong>
\nVenue Kineforum, Taman Ismail Marzuki<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532694243123{margin-bottom: 0px !important;}”]Film ini berfokus pada petualangan seorang pengemudi jeepney Filipina yang bermimpi untuk pindah ke Amerika dan menjadi astronot di sana. Cinta dan impiannya akan kehidupan Barat yang ideal menemukan jalannya ketika seorang Amerika membantunya untuk sampai ke Paris bersama dengan jeepney-nya. Mimpi itu menjadi kenyataan tetapi malah berubah menjadi kekacauan ketika ilusinya hancur. Akhirnya, ia pun kembali ke Filipina.<\/span><\/p>\n

–<\/span><\/p>\n

Sinopsis ini diambil dari situs web Kidlat Tahimik, di link ini<\/a>.<\/em><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532694217857{margin-bottom: 0px !important;}”]The film focuses on the adventures of a Filipino jeepney driver who dreams of emigrating to America and becoming an astronaut there. His love and dreams of an ideal West found its way when an American helps him to finally make it to Paris in his jeepney. The dream comes true but turns out to be a turmoil when his illusions are shattered. At last, he returns to the Philippines.<\/span><\/p>\n

–<\/span><\/p>\n

This synopsis was retrieved from the website of Kidlat Tahimik, at this link<\/a>.<\/span><\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”PROGRAM II” tab_id=”1532695220988-8866ee1f-ea14″][vc_single_image image=”7941″ img_size=”large”][vc_column_text css=”.vc_custom_1532695747677{margin-bottom: 0px !important;}”]WHO INVENTED THE YO-YO? WHO INVENTED THE MOON BUGGY?<\/strong>
\n1978\/82, 94 min, color[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696073162{margin-bottom: 0px !important;}”]Original Title Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy?
\n<\/strong>Country of Production Philippines<\/strong>
\nLanguage\u00a0Filipino & English\u00a0<\/strong>
\nSubtitle –<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696140753{margin-bottom: 0px !important;}”]Name of Program On Kidlat Tahimik<\/strong>
\nCurator Merv Espina<\/strong>
\nSchedule Tuesday, 14 August 2018, 07:00 pm<\/strong>
\nVenue Kineforum<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696280801{margin-bottom: 0px !important;}”]Karya kuasi sekuel The Perfumed Nightmare<\/em> ini masih berhubungan dengan teknologi dan moda transportasi, tapi kali ini bercerita tentang sebuah roket buatan sendiri dan yo-yo\u2014mainan yang dikenal sebagai penemuan seorang Filipina. Protagonis yang diperankan oleh Kidlat Tahimik ini bekerja sama dengan sekelompok anak-anak di sebuah peternakan Bavaria untuk mengerjakan proyek pesawat luar angkasa untuk melihat apakah seseorang dapat bermain yoyo di bulan.<\/span><\/p>\n

–<\/span><\/p>\n

Sinopsis ini diambil dari situs web Kidlat Tahimik, di link ini<\/a>.<\/em><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696361338{margin-bottom: 0px !important;}”]This quasi-sequel to The Perfumed Nightmare still deals with technology and mode of transport, but this time around is with a home-made rocket yo-yo \u2013 a toy largely known as the invention of a Filipino. The hero played by Kidlat Tahimik himself teams up with a bunch of kids on a Bavarian farm to work on a spaceship project to see if one can play yo-yo on the moon.<\/span><\/p>\n

