{"id":8936,"date":"2018-08-15T20:12:58","date_gmt":"2018-08-15T13:12:58","guid":{"rendered":"http:\/\/arkipel.org\/?p=8936"},"modified":"2018-08-15T20:12:58","modified_gmt":"2018-08-15T13:12:58","slug":"homoludens-heading-to-the-program-of-kidlat-tahimik","status":"publish","type":"post","link":"https:\/\/arkipel.org\/homoludens-heading-to-the-program-of-kidlat-tahimik\/","title":{"rendered":"Heading to the Program of Kidlat Tahimik"},"content":{"rendered":"[vc_row][vc_column][vc_tabs][vc_tab title=”Bahasa Indonesia” tab_id=”1503218961-1-46″][vc_column_text title=”festival’s festivity” css=”.vc_custom_1534338530751{margin-bottom: 0px !important;}”]\n
Menuju Pemutaran Kidlat Tahimik <\/strong><\/h2>\n
Selasa, 14 Agustus 2018, bertempat di Kineforum, Taman Ismail Marzuki, Jakarta yang menjadi salah satu lokasi acara ARKIPEL homoludens<\/em> \u2013 6th Jakarta International Documentary and Experimental Film Festival<\/em>, Kidlat Tahimik menyajikan karya instalasinya menjelang acara penayangan dua filemnya yang termasuk dalam program Focus on Kidlat Tahimik<\/em> yang dikurasi oleh Merv Espina. Pada kesempatan itu, Sardono, salah seorang penari ternama Indonesia, hadir di sela-sela acara untuk bersua dengan Kidlat. Kidlat dan Sardono bisa dikatakan satu generasi dalam ranah seni di Asia Tenggara. Penanda itu bisa kita lihat pada karya performans\u00a0 Metaekologi<\/em> Sardono<\/em> (1979) dan filem Perfume<\/em>d Nightmare<\/em> (1979). Pada pertemuan informal di Kineforum itu, mereka berdua lebih banyak memperbincangkan sejumlah arsip yang mereka bawa masing-masing, di mana Kidlat menunjukan foto ibunya bersama Soekarno sementara Sardono menunjukkan sebuah buklet tentang pameran arsip mengenai tariannya ketika di Singapura. Mereka sebelumnya juga pernah bertemu di Nancy Festival Perancis.<\/p>\n
Heading to the Program of Kidlat Tahimik<\/strong><\/h2>\n
Tuesday, August 14 2018, located at the Kineforum, Taman Ismail Marzuki, Jakarta that has become one one of the venues for ARKIPEL homoludens<\/em> \u2013 6th Jakarta International Documentary and Experimental Film Festival<\/em>, Kidlat Tahimik also presented his installation work when two of his films were about to be screened under the program of Focus on Kidlat Tahimik<\/em> curated by Merv Espina. At that time, Sardono, one of Indonesia\u2019s famous dancers, came to ARKIPEL to meet Kidlat. Kidlat and Sardono can be said to be in one generation in the art scene in Southeast Asia. Such a benchmark can be seen from the performance Metaekologi<\/em> Sardono<\/em> (1979) and the film Perfume<\/em>d Nightmare<\/em> (1979). In this informal meeting in Kineforum, the two talked mostly about the archives they brought; Kidlat with the photograph of his mother with Soekarno while Sardono showed a booklet of an archival exhibition of his dance when he was in Singapore. They\u2018ve met in the Nancy Festival France before.<\/p>\n
Kidlat and Sardono after Kidlat’s performance<\/p><\/div>\n[\/vc_column_text][\/vc_tab][\/vc_tabs][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"
Kidlat Tahimik also presented his installation work when two of his films were about to be screened under the program of Focus on Kidlat Tahimik curated by Merv Espina. At that time, Sardono, one of Indonesia\u2019s famous dancers, came to ARKIPEL to meet Kidlat. <\/p>\n","protected":false},"author":3,"featured_media":8938,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Heading to the Program of Kidlat Tahimik","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[479,1],"tags":[480,481,520,522,521],"jetpack_publicize_connections":[],"yoast_head":"\n
Heading to the Program of Kidlat Tahimik — ARKIPEL<\/title>\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\t\n\n\n\n\n\n\t\n\t\n\t\n