–<\/span><\/p>\n

This synopsis was retrieved from the website of Kidlat Tahimik, at this link<\/a>.<\/em><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”PROGRAM III” tab_id=”1532695293245-64599d5a-dec2″][vc_single_image image=”7944″ img_size=”large”][vc_column_text css=”.vc_custom_1532696704070{margin-bottom: 0px !important;}”]BALIKBAYAN #1 MEMORIES OF OVERDEVELOPMENT REDUX VI<\/strong>
\n1979-2015, 159 min, color[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696762856{margin-bottom: 0px !important;}”]Original Title Balikbayan #1 Memories of Overdevelopment Redux VI<\/strong>
\nCountry of production Philippines<\/strong>
\nLanguage Filipino & English<\/strong>
\nSubtitles English<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696806262{margin-bottom: 0px !important;}”]Name of Program On Kidlat Tahimik<\/strong>
\nCurator Merv Espina<\/strong>
\nSchedule Tuesday, 15 August 2018, 07:00 pm<\/strong>
\nVenue Kineforum<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space height=”16px”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696966865{margin-bottom: 0px !important;}”]Sebagai kaum muda pemberontak di medan perfileman Filipina, sang avant-gardis Kidlat Tahimik menolak untuk menyelesaikan apa pun, entah itu menceritakan masa lalu kolonial, atau versi apa pun dari filem ini, yang telah dibuat dan direvisi selama hampir empat dekade. BalikBayan, yang berarti “orang yang kembali” dalam bahasa Filipina, sebagian tentang kepulangan tokoh sejarah Enrique of Malacca, seorang Melayu yang Tahimik perankan dan dibawa ke layar pada tahun 1979. Sebagai budak penjelajah Portugis abad ke-16, Ferdinand Magellan, dia mengelilingi Bumi, sebelum kembali ke rumah sebagai manusia bebas. Rekaman lama Enrique, diperankan oleh Tahimik muda, bercampur dengan kisah fiktif seorang lelaki tua misterius, diperankan oleh Tahimik saat ini, dan cuplikan dokumenter komunitas seniman kontemporer di Baguio, di Filipina utara. Dalam versi ini, Redux VI<\/em>, Tahimik melanjutkan pencariannya untuk mempertimbangkan warisan kolonial Filipina. Dibuat dengan 16mm (1979\u20131980-an) dan video (1990-an \u2013 2017).<\/span><\/p>\n

–<\/span><\/p>\n

Sinopsis ini diambil dari situs web MoMA, di link ini<\/a>.<\/em><\/span>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1532696948179{margin-bottom: 0px !important;}”]As the ultimate enfant terrible of Philippine cinema, avant-gardist Kidlat Tahimik refuses to settle on anything, whether it\u2019s the telling of a colonial past, or any version of this film, which he\u2019s been making and revising for nearly four decades. BalikBayan, which means \u201creturnee\u201d in Filipino, is partly about the homecoming of the historical figure Enrique of Malacca, a Malay who Tahimik first played and brought to the screen in 1979. As the slave of the 16th-century Portuguese explorer Ferdinand Magellan, he circumnavigated the Earth, before returning home as a free man. Old footage of Enrique, played by the young Tahimik, is mixed with the fictional story of a mysterious old man, played by the present-day Tahimik, and documentary footage of a contemporary artist community in Baguio, in the northern Philippines. In this version, Redux VI, Tahimik continues his quest to reconsider the Philippines\u2019 colonial legacy. Shot on 16mm (1979\u20131980s) and video (1990s\u20132017).<\/span><\/p>\n

–<\/span><\/p>\n

This synopsis was retrieved from MoMA’s website, at this link<\/a>.<\/em><\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][\/vc_tta_tabs][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_text_separator title=”About the Curator” color=”black” border_width=”2″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][vc_single_image image=”8551″ img_size=”full”][\/vc_column][vc_column width=”5\/12″][vc_column_text css=”.vc_custom_1533137672592{margin-bottom: 0px !important;}”]Merv Espina<\/strong> is an artist, organizer, and researcher based in Metro Manila . He is co-founder of the institute of Lower Learning (iLL), an experimental art and education initiative based in Saigon and Manila; program director for Green Papaya Art Projects, the oldest artist-run creative interdisciplinary platform in the Philippines; and cook-janitor of WSK, a media art kitchen and annual \u201cfestival of the recently possible\u201d.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”5\/12″][vc_column_text css=”.vc_custom_1533137694661{margin-bottom: 0px !important;}”]Merv Espina<\/strong> adalah seorang seniman, organisator dan peneliti yang berbasis di Metro Manila. Ia salah seorang pendiri institute of Lower Learning (iLL), sebuah organisasi pendidikan dan seni eksperimental yang berbasis di Saigon dan Manila; juga Direktur Program Green Papaya Art Projects, organisasi kreatif interdisipliner tertua di Filipina; serta pegiat WSK, sebuah festival dan dapur seni media.\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